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<br /> Contents<br /> Art Previewed<br /> Previewed<br /> by Martin Herbert<br /> 33<br /> Points of View<br /> by J.J. Charlesworth, Mike Watson,<br /> Hettie Judah, Jonathan T.D. Neil,<br /> Jonathan Grossmalerman, Maria Lind,<br /> Aoife Rosenmeyer, Sam Jacob &<br /> Oliver Basciano<br /> 43<br /> Grandma Moses on Rosalind Krauss<br /> Interview by Matthew Collings<br /> 58<br /> Valeria Napoleone<br /> Interview by Mark Rappolt<br /> 62<br /> Lisa Dennison<br /> Interview by Tom Eccles<br /> 66<br /> Art Featured<br /> Paola Pivi<br /> Interview by Christopher Mooney<br /> 78<br /> David Maljkovic<br /> by Oliver Basciano<br /> 86<br /> Pierre Huyghe<br /> by Christopher Mooney<br /> 92<br /> Elmgreen & Dragset<br /> by Kimberly Bradley<br /> 102<br /> Gianni Colombo<br /> by Daniele Perra & Lorenza Pignatti<<a title="ArtReview October 2013 page 1" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=1"> Contents Art Previewed Previewed by Martin Herb</a> <a title="ArtReview October 2013 page 2" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=2"> You don't need to use the claw when you pick a pe</a> <a title="ArtReview October 2013 page 3" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=3"> 217393_ArtRev_VCA 2 </a> <a title="ArtReview October 2013 page 4" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=4"> 217393_ArtRev_VCA 3 </a> <a title="ArtReview October 2013 page 5" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=5"> saint laurent 4 </a> <a title="ArtReview October 2013 page 6" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=6"> saint laurent 5 </a> <a title="ArtReview October 2013 page 7" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=7"> HAUSER & WIRTH MARTIN EDER THE COLLECTIVE UNCO</a> <a title="ArtReview October 2013 page 8" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=8"> .13 14:58 HAUSER & WIRTH DAVID ZINK YI WHY AM</a> <a title="ArtReview October 2013 page 9" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=9"> 27 September — 2 November 2013 29 Bell Street, Lo</a> <a title="ArtReview October 2013 page 10" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=10"> Liu Xiaodong Half Street 27 September — 2</a> <a title="ArtReview October 2013 page 11" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=11"> 4406.GAG_ 10 </a> <a title="ArtReview October 2013 page 12" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=12"> 4406.GAG_ 11 </a> <a title="ArtReview October 2013 page 13" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=13"> Adel Abdessemed L'âge d'or MATHAF: ARAB MUSEUM </a> <a title="ArtReview October 2013 page 14" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=14"> 3 2:46 PM DAZA_ArtR1e3view_FA.indd 3 </a> <a title="ArtReview October 2013 page 15" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=15"> ©Yayoi Kusama Infinity-Nets (WOSSA) 2012 (detail) </a> <a title="ArtReview October 2013 page 16" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=16"> YAYOI KUSAMA White Infinity Nets inaugural e</a> <a title="ArtReview October 2013 page 17" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=17"> FAULT LINES Palazzo Cusani Via Brera, 15 Milan O</a> <a title="ArtReview October 2013 page 18" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=18"> </a> <a title="ArtReview October 2013 page 19" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=19"> 243-Marlborough.indd 243 </a> <a title="ArtReview October 2013 page 20" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=20"> YAN PEI-MING HELP! 21 OCTOBER – 21 NOVEMBER 2013</a> <a title="ArtReview October 2013 page 21" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=21"> WOLFGANG TILLMANS 14 October - 24 November 2013 </a> <a title="ArtReview October 2013 page 22" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=22"> The Big Issues , it's been brought to A</a> <a title="ArtReview October 2013 page 23" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=23"> But back to the issueless issue. In i</a> <a title="ArtReview October 2013 page 24" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=24"> Irving Penn Mascara Wars, New York, 2001 © Conde </a> <a title="ArtReview October 2013 page 25" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=25"> PILAR CORRIAS, LONDON KEREN CYTTER MOP VENGEANCE</a> <a title="ArtReview October 2013 page 26" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=26"> ArtReview vol 65 no 7 October 2013 Art Previ</a> <a title="ArtReview October 2013 page 27" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=27"> Art Featured 77 Paol</a> <a title="ArtReview October 2013 page 28" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=28"> THERE ARE EXCEPTIONS TO EVERY RULE. </a> <a title="ArtReview October 2013 page 29" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=29"> Art Reviewed 125 126 </a> <a title="ArtReview October 2013 page 30" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=30"> 238-Margaret Howell.indd 238 </a> <a title="ArtReview October 2013 page 31" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=31"> 205-Brand New Gallery.indd 205 </a> <a title="ArtReview October 2013 page 32" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=32"> Art Previewed When you look under </a> <a title="ArtReview October 2013 page 33" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=33"> BERLINISCHE GALERIE DEUTSCHE BANK KUNSTHALLE KW I</a> <a title="ArtReview October 2013 page 34" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=34"> Rituals of Rented Islan</a> <a title="ArtReview October 2013 page 35" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=35"> 1 Rituals of Rented Island is secret knowledge: a</a> <a title="ArtReview October 2013 page 36" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=36"> </a> <a title="ArtReview October 2013 page 37" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=37"> suggests, are documentary-makers Zanny Begg </a> <a title="ArtReview October 2013 page 38" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=38"> for the new emperors </a> <a title="ArtReview October 2013 page 39" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=39"> and others don't. I like that sort of confl</a> <a title="ArtReview October 2013 page 40" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=40"> etro.indd 39 12/09/2013 13:55</a> <a title="ArtReview October 2013 page 41" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=41"> 201-Acquavella.indd 201 </a> <a title="ArtReview October 2013 page 42" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=42"> Galerie Hubert Winter MARTIN </a> <a title="ArtReview October 2013 page 43" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=43"> </a> <a title="ArtReview October 2013 page 44" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=44"> J. J. Charlesworth In art, th</a> <a title="ArtReview October 2013 page 45" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=45"> Mike Watson During his 1996 party conference sp</a> <a title="ArtReview October 2013 page 46" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=46"> Hettie Judah Art à porter and the rise of ‚s ƒ </a> <a title="ArtReview October 2013 page 47" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=47"> Jonathan T. D. Neil How to value a bankrupt city</a> <a title="ArtReview October 2013 page 48" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=48"> Jonathan Grossmalerman Is it really so wrong to </a> <a title="ArtReview October 2013 page 49" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=49"> Maria Lind The rise of the gnomons Anne Tyng (</a> <a title="ArtReview October 2013 page 50" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=50"> GALERIA HELGA DE ALVEAR DR. FOURQUET 12,</a> <a title="ArtReview October 2013 page 51" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=51"> Aoife Rosenmeyer In Zurich, artists and the machi</a> <a title="ArtReview October 2013 page 52" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=52"> Sam Jacob How culture (and the odd retired milita</a> <a title="ArtReview October 2013 page 53" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=53"> Oliver Basciano Oƒ-space No 15: Collective, Edin</a> <a title="ArtReview October 2013 page 54" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=54"> MAX WIGRAM GALLERY LUIZ ZERBINI PAPAGAI</a> <a title="ArtReview October 2013 page 55" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=55"> </a> <a title="ArtReview October 2013 page 56" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=56"> 11 October — 16 November 2013 56 – 57 Eastcastle</a> <a title="ArtReview October 2013 page 57" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=57"> rosenfeld porcini </a> <a title="ArtReview October 2013 page 58" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=58"> Edouard Malingu 57 </a> <a title="ArtReview October 2013 page 59" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=59"> Great Critics and Their Ideas No 25 Grandma Mo</a> <a title="ArtReview October 2013 page 60" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=60"> </a> <a title="ArtReview October 2013 page 61" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=61"> a di£erent kind of simplicity to the simplicity o</a> <a title="ArtReview October 2013 page 62" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=62"> 212-Doosan.indd 212 </a> <a title="ArtReview October 2013 page 63" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=63"> Great Collectors and Their Ideas No 2 Valeria </a> <a title="ArtReview October 2013 page 64" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=64"> You c</a> <a title="ArtReview October 2013 page 65" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=65"> I connect to, but if you don't like it, either it</a> <a title="ArtReview October 2013 page 66" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=66"> HumphreyJenningsSpareTime(filmstill),1939,35mm,tr</a> <a title="ArtReview October 2013 page 67" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=67"> Other People and Their Ideas No 9 Lisa Denniso</a> <a title="ArtReview October 2013 page 68" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=68"> You l</a> <a title="ArtReview October 2013 page 69" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=69"> supplemented by loans. The show had a prologue th</a> <a title="ArtReview October 2013 page 70" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=70"> For the survival of museums, sharing </a> <a title="ArtReview October 2013 page 71" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=71"> times.indd 251 </a> <a title="ArtReview October 2013 page 72" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=72"> </a> <a title="ArtReview October 2013 page 73" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=73"> sb 72 </a> <a title="ArtReview October 2013 page 74" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=74"> THE LIBERATION OF ART Hand signed, limited editio</a> <a title="ArtReview October 2013 page 75" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=75"> DANIEL ARSHAM #recollections 15 October - 16 Nove</a> <a title="ArtReview October 2013 page 76" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=76"> Sergio Calderon & Recycle Group: Last Space Remai</a> <a title="ArtReview October 2013 page 77" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=77"> Institute of Contemporary Arts The Mall, London, </a> <a title="ArtReview October 2013 page 78" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=78"> Art Featured And don't spend your</a> <a title="ArtReview October 2013 page 79" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=79"> 78 </a> <a title="ArtReview October 2013 page 80" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=80"> Paola Pivi The Alaska-based Ital</a> <a title="ArtReview October 2013 page 81" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=81"> - €‚ƒ€„ Nice to see you. … †‡ …ƒ‚ƒ Nice to…</a> <a title="ArtReview October 2013 page 82" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=82"> above I'm a Bear, So What?, 2</a> <a title="ArtReview October 2013 page 83" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=83"> ƒƒ A few years ago, I wanted to do an artwork w</a> <a title="ArtReview October 2013 page 84" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=84"> Camion Vertical, 1997, photographic pri</a> <a title="ArtReview October 2013 page 85" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=85"> meta space_placed REV.indd 84 </a> <a title="ArtReview October 2013 page 86" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=86"> 202-Yanghyun.indd 85 </a> <a title="ArtReview October 2013 page 87" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=87"> David Maljkovic If our future is haunt</a> <a title="ArtReview October 2013 page 88" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=88"> Images with Their Own Shadow (film still), 2008 </a> <a title="ArtReview October 2013 page 89" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=89"> corridor that ran around the perimeter of the ent</a> <a title="ArtReview October 2013 page 90" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=90"> Scene for New Heritage Part 2 (film still)</a> <a title="ArtReview October 2013 page 91" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=91"> ArtReview_Sept2013_v4.indd 1 mono.indd 2492013/09</a> <a title="ArtReview October 2013 page 92" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=92"> 239-V22.indd 239 </a> <a title="ArtReview October 2013 page 93" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=93"> 92 </a> <a title="ArtReview October 2013 page 94" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=94"> Pierre Huyghe Through a series of work</a> <a title="ArtReview October 2013 page 95" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=95"> Looking Back: The Tenses Shift, the Context Widen</a> <a title="ArtReview October 2013 page 96" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=96"> Untilled, 2011–12 (installation view, Document</a> <a title="ArtReview October 2013 page 97" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=97"> above The Host and the Cloud, 2009–10, performanc</a> <a title="ArtReview October 2013 page 98" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=98"> Language Is a Thing `Everything physical takes p</a> <a title="ArtReview October 2013 page 99" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=99"> At the Time of This Writing: The Last Words </a> <a title="ArtReview October 2013 page 100" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=100"> above Zoodram 4, 2011, live marine ecosystem</a> <a title="ArtReview October 2013 page 101" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=101"> ULLA VON BRANDENBURG SUSI JIRKUFF HANNES BÖCK 19.</a> <a title="ArtReview October 2013 page 102" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=102"> Shakti Contemporary art responses to historic S</a> <a title="ArtReview October 2013 page 103" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=103"> Elmgreen & Dragset Anxieties rise</a> <a title="ArtReview October 2013 page 104" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=104"> On the way to a monolithic former water- </a> <a title="ArtReview October 2013 page 105" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=105"> Elmgreen & Dragset are together in Berlin (</a> <a title="ArtReview October 2013 page 106" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=106"> High Expectations,</a> <a title="ArtReview October 2013 page 107" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=107"> ulture Now Join us for our series of lively Fr</a> <a title="ArtReview October 2013 page 108" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=108"> 204-Artgenve.indd 107 </a> <a title="ArtReview October 2013 page 109" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=109"> MODERN. CONTEMPORARY. ABU DHABI ART. 20 - 23 Nov</a> <a title="ArtReview October 2013 page 110" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=110"> Gianni Colombo by Daniele Perra and Lorenza</a> <a title="ArtReview October 2013 page 111" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=111"> above After-Stru</a> <a title="ArtReview October 2013 page 112" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=112"> Af</a> <a title="ArtReview October 2013 page 113" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=113"> Bariestesia, 1974–5. Photo: Mario Carrieri 11</a> <a title="ArtReview October 2013 page 114" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=114"> Milan, 1959. A group of young artists comprising </a> <a title="ArtReview October 2013 page 115" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=115"> Gianni Colombo, late 1970s. Photo: Oliviero Tosca</a> <a title="ArtReview October 2013 page 116" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=116"> Colombo was drawn to the idea of tran</a> <a title="ArtReview October 2013 page 117" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=117"> James Franco What does a successful actor</a> <a title="ArtReview October 2013 page 118" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=118"> the decisions were yours, and because of that you</a> <a title="ArtReview October 2013 page 119" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=119"> One aspect of my life is consumed </a> <a title="ArtReview October 2013 page 120" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=120"> The unfamiliarity you seek is piv</a> <a title="ArtReview October 2013 page 121" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=121"> There is very much a private self that is inte</a> <a title="ArtReview October 2013 page 122" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=122"> But because there is a public connection to the m</a> <a title="ArtReview October 2013 page 123" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=123"> THE LEADING RECRUITMENT SPECIALIST FOR THE INTERN</a> <a title="ArtReview October 2013 page 124" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=124"> Galerie 1900-2000, Paris • 303 Gallery, New York </a> <a title="ArtReview October 2013 page 125" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=125"> London Regent's Park 17–20 October 2013 Tickets a</a> <a title="ArtReview October 2013 page 126" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=126"> Art Reviewed Let me tell you somet</a> <a title="ArtReview October 2013 page 127" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=127"> Sturtevant Leaps Jumps and Bumps Serpentine Gall</a> <a title="ArtReview October 2013 page 128" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=128"> Richard Healy and Jack Newling Rowing, London 11 </a> <a title="ArtReview October 2013 page 129" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=129"> Meschac Gaba Museum of Contemporary African Art T</a> <a title="ArtReview October 2013 page 130" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=130"> £5.34 Carl Freedman Gallery, London 18 July – 24 </a> <a title="ArtReview October 2013 page 131" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=131"> Gilberto Zorio Blain/Southern, London 9 August – </a> <a title="ArtReview October 2013 page 132" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=132"> On a bridge inside Manchester's colossal Arndale </a> <a title="ArtReview October 2013 page 133" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=133"> Aquatopia: The Imaginary of the Ocean Deep Nottin</a> <a title="ArtReview October 2013 page 134" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=134"> Gregor Schneider Süßer Duft Edinburgh 2013 Summe</a> <a title="ArtReview October 2013 page 135" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=135"> Over the past decade or so, the American videomak</a> <a title="ArtReview October 2013 page 136" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=136"> Jonas Mekas Outlaw: New Works Microscope Gallery</a> <a title="ArtReview October 2013 page 137" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=137"> Roving Signs Matthew Marks Gallery, New York 12 J</a> <a title="ArtReview October 2013 page 138" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=138"> Simon Fujiwara Studio Pietà (King Kong Komplex) </a> <a title="ArtReview October 2013 page 139" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=139"> Zach Harris Echo Parked in a No Vex Cave David K</a> <a title="ArtReview October 2013 page 140" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=140"> William Daniels Luhring Augustine, New York 29 J</a> <a title="ArtReview October 2013 page 141" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=141"> Ed Fornieles Despicable Me 2 Mihai Nicodim, Los </a> <a title="ArtReview October 2013 page 142" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=142"> Alison O'Daniel Quasi-Closed Captions Samuel Free</a> <a title="ArtReview October 2013 page 143" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=143"> Tobias Zielony Berlinische Galerie, Berlin 21 Jun</a> <a title="ArtReview October 2013 page 144" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=144"> Between the first version of this capricious insta</a> <a title="ArtReview October 2013 page 145" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=145"> Nicole Wermers Austern mit Senf (Oysters with Mu</a> <a title="ArtReview October 2013 page 146" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=146"> Purkinje E ect Galerie 1900–2000, Paris 22 June –</a> <a title="ArtReview October 2013 page 147" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=147"> Momentum 7 Various venues, Moss 22 June – 29 Sept</a> <a title="ArtReview October 2013 page 148" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=148"> October 2013 </a> <a title="ArtReview October 2013 page 149" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=149"> Art, Two Points: Barcelona Lives Contemporary Art</a> <a title="ArtReview October 2013 page 150" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=150"> Several Species of Small Furry Animals Gathered T</a> <a title="ArtReview October 2013 page 151" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=151"> Call of the Mall Hoog Catharijne, Utrecht 20 June</a> <a title="ArtReview October 2013 page 152" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=152"> In a slightly too-small space, to he's-behind-you</a> <a title="ArtReview October 2013 page 153" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=153"> Books </a> <a title="ArtReview October 2013 page 154" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=154"> Your Everyday Art World by Lane Relyea Pr</a> <a title="ArtReview October 2013 page 155" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=155"> The Andrew Project: 1000 and Something Portraits </a> <a title="ArtReview October 2013 page 156" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=156"> </a> <a title="ArtReview October 2013 page 157" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=157"> Th</a> <a title="ArtReview October 2013 page 158" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=158"> Consumed </a> <a title="ArtReview October 2013 page 159" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=159"> A selection of ŔŽs, limited-edition and otherwise</a> <a title="ArtReview October 2013 page 160" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=160"> And some other things you didn't know you really </a> <a title="ArtReview October 2013 page 161" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=161"> María Fernanda Plata, Unt</a> <a title="ArtReview October 2013 page 162" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=162"> artreview.com/subscribe AR-October-Subs Ad.i</a> <a title="ArtReview October 2013 page 163" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=163"> 162 AR-October-Strip.indd 162 </a> <a title="ArtReview October 2013 page 164" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=164"> For more on artist Isabel Greenberg, see overleaf</a> <a title="ArtReview October 2013 page 165" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=165"> Andrew Berardini was born in the United States a</a> <a title="ArtReview October 2013 page 166" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=166"> ArtReview Publishing </a> <a title="ArtReview October 2013 page 167" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=167"> O the Record October 2013 “Thank God the artw</a> <a title="ArtReview October 2013 page 168" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=168"> </a> <a title="ArtReview October 2013 page 169" href="https://secure.viewer.zmags.com/publication/e9c5d37c?page=169"> </a>