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<br /> Contents<br /> Art Previewed<br /> Previews<br /> by Martin Herbert<br /> 27<br /> Points of View<br /> by Jonathan T.D. Neil,<br /> Maria Lind, Hettie Judah,<br /> J.J. Charlesworth, Sam Jacob,<br /> Jonathan Grossmalerman,<br /> Mike Watson, Raimar Stange<br /> & Mark Rappolt<br /> 37<br /> V.I. Lenin<br /> on Reena Spaulings Fine Art<br /> Interview by Matthew Collings<br /> 54<br /> Julia Stoschek<br /> Interview by Mark Rappolt<br /> 58<br /> Gabi Ngcobo<br /> Interview by Tom Eccles<br /> 62<br /> Art Reviewed<br /> Exhibitions 144<br /> Books 170<br /> Consumed 177<br /> the Strip 182<br /> Contributors 184<br /> Off the Record 186<br /> Art Featured<br /> Fernanda Gomes<br /> by Oliver Basciano<br /> 78<br /> Brazilian market forces<br /> by Vincent Bevins<br /> 86<br /> Artur Barrio<br /> Interview by Oliver Basciano<br /> 9<a title="ArtReview September 2013 page 1" href="https://secure.viewer.zmags.com/publication/e03df33d?page=1"> Contents Art Previewed Previews by Martin Herbe</a> <a title="ArtReview September 2013 page 2" href="https://secure.viewer.zmags.com/publication/e03df33d?page=2">ArtReview Fernanda Gomes </a> <a title="ArtReview September 2013 page 3" href="https://secure.viewer.zmags.com/publication/e03df33d?page=3"> </a> <a title="ArtReview September 2013 page 4" href="https://secure.viewer.zmags.com/publication/e03df33d?page=4"> </a> <a title="ArtReview September 2013 page 5" href="https://secure.viewer.zmags.com/publication/e03df33d?page=5"> HAUSER & WIRTH MATTHEW DAY JACKSON SOMETHING A</a> <a title="ArtReview September 2013 page 6" href="https://secure.viewer.zmags.com/publication/e03df33d?page=6"> HAUSER & WIRTH RE-VIEW ONNASCH COLLECTION CURA</a> <a title="ArtReview September 2013 page 7" href="https://secure.viewer.zmags.com/publication/e03df33d?page=7"> 27 September — 2 November 2013 29 Bell Street, Lo</a> <a title="ArtReview September 2013 page 8" href="https://secure.viewer.zmags.com/publication/e03df33d?page=8"> Liu Xiaodong 27 September — 2 November 2013 52–54</a> <a title="ArtReview September 2013 page 9" href="https://secure.viewer.zmags.com/publication/e03df33d?page=9"> Idris Khan Beyond the Black </a> <a title="ArtReview September 2013 page 10" href="https://secure.viewer.zmags.com/publication/e03df33d?page=10"> ROBERT</a> <a title="ArtReview September 2013 page 11" href="https://secure.viewer.zmags.com/publication/e03df33d?page=11"> Philip-Lorca diCorcia Hustlers September 12 - No</a> <a title="ArtReview September 2013 page 12" href="https://secure.viewer.zmags.com/publication/e03df33d?page=12"> Philip-Lorca diCorcia East of Eden September 26 </a> <a title="ArtReview September 2013 page 13" href="https://secure.viewer.zmags.com/publication/e03df33d?page=13"> ARI BENJAMIN MEYERS BLACK THOUGHTS SEPTEMBER 07– </a> <a title="ArtReview September 2013 page 14" href="https://secure.viewer.zmags.com/publication/e03df33d?page=14"> Anne Truitt Threshold MATTHEW MARKS, NEW YORK</a> <a title="ArtReview September 2013 page 15" href="https://secure.viewer.zmags.com/publication/e03df33d?page=15"> Presenting: Pablo Accinelli / Caetano de Almeida </a> <a title="ArtReview September 2013 page 16" href="https://secure.viewer.zmags.com/publication/e03df33d?page=16">What ArtReview did this summer “Editorial!” bar</a> <a title="ArtReview September 2013 page 17" href="https://secure.viewer.zmags.com/publication/e03df33d?page=17"> This shit was real! And with that ArtRe</a> <a title="ArtReview September 2013 page 18" href="https://secure.viewer.zmags.com/publication/e03df33d?page=18"> © Zhang Huan Studio " (80 x 60 cm) 8 / 5 x 23 2 /</a> <a title="ArtReview September 2013 page 19" href="https://secure.viewer.zmags.com/publication/e03df33d?page=19"> </a> <a title="ArtReview September 2013 page 20" href="https://secure.viewer.zmags.com/publication/e03df33d?page=20">ArtReview vol 64 no 6 September 2013 Art </a> <a title="ArtReview September 2013 page 21" href="https://secure.viewer.zmags.com/publication/e03df33d?page=21"> João Maria Gusmão + Pedro Paiva Galpão | 10.08.13</a> <a title="ArtReview September 2013 page 22" href="https://secure.viewer.zmags.com/publication/e03df33d?page=22"> Art Featured 77 Fernanda Gomes by Oliver Bascia</a> <a title="ArtReview September 2013 page 23" href="https://secure.viewer.zmags.com/publication/e03df33d?page=23"> Art Reviewed 143 Frien</a> <a title="ArtReview September 2013 page 24" href="https://secure.viewer.zmags.com/publication/e03df33d?page=24"> </a> <a title="ArtReview September 2013 page 25" href="https://secure.viewer.zmags.com/publication/e03df33d?page=25"> MAX WIGRAM GALLERY LUIZ ZERBINI NEW WOR</a> <a title="ArtReview September 2013 page 26" href="https://secure.viewer.zmags.com/publication/e03df33d?page=26">Art Previewed </a> <a title="ArtReview September 2013 page 27" href="https://secure.viewer.zmags.com/publication/e03df33d?page=27"> John Akomfrah Michael Joaquin Grey Eva and Franco</a> <a title="ArtReview September 2013 page 28" href="https://secure.viewer.zmags.com/publication/e03df33d?page=28"> Painting Forever! V</a> <a title="ArtReview September 2013 page 29" href="https://secure.viewer.zmags.com/publication/e03df33d?page=29"> 1 Painting Forever! Now there's an unequivocal </a> <a title="ArtReview September 2013 page 30" href="https://secure.viewer.zmags.com/publication/e03df33d?page=30"> Chong Cuy-helmed event is going to begin wi</a> <a title="ArtReview September 2013 page 31" href="https://secure.viewer.zmags.com/publication/e03df33d?page=31"> an Ernest Hemingway book (in reference to </a> <a title="ArtReview September 2013 page 32" href="https://secure.viewer.zmags.com/publication/e03df33d?page=32"> Teresita Fernández 12 September – 9 November 201</a> <a title="ArtReview September 2013 page 33" href="https://secure.viewer.zmags.com/publication/e03df33d?page=33"> despairing revisitations of modernist utopi</a> <a title="ArtReview September 2013 page 34" href="https://secure.viewer.zmags.com/publication/e03df33d?page=34"> VERMELHO São Paulo 2013 ARCO, Ma</a> <a title="ArtReview September 2013 page 35" href="https://secure.viewer.zmags.com/publication/e03df33d?page=35"> </a> <a title="ArtReview September 2013 page 36" href="https://secure.viewer.zmags.com/publication/e03df33d?page=36"> 28 August - 30 September 2013 C</a> <a title="ArtReview September 2013 page 37" href="https://secure.viewer.zmags.com/publication/e03df33d?page=37"> ArtReview and EFG International are proud to pres</a> <a title="ArtReview September 2013 page 38" href="https://secure.viewer.zmags.com/publication/e03df33d?page=38"> Jonathan T. D. Neil What d</a> <a title="ArtReview September 2013 page 39" href="https://secure.viewer.zmags.com/publication/e03df33d?page=39"> Maria Lind Venice – a victory for brains over br</a> <a title="ArtReview September 2013 page 40" href="https://secure.viewer.zmags.com/publication/e03df33d?page=40"> Hettie Judah Is culinary porn too mainstream to b</a> <a title="ArtReview September 2013 page 41" href="https://secure.viewer.zmags.com/publication/e03df33d?page=41"> J. J. Charlesworth Do arts venues in the need</a> <a title="ArtReview September 2013 page 42" href="https://secure.viewer.zmags.com/publication/e03df33d?page=42"> Sam Jacob Corporate s tell us all we need to </a> <a title="ArtReview September 2013 page 43" href="https://secure.viewer.zmags.com/publication/e03df33d?page=43"> Jonathan Grossmalerman The -€‚ and me This Sno</a> <a title="ArtReview September 2013 page 44" href="https://secure.viewer.zmags.com/publication/e03df33d?page=44"> </a> <a title="ArtReview September 2013 page 45" href="https://secure.viewer.zmags.com/publication/e03df33d?page=45"> Mike Watson Italy's Venice pavilion: not a disas</a> <a title="ArtReview September 2013 page 46" href="https://secure.viewer.zmags.com/publication/e03df33d?page=46"> Raimar Stange Berlin – city of brotherly love </a> <a title="ArtReview September 2013 page 47" href="https://secure.viewer.zmags.com/publication/e03df33d?page=47"> Mark Rappolt O€-space No 14: Ve.Sch, Vienna Ve</a> <a title="ArtReview September 2013 page 48" href="https://secure.viewer.zmags.com/publication/e03df33d?page=48"> </a> <a title="ArtReview September 2013 page 49" href="https://secure.viewer.zmags.com/publication/e03df33d?page=49"> The South African Sale Wednesday 2 October 2013 a</a> <a title="ArtReview September 2013 page 50" href="https://secure.viewer.zmags.com/publication/e03df33d?page=50"> </a> <a title="ArtReview September 2013 page 51" href="https://secure.viewer.zmags.com/publication/e03df33d?page=51"> </a> <a title="ArtReview September 2013 page 52" href="https://secure.viewer.zmags.com/publication/e03df33d?page=52"> Brazil, land of the future. 200 million p</a> <a title="ArtReview September 2013 page 53" href="https://secure.viewer.zmags.com/publication/e03df33d?page=53"> </a> <a title="ArtReview September 2013 page 54" href="https://secure.viewer.zmags.com/publication/e03df33d?page=54"> </a> <a title="ArtReview September 2013 page 55" href="https://secure.viewer.zmags.com/publication/e03df33d?page=55">Great Critics and Their Ideas No 24 V.I.Le</a> <a title="ArtReview September 2013 page 56" href="https://secure.viewer.zmags.com/publication/e03df33d?page=56"> „…†…‡^‰‡Š When you are not fomenting revolution, </a> <a title="ArtReview September 2013 page 57" href="https://secure.viewer.zmags.com/publication/e03df33d?page=57"> „… The artworld loves Occupy: the collectives are</a> <a title="ArtReview September 2013 page 58" href="https://secure.viewer.zmags.com/publication/e03df33d?page=58"> </a> <a title="ArtReview September 2013 page 59" href="https://secure.viewer.zmags.com/publication/e03df33d?page=59">Great Collectors and their Ideas No 1 Juli</a> <a title="ArtReview September 2013 page 60" href="https://secure.viewer.zmags.com/publication/e03df33d?page=60"> What was the first artwork you bought? </a> <a title="ArtReview September 2013 page 61" href="https://secure.viewer.zmags.com/publication/e03df33d?page=61"> So in a way, starting to collect time-based media</a> <a title="ArtReview September 2013 page 62" href="https://secure.viewer.zmags.com/publication/e03df33d?page=62"> </a> <a title="ArtReview September 2013 page 63" href="https://secure.viewer.zmags.com/publication/e03df33d?page=63">Other People and Their Ideas No 8 Gabi Ngc</a> <a title="ArtReview September 2013 page 64" href="https://secure.viewer.zmags.com/publication/e03df33d?page=64"> When did you first consider curating? </a> <a title="ArtReview September 2013 page 65" href="https://secure.viewer.zmags.com/publication/e03df33d?page=65"> form?¤Recently you headed up the `Incubator for a</a> <a title="ArtReview September 2013 page 66" href="https://secure.viewer.zmags.com/publication/e03df33d?page=66"> PHOTO. ART. EDITIONS. </a> <a title="ArtReview September 2013 page 67" href="https://secure.viewer.zmags.com/publication/e03df33d?page=67"> </a> <a title="ArtReview September 2013 page 68" href="https://secure.viewer.zmags.com/publication/e03df33d?page=68"> </a> <a title="ArtReview September 2013 page 69" href="https://secure.viewer.zmags.com/publication/e03df33d?page=69"> IWM CONTEMPORARY OMER FAST 29 July – 29 Septem</a> <a title="ArtReview September 2013 page 70" href="https://secure.viewer.zmags.com/publication/e03df33d?page=70"> </a> <a title="ArtReview September 2013 page 71" href="https://secure.viewer.zmags.com/publication/e03df33d?page=71"> </a> <a title="ArtReview September 2013 page 72" href="https://secure.viewer.zmags.com/publication/e03df33d?page=72"> MAX GÓMEZ CANLE 29.08.13 - 21.09.13 ARTRIO 04.09</a> <a title="ArtReview September 2013 page 73" href="https://secure.viewer.zmags.com/publication/e03df33d?page=73"> LAUNCH NIGHT PRIVATE VIEW 12.09.13 PRELUDE HELE</a> <a title="ArtReview September 2013 page 74" href="https://secure.viewer.zmags.com/publication/e03df33d?page=74"> 10.08 > 21.09.2013 artur lescher pensam</a> <a title="ArtReview September 2013 page 75" href="https://secure.viewer.zmags.com/publication/e03df33d?page=75"> C M Y CM MY CY CMY K </a> <a title="ArtReview September 2013 page 76" href="https://secure.viewer.zmags.com/publication/e03df33d?page=76"> </a> <a title="ArtReview September 2013 page 77" href="https://secure.viewer.zmags.com/publication/e03df33d?page=77"> latitudebrasil.org LONDON 51° 32'</a> <a title="ArtReview September 2013 page 78" href="https://secure.viewer.zmags.com/publication/e03df33d?page=78">Art Featured Brazil </a> <a title="ArtReview September 2013 page 79" href="https://secure.viewer.zmags.com/publication/e03df33d?page=79"> Fernanda Gomes The Rio-based artist bl</a> <a title="ArtReview September 2013 page 80" href="https://secure.viewer.zmags.com/publication/e03df33d?page=80"> Just outside a window of Fernanda Gomes's sixth-fl</a> <a title="ArtReview September 2013 page 81" href="https://secure.viewer.zmags.com/publication/e03df33d?page=81"> Untitled, 2012 (installation view, São Paulo Bien</a> <a title="ArtReview September 2013 page 82" href="https://secure.viewer.zmags.com/publication/e03df33d?page=82"> </a> <a title="ArtReview September 2013 page 83" href="https://secure.viewer.zmags.com/publication/e03df33d?page=83"> 82</a> <a title="ArtReview September 2013 page 84" href="https://secure.viewer.zmags.com/publication/e03df33d?page=84"> 83</a> <a title="ArtReview September 2013 page 85" href="https://secure.viewer.zmags.com/publication/e03df33d?page=85"> during the mid-1980s, and how she appreciates it </a> <a title="ArtReview September 2013 page 86" href="https://secure.viewer.zmags.com/publication/e03df33d?page=86"> ´</a> <a title="ArtReview September 2013 page 87" href="https://secure.viewer.zmags.com/publication/e03df33d?page=87"> Market Forces by Vincent Bevins </a> <a title="ArtReview September 2013 page 88" href="https://secure.viewer.zmags.com/publication/e03df33d?page=88"> In the wake of the summer's highly </a> <a title="ArtReview September 2013 page 89" href="https://secure.viewer.zmags.com/publication/e03df33d?page=89"> Almost two decades of governments have managed to</a> <a title="ArtReview September 2013 page 90" href="https://secure.viewer.zmags.com/publication/e03df33d?page=90"> rates of illiteracy – rather than developing a co</a> <a title="ArtReview September 2013 page 91" href="https://secure.viewer.zmags.com/publication/e03df33d?page=91"> at frieze masters 2013 Concre</a> <a title="ArtReview September 2013 page 92" href="https://secure.viewer.zmags.com/publication/e03df33d?page=92"> </a> <a title="ArtReview September 2013 page 93" href="https://secure.viewer.zmags.com/publication/e03df33d?page=93"> Artur Barrio What happens when an artist w</a> <a title="ArtReview September 2013 page 94" href="https://secure.viewer.zmags.com/publication/e03df33d?page=94"> A people living under dictatorship stand fundamen</a> <a title="ArtReview September 2013 page 95" href="https://secure.viewer.zmags.com/publication/e03df33d?page=95"> others a similar rupture of perspective that 4 Di</a> <a title="ArtReview September 2013 page 96" href="https://secure.viewer.zmags.com/publication/e03df33d?page=96"> Untitled, from the series Os Meus Desenhos Hetero</a> <a title="ArtReview September 2013 page 97" href="https://secure.viewer.zmags.com/publication/e03df33d?page=97"> </a> <a title="ArtReview September 2013 page 98" href="https://secure.viewer.zmags.com/publication/e03df33d?page=98"> </a> <a title="ArtReview September 2013 page 99" href="https://secure.viewer.zmags.com/publication/e03df33d?page=99"> São Paulo by Claire Rigby Photography by Cá</a> <a title="ArtReview September 2013 page 100" href="https://secure.viewer.zmags.com/publication/e03df33d?page=100"> facing page Casa do Povo above Edifício Copan </a> <a title="ArtReview September 2013 page 101" href="https://secure.viewer.zmags.com/publication/e03df33d?page=101"> Phosphorus 100</a> <a title="ArtReview September 2013 page 102" href="https://secure.viewer.zmags.com/publication/e03df33d?page=102"> Casa do Povo 101</a> <a title="ArtReview September 2013 page 103" href="https://secure.viewer.zmags.com/publication/e03df33d?page=103"> Teatro da Vertigem, Bom Retiro 958 Metros, 2</a> <a title="ArtReview September 2013 page 104" href="https://secure.viewer.zmags.com/publication/e03df33d?page=104"> There’s something stirring in downtown São Paulo;</a> <a title="ArtReview September 2013 page 105" href="https://secure.viewer.zmags.com/publication/e03df33d?page=105"> while in the main exhibition room downstairs, in </a> <a title="ArtReview September 2013 page 106" href="https://secure.viewer.zmags.com/publication/e03df33d?page=106"> Estúdio Lâmina 105</a> <a title="ArtReview September 2013 page 107" href="https://secure.viewer.zmags.com/publication/e03df33d?page=107"> </a> <a title="ArtReview September 2013 page 108" href="https://secure.viewer.zmags.com/publication/e03df33d?page=108"> SECRETARIA DE CULTURA S PONSORSHIP SUPPORT</a> <a title="ArtReview September 2013 page 109" href="https://secure.viewer.zmags.com/publication/e03df33d?page=109"> Chelpa Ferro When it comes to definitions,</a> <a title="ArtReview September 2013 page 110" href="https://secure.viewer.zmags.com/publication/e03df33d?page=110"> Barrão makes sculptures, Sérgio Mekler edits feat</a> <a title="ArtReview September 2013 page 111" href="https://secure.viewer.zmags.com/publication/e03df33d?page=111"> So how do you pin down what, exactly, Chelpa Ferr</a> <a title="ArtReview September 2013 page 112" href="https://secure.viewer.zmags.com/publication/e03df33d?page=112"> I think we pay attention to what is around </a> <a title="ArtReview September 2013 page 113" href="https://secure.viewer.zmags.com/publication/e03df33d?page=113"> </a> <a title="ArtReview September 2013 page 114" href="https://secure.viewer.zmags.com/publication/e03df33d?page=114"> Develop your potential Gain the skills and</a> <a title="ArtReview September 2013 page 115" href="https://secure.viewer.zmags.com/publication/e03df33d?page=115"> MODERN. CONTEMPORARY. ABU DHABI ART. 20 - 23 Nov</a> <a title="ArtReview September 2013 page 116" href="https://secure.viewer.zmags.com/publication/e03df33d?page=116"> Art Featured The artist had one</a> <a title="ArtReview September 2013 page 117" href="https://secure.viewer.zmags.com/publication/e03df33d?page=117"> Enki Bilal We are coming to the end of a world </a> <a title="ArtReview September 2013 page 118" href="https://secure.viewer.zmags.com/publication/e03df33d?page=118"> In his early sixties, Enki Bilal feels in his pri</a> <a title="ArtReview September 2013 page 119" href="https://secure.viewer.zmags.com/publication/e03df33d?page=119"> Corinthian-style he</a> <a title="ArtReview September 2013 page 120" href="https://secure.viewer.zmags.com/publication/e03df33d?page=120"> he says something very simple: with each new extr</a> <a title="ArtReview September 2013 page 121" href="https://secure.viewer.zmags.com/publication/e03df33d?page=121"> Paula Modersohn-Becker In th</a> <a title="ArtReview September 2013 page 122" href="https://secure.viewer.zmags.com/publication/e03df33d?page=122"> </a> <a title="ArtReview September 2013 page 123" href="https://secure.viewer.zmags.com/publication/e03df33d?page=123"> the first woman to paint a self-portrait in the nu</a> <a title="ArtReview September 2013 page 124" href="https://secure.viewer.zmags.com/publication/e03df33d?page=124"> ALBANIA / Gallery On The Move, Tirana // AUSTRIA </a> <a title="ArtReview September 2013 page 125" href="https://secure.viewer.zmags.com/publication/e03df33d?page=125"> Sarah Morris </a> <a title="ArtReview September 2013 page 126" href="https://secure.viewer.zmags.com/publication/e03df33d?page=126"> The American artist's latest fil</a> <a title="ArtReview September 2013 page 127" href="https://secure.viewer.zmags.com/publication/e03df33d?page=127"> About seven minutes into Sarah Morris's 90-minute</a> <a title="ArtReview September 2013 page 128" href="https://secure.viewer.zmags.com/publication/e03df33d?page=128"> THE INTERNATIONAL EXPOSITION OF CONTEMPORARY & MO</a> <a title="ArtReview September 2013 page 129" href="https://secure.viewer.zmags.com/publication/e03df33d?page=129"> Art Safari A new retreat in Kenya o ers visito</a> <a title="ArtReview September 2013 page 130" href="https://secure.viewer.zmags.com/publication/e03df33d?page=130"> </a> <a title="ArtReview September 2013 page 131" href="https://secure.viewer.zmags.com/publication/e03df33d?page=131"> Strijdom van der Merwe, Migration, 2013, land int</a> <a title="ArtReview September 2013 page 132" href="https://secure.viewer.zmags.com/publication/e03df33d?page=132"> artists, for example), particularly if you consid</a> <a title="ArtReview September 2013 page 133" href="https://secure.viewer.zmags.com/publication/e03df33d?page=133"> Welcoming the Unthinkable </a> <a title="ArtReview September 2013 page 134" href="https://secure.viewer.zmags.com/publication/e03df33d?page=134"> Public Space: Where Artists Live </a> <a title="ArtReview September 2013 page 135" href="https://secure.viewer.zmags.com/publication/e03df33d?page=135"> Cut the Flow has been per</a> <a title="ArtReview September 2013 page 136" href="https://secure.viewer.zmags.com/publication/e03df33d?page=136"> and dialogue for the current generation of artist</a> <a title="ArtReview September 2013 page 137" href="https://secure.viewer.zmags.com/publication/e03df33d?page=137"> Station-Berlin Luckenwalder Strasse 4–6 10963 Ber</a> <a title="ArtReview September 2013 page 138" href="https://secure.viewer.zmags.com/publication/e03df33d?page=138"> National Gallery © Regent's Park, London 17–20 O</a> <a title="ArtReview September 2013 page 139" href="https://secure.viewer.zmags.com/publication/e03df33d?page=139"> </a> <a title="ArtReview September 2013 page 140" href="https://secure.viewer.zmags.com/publication/e03df33d?page=140"> ART DIRECTION CLÉO CHARUET ALEX PRAGER. COURTESY </a> <a title="ArtReview September 2013 page 141" href="https://secure.viewer.zmags.com/publication/e03df33d?page=141"> </a> <a title="ArtReview September 2013 page 142" href="https://secure.viewer.zmags.com/publication/e03df33d?page=142"> 24-27 octobER 2013 grand palais et hors les mu</a> <a title="ArtReview September 2013 page 143" href="https://secure.viewer.zmags.com/publication/e03df33d?page=143"> </a> <a title="ArtReview September 2013 page 144" href="https://secure.viewer.zmags.com/publication/e03df33d?page=144"> / </a> <a title="ArtReview September 2013 page 145" href="https://secure.viewer.zmags.com/publication/e03df33d?page=145">Friends of London: Artists from Latin America in L</a> <a title="ArtReview September 2013 page 146" href="https://secure.viewer.zmags.com/publication/e03df33d?page=146"> Michael Dean Hah Ahahahahaha ha Hahaha Herald St</a> <a title="ArtReview September 2013 page 147" href="https://secure.viewer.zmags.com/publication/e03df33d?page=147"> Dunne & Raby United Micro Kingdoms (—~™): A Desig</a> <a title="ArtReview September 2013 page 148" href="https://secure.viewer.zmags.com/publication/e03df33d?page=148"> Jac Leirner Hardware Silk White Cube, Mason's Ya</a> <a title="ArtReview September 2013 page 149" href="https://secure.viewer.zmags.com/publication/e03df33d?page=149"> Ruairiadh O'Connell Project Native Informant, Lon</a> <a title="ArtReview September 2013 page 150" href="https://secure.viewer.zmags.com/publication/e03df33d?page=150"> Curiosity: Art and the Pleasures of Knowing Turne</a> <a title="ArtReview September 2013 page 151" href="https://secure.viewer.zmags.com/publication/e03df33d?page=151"> Andreas Schulze Looking and Listening Sprüth Mag</a> <a title="ArtReview September 2013 page 152" href="https://secure.viewer.zmags.com/publication/e03df33d?page=152"> In Aesthetic Theory (1970) Theodor Adorno noted t</a> <a title="ArtReview September 2013 page 153" href="https://secure.viewer.zmags.com/publication/e03df33d?page=153">The Cat Show White Columns, New York 14 June – 27</a> <a title="ArtReview September 2013 page 154" href="https://secure.viewer.zmags.com/publication/e03df33d?page=154"> On Nature Sean Kelly, New York 28 June – 2 August</a> <a title="ArtReview September 2013 page 155" href="https://secure.viewer.zmags.com/publication/e03df33d?page=155"> Jack Goldstein × 10,000 Jewish Museum, New York </a> <a title="ArtReview September 2013 page 156" href="https://secure.viewer.zmags.com/publication/e03df33d?page=156"> Genesis Breyer P-Orridge 3/µ¶ °3 µ¶·/¶ Andy Warh</a> <a title="ArtReview September 2013 page 157" href="https://secure.viewer.zmags.com/publication/e03df33d?page=157"> Joyce Pensato I Killed Kenny Santa Monica Museum</a> <a title="ArtReview September 2013 page 158" href="https://secure.viewer.zmags.com/publication/e03df33d?page=158"> Yvonne Venegas Borrando la Linea Shoshana Wayne </a> <a title="ArtReview September 2013 page 159" href="https://secure.viewer.zmags.com/publication/e03df33d?page=159"> Subliming Vessel: The Drawings of Matthew Barney </a> <a title="ArtReview September 2013 page 160" href="https://secure.viewer.zmags.com/publication/e03df33d?page=160"> KÓji Enokura Blum & Poe, Los Angeles 6 June – 13 </a> <a title="ArtReview September 2013 page 161" href="https://secure.viewer.zmags.com/publication/e03df33d?page=161">The System of Objects DESTE Foundation, Athens 15</a> <a title="ArtReview September 2013 page 162" href="https://secure.viewer.zmags.com/publication/e03df33d?page=162"> The Whole Earth: California and the Disappearance</a> <a title="ArtReview September 2013 page 163" href="https://secure.viewer.zmags.com/publication/e03df33d?page=163"> From Radiance and Dissolution Kraupa-Tuskany Zeid</a> <a title="ArtReview September 2013 page 164" href="https://secure.viewer.zmags.com/publication/e03df33d?page=164"> Hanging so discreetly that you could miss it when</a> <a title="ArtReview September 2013 page 165" href="https://secure.viewer.zmags.com/publication/e03df33d?page=165"> Mike Kelley Eternity Is a Long Time Hangar Bicocc</a> <a title="ArtReview September 2013 page 166" href="https://secure.viewer.zmags.com/publication/e03df33d?page=166"> September 2013 </a> <a title="ArtReview September 2013 page 167" href="https://secure.viewer.zmags.com/publication/e03df33d?page=167"> Keiichi Tanaami Karma International, Zurich 8 Jun</a> <a title="ArtReview September 2013 page 168" href="https://secure.viewer.zmags.com/publication/e03df33d?page=168"> Virlani Hallberg Galleri Riis, Stockholm 17 May –</a> <a title="ArtReview September 2013 page 169" href="https://secure.viewer.zmags.com/publication/e03df33d?page=169"> When Attitudes Become Form: Bern 1969/Venice 2013</a> <a title="ArtReview September 2013 page 170" href="https://secure.viewer.zmags.com/publication/e03df33d?page=170"> Dark Paradise Galeria Nara Roesler, São Paulo 15 </a> <a title="ArtReview September 2013 page 171" href="https://secure.viewer.zmags.com/publication/e03df33d?page=171">Books </a> <a title="ArtReview September 2013 page 172" href="https://secure.viewer.zmags.com/publication/e03df33d?page=172"> The Night After the Night by Michèle Bernstein,</a> <a title="ArtReview September 2013 page 173" href="https://secure.viewer.zmags.com/publication/e03df33d?page=173"> Flickering Light: A History of Neon by Christoph</a> <a title="ArtReview September 2013 page 174" href="https://secure.viewer.zmags.com/publication/e03df33d?page=174">Listings & Classified Advertisement </a> <a title="ArtReview September 2013 page 175" href="https://secure.viewer.zmags.com/publication/e03df33d?page=175"> Specialist in Funeral Marches Requie</a> <a title="ArtReview September 2013 page 176" href="https://secure.viewer.zmags.com/publication/e03df33d?page=176"> ¶¥, London Atelier Voltaire, London Aston Erne</a> <a title="ArtReview September 2013 page 177" href="https://secure.viewer.zmags.com/publication/e03df33d?page=177"> Galeria Millan Bob Wolfenson: Belvedere 28 Aug – </a> <a title="ArtReview September 2013 page 178" href="https://secure.viewer.zmags.com/publication/e03df33d?page=178">Consumed </a> <a title="ArtReview September 2013 page 179" href="https://secure.viewer.zmags.com/publication/e03df33d?page=179"> Practical, artist-designed oœerings from Little &</a> <a title="ArtReview September 2013 page 180" href="https://secure.viewer.zmags.com/publication/e03df33d?page=180"> And some other things you didn't know you really </a> <a title="ArtReview September 2013 page 181" href="https://secure.viewer.zmags.com/publication/e03df33d?page=181"> The Rogers House 1967, Freehold property, Lo</a> <a title="ArtReview September 2013 page 182" href="https://secure.viewer.zmags.com/publication/e03df33d?page=182">artreview.com/subscribe</a> <a title="ArtReview September 2013 page 183" href="https://secure.viewer.zmags.com/publication/e03df33d?page=183">182</a> <a title="ArtReview September 2013 page 184" href="https://secure.viewer.zmags.com/publication/e03df33d?page=184"> 183</a> <a title="ArtReview September 2013 page 185" href="https://secure.viewer.zmags.com/publication/e03df33d?page=185">Oliver Basciano is managing editor of ArtReview</a> <a title="ArtReview September 2013 page 186" href="https://secure.viewer.zmags.com/publication/e03df33d?page=186"> ArtReview Publishing </a> <a title="ArtReview September 2013 page 187" href="https://secure.viewer.zmags.com/publication/e03df33d?page=187">Off the Record It was a di cult summer. Thin</a> <a title="ArtReview September 2013 page 188" href="https://secure.viewer.zmags.com/publication/e03df33d?page=188"> August 30th - September 1st 2013 Kunsthal C</a> <a title="ArtReview September 2013 page 189" href="https://secure.viewer.zmags.com/publication/e03df33d?page=189"> MAXMARA.COM Evolve. Update. Adapt. Express. Tran</a>