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<br /> In this issue<br /> 2012 Future Greats<br /> ArtReview’s eighth annual Future<br /> Greats special issue, created in<br /> association with EFG<br /> International, is, well, the most<br /> international yet. Beatrix Ruf, Mary<br /> Heilmann, Willem de Rooij,<br /> Joanna Warsza, Elena Filipovic,<br /> Boris Ondreička, Joanna<br /> Mytkowska and Christine Tohme,<br /> to name a few, join other artists,<br /> critics and curators from around the<br /> world to single out 25 artists for<br /> special attention. What emerges is<br /> not just a highly detailed picture of<br /> what contemporary art looks like in<br /> this era of instability and unrest, but<br /> also signs of a unity of purpose in<br /> artists around the world as they<br /> expand practices beyond what can<br /> be shown, experienced, bought and<br /> sold in traditional venues. These<br /> emerging strains include live<br /> performance, with an emphasis on<br /> narrative and storytell<a title="ArtReview: March 2012 page 1" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=1"> In this issue 2012 Future Greats ArtReview’s eig</a> <a title="ArtReview: March 2012 page 2" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=2"> Issue 57 MARCH 2012 £5.</a> <a title="ArtReview: March 2012 page 3" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=3"> </a> <a title="ArtReview: March 2012 page 4" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=4"> </a> <a title="ArtReview: March 2012 page 5" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=5"> Available at DEDON showrooms and select dealers w</a> <a title="ArtReview: March 2012 page 6" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=6"> HANDWOVEN OUTDOOR FURNITURE CREATED WITH WEATHER-</a> <a title="ArtReview: March 2012 page 7" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=7"> </a> <a title="ArtReview: March 2012 page 8" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=8"> hauser & Wirth mary heilmann Visions, WaVes an</a> <a title="ArtReview: March 2012 page 9" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=9"> </a> <a title="ArtReview: March 2012 page 10" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=10"> </a> <a title="ArtReview: March 2012 page 11" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=11"> </a> <a title="ArtReview: March 2012 page 12" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=12"> </a> <a title="ArtReview: March 2012 page 13" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=13"> IDA TURSIC & WILFRIED MILLE </a> <a title="ArtReview: March 2012 page 14" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=14"> GEORG KARGL FINE ARTS MARK DION Fresh Sculpture </a> <a title="ArtReview: March 2012 page 15" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=15"> Editorial Editor Mark Rappolt Executive Editor D</a> <a title="ArtReview: March 2012 page 16" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=16"> Sala Longhi, 2011. Photo by Francesco Allegretto.</a> <a title="ArtReview: March 2012 page 17" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=17"> Contents 1 36 44 26 40 5</a> <a title="ArtReview: March 2012 page 18" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=18"> February — MarCH 2012 Rosson CRow baLLyHO</a> <a title="ArtReview: March 2012 page 19" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=19"> Contents 2 Page Title </a> <a title="ArtReview: March 2012 page 20" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=20"> www.margarethowell.co.uk</a> <a title="ArtReview: March 2012 page 21" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=21"> Contributors Elena Filipovic is a writer, art his</a> <a title="ArtReview: March 2012 page 22" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=22"> Gray Sky MEENA PARK </a> <a title="ArtReview: March 2012 page 23" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=23"> Dictionary Oo </a> <a title="ArtReview: March 2012 page 24" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=24"> </a> <a title="ArtReview: March 2012 page 25" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=25"> </a> <a title="ArtReview: March 2012 page 26" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=26"> John Wood and Paul Harrison Things That Happen </a> <a title="ArtReview: March 2012 page 27" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=27"> Martin Herbert Cerith Wyn Evans, De La Wa</a> <a title="ArtReview: March 2012 page 28" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=28"> Paper Moon (Studio Wall at Night) (2009), a torch</a> <a title="ArtReview: March 2012 page 29" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=29"> ENJOY RESPONSIBLY</a> <a title="ArtReview: March 2012 page 30" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=30"> PARIS The Bois-le-Prêtre tower, in the northeast </a> <a title="ArtReview: March 2012 page 31" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=31"> BUDAPEST I write these lines in the shadow of the</a> <a title="ArtReview: March 2012 page 32" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=32"> window-display paper onto canvas, diversely arran</a> <a title="ArtReview: March 2012 page 33" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=33"> 32 Melting, by</a> <a title="ArtReview: March 2012 page 34" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=34"> ArtReview 33</a> <a title="ArtReview: March 2012 page 35" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=35"> PEN FOR CONTEMPORARY ART FROM 2/25/2012 Stä</a> <a title="ArtReview: March 2012 page 36" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=36"> </a> <a title="ArtReview: March 2012 page 37" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=37"> The pick of things you didn’t know you really nee</a> <a title="ArtReview: March 2012 page 38" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=38"> </a> <a title="ArtReview: March 2012 page 39" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=39"> – Tie me down – The title of this small sculpt</a> <a title="ArtReview: March 2012 page 40" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=40"> ATELIER VAN LIESHOUT Industrie </a> <a title="ArtReview: March 2012 page 41" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=41"> Off-Space Travels OLIVER BASCIANO NO 4: SUPPLEME</a> <a title="ArtReview: March 2012 page 42" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=42"> left: (One Hour) Long Exhibition 2011, installati</a> <a title="ArtReview: March 2012 page 43" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=43"> IN THE ORIGINAL STUDIO SPACE, VERY </a> <a title="ArtReview: March 2012 page 44" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=44"> ESTHER MAHLANGU 21 February - 24 March JADE DO</a> <a title="ArtReview: March 2012 page 45" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=45"> Great Critics and Their Ideas INTERVIEW BY MATTHE</a> <a title="ArtReview: March 2012 page 46" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=46"> Do you recognise your ideas in the art magazines </a> <a title="ArtReview: March 2012 page 47" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=47"> January 28th - June 3rd -------------------------</a> <a title="ArtReview: March 2012 page 48" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=48"> </a> <a title="ArtReview: March 2012 page 49" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=49"> Now HEAR this J.J. CHARLESWORTH The politics of a</a> <a title="ArtReview: March 2012 page 50" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=50"> Yet they still claim art’s special status, expect</a> <a title="ArtReview: March 2012 page 51" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=51"> Christian Viveros-Fauné A CRITIC POND</a> <a title="ArtReview: March 2012 page 52" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=52"> T h e a r t i s t 's s t u d i o ( W i l t s h i </a> <a title="ArtReview: March 2012 page 53" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=53"> Joshua Mack A CRITIC AS</a> <a title="ArtReview: March 2012 page 54" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=54"> Fine Emirati Art | Stand B 12 | A</a> <a title="ArtReview: March 2012 page 55" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=55"> CHRISTINE BARBE CORPS & PAYSAGES MUTATIONS 14 MA</a> <a title="ArtReview: March 2012 page 56" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=56"> Hettie Judah The Sun, 1 November 1990 </a> <a title="ArtReview: March 2012 page 57" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=57"> Jonathan Grossmalerman ‘OOPS, I A</a> <a title="ArtReview: March 2012 page 58" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=58"> </a> <a title="ArtReview: March 2012 page 59" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=59"> OUT An In</a> <a title="ArtReview: March 2012 page 60" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=60"> Maria Lind CAN CONCRETE ART </a> <a title="ArtReview: March 2012 page 61" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=61"> Sam Jacob DESIGN IS NOW</a> <a title="ArtReview: March 2012 page 62" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=62"> FIRST KYIV BIENNALE OF CONTEMPORARY ART THE BEST </a> <a title="ArtReview: March 2012 page 63" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=63"> Mike Watson he late critic Da</a> <a title="ArtReview: March 2012 page 64" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=64"> all our relations Artistic Directors: Catherine d</a> <a title="ArtReview: March 2012 page 65" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=65"> Artists Le Quy Tong Bui Huu Hung Pha</a> <a title="ArtReview: March 2012 page 66" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=66"> NOW&FUTURE JAPAN SUPPORTED BY OPENING </a> <a title="ArtReview: March 2012 page 67" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=67"> </a> <a title="ArtReview: March 2012 page 68" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=68"> PARTICIPATING GALLERIES 10 Chancery Lane Gallery</a> <a title="ArtReview: March 2012 page 69" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=69"> assertiveness, DISTURBING ADMINISTRATION, kaleido</a> <a title="ArtReview: March 2012 page 70" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=70"> </a> <a title="ArtReview: March 2012 page 71" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=71"> “I don’t want to be a star </a> <a title="ArtReview: March 2012 page 72" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=72"> made by a Czech artist. That I am a Hungarian pai</a> <a title="ArtReview: March 2012 page 73" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=73"> images,’ Maurer wrote in 1975, ‘but as signals </a> <a title="ArtReview: March 2012 page 74" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=74"> But of course Maurer has so</a> <a title="ArtReview: March 2012 page 75" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=75"> </a> <a title="ArtReview: March 2012 page 76" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=76"> B63;33B7<5 >:/134=@ 3C@=>3/</@B7AB71 A13<3A </a> <a title="ArtReview: March 2012 page 77" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=77"> Zarina Bhimji Whitechapel Gallery 19 Jan</a> <a title="ArtReview: March 2012 page 78" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=78"> F U T U R E EFG International is onc</a> <a title="ArtReview: March 2012 page 79" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=79"> JASON LOEBS, </a> <a title="ArtReview: March 2012 page 80" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=80"> KATLEEN VERMEIR & </a> <a title="ArtReview: March 2012 page 81" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=81"> INTRO Some people spend their time p</a> <a title="ArtReview: March 2012 page 82" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=82"> P A U L Paul Gabriel</a> <a title="ArtReview: March 2012 page 83" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=83"> Jason Loebs Autophantography, 2011, Kodak Ultra E</a> <a title="ArtReview: March 2012 page 84" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=84"> Christian Friedrich The Origin of Man, 2008–9, DV</a> <a title="ArtReview: March 2012 page 85" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=85"> A N O U K The Daily </a> <a title="ArtReview: March 2012 page 86" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=86"> left: Anouk Kruithof The Daily Exhaustion, 2010, </a> <a title="ArtReview: March 2012 page 87" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=87"> left: Frank Heath Graffiti Report Form, 2012, HD </a> <a title="ArtReview: March 2012 page 88" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=88"> </a> <a title="ArtReview: March 2012 page 89" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=89"> N A E E M Naeem </a> <a title="ArtReview: March 2012 page 90" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=90"> Naeem Mohaiemen The Young Man Was (Part 1: United</a> <a title="ArtReview: March 2012 page 91" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=91"> </a> <a title="ArtReview: March 2012 page 92" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=92"> Wael Shawky Cabaret Crusades: The Horror Show Fil</a> <a title="ArtReview: March 2012 page 93" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=93"> above Brendan Fowler Spring 2011 (Andrea’s Hand U</a> <a title="ArtReview: March 2012 page 94" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=94"> </a> <a title="ArtReview: March 2012 page 95" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=95"> B R I A N The fetishe</a> <a title="ArtReview: March 2012 page 96" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=96"> Brian Kennon Untitled Spread (Heinecken, Bonvicin</a> <a title="ArtReview: March 2012 page 97" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=97"> from top: André Komatsu, Desvio de Poder 1, 2011,</a> <a title="ArtReview: March 2012 page 98" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=98"> top: Ala Younis, Tin Soldiers, 2010–11, 12,265 pa</a> <a title="ArtReview: March 2012 page 99" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=99"> A N A L I A Because Analia</a> <a title="ArtReview: March 2012 page 100" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=100"> Analia Saban Fade Out (from Blue), 2011, laser-ca</a> <a title="ArtReview: March 2012 page 101" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=101"> Rossella Biscotti The Bare Prison of Santo Stefan</a> <a title="ArtReview: March 2012 page 102" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=102"> R O S S E L L A It is not a negligib</a> <a title="ArtReview: March 2012 page 103" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=103"> A L E K S A N D R A I’ve been interested</a> <a title="ArtReview: March 2012 page 104" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=104"> from top: Aleksandra Domanović Turbo Sculpture, 2</a> <a title="ArtReview: March 2012 page 105" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=105"> Runo Lagomarsino Trans Atlantic (detail), 2010–11</a> <a title="ArtReview: March 2012 page 106" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=106"> Lines of Thought Parasol unit 29 Februa</a> <a title="ArtReview: March 2012 page 107" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=107"> AD_final_AW.indd 1 </a> <a title="ArtReview: March 2012 page 108" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=108"> USA, Asia & Middle East Listings UNITED STATES Ca</a> <a title="ArtReview: March 2012 page 109" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=109"> Armory FocuS: The Nordic couNTrieS: Galerie Anhav</a> <a title="ArtReview: March 2012 page 110" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=110"> AUSTRIA Christine Koenig Galerie Schleifmuehlgass</a> <a title="ArtReview: March 2012 page 111" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=111"> Listings Europe Max Hetzler Oudenarder Straße 16</a> <a title="ArtReview: March 2012 page 112" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=112"> i .i / / 101–103 Heath St</a> <a title="ArtReview: March 2012 page 113" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=113"> Listings Europe & South Africa Ingleby Gallery 1</a> <a title="ArtReview: March 2012 page 114" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=114"> Participating Galleries 303 Gallery, New York Mig</a> <a title="ArtReview: March 2012 page 115" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=115"> Subscribe Subscribe NOW and get: 35% off the cov</a> <a title="ArtReview: March 2012 page 116" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=116"> Reviewed Exhibitions/UK Synthetic Real, Edel Assa</a> <a title="ArtReview: March 2012 page 117" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=117"> Dara Birnbaum Addendum: Autism from Six Movements</a> <a title="ArtReview: March 2012 page 118" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=118"> composition harks back to all manner of construct</a> <a title="ArtReview: March 2012 page 119" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=119"> Catherine Story: Angeles Carl Freedman Gallery, L</a> <a title="ArtReview: March 2012 page 120" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=120"> Catherine Story Millionaire, 2011, oil on wood, 9</a> <a title="ArtReview: March 2012 page 121" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=121"> Simon Fujiwara Saint Simon, 2012 (installation vi</a> <a title="ArtReview: March 2012 page 122" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=122"> SIMON FUJIWARA Simon Fujiwara: Since 1982 Tate S</a> <a title="ArtReview: March 2012 page 123" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=123"> Michael Snow In the Way, 2011, video projection, </a> <a title="ArtReview: March 2012 page 124" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=124"> Sanja Iveković Make Up – Make Down, 1978, video (</a> <a title="ArtReview: March 2012 page 125" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=125"> MICHAEL SNOW Michael Snow: In the Way Jack Shain</a> <a title="ArtReview: March 2012 page 126" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=126"> JOEL STERNFELD Joel Sternfeld: First Pictures Lu</a> <a title="ArtReview: March 2012 page 127" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=127"> Brian Bress Cowboy (Brian Led by Peter Kirby), 20</a> <a title="ArtReview: March 2012 page 128" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=128"> BRIAN BRESS Brian Bress: Under Performing Cherry</a> <a title="ArtReview: March 2012 page 129" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=129"> Stefan Brüggemann Untitled (Joke and Definition Pa</a> <a title="ArtReview: March 2012 page 130" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=130"> Stefan Brüggemann Yvon Lambert, Paris 25 November</a> <a title="ArtReview: March 2012 page 131" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=131"> Rivane Neuenschwander: A Day Like Any Other Irish</a> <a title="ArtReview: March 2012 page 132" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=132"> Timur Si-Qin Legend, 2011, metal gloves, televisi</a> <a title="ArtReview: March 2012 page 133" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=133"> Akram Zaatari Bodybuilders. Printed from a damage</a> <a title="ArtReview: March 2012 page 134" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=134"> Akram Zaatari: Composition for Two Wings Kunstner</a> <a title="ArtReview: March 2012 page 135" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=135"> KATI HECK Kati Heck: Multikulti Sause Tim Van La</a> <a title="ArtReview: March 2012 page 136" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=136"> postal mark bearing the image of Poland’s first d</a> <a title="ArtReview: March 2012 page 137" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=137"> Raymond Depardon and Claudine Nougaret (see Mathe</a> <a title="ArtReview: March 2012 page 138" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=138"> MATHEMATICS Mathematics: A Beautiful Elsewhere F</a> <a title="ArtReview: March 2012 page 139" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=139"> On the Town 2 3 1 45 </a> <a title="ArtReview: March 2012 page 140" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=140"> 12 3 456 </a> <a title="ArtReview: March 2012 page 141" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=141"> Books Art History The Art of Cruelty: A Reckon</a> <a title="ArtReview: March 2012 page 142" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=142"> Fiction Care of Wooden Floors By Will Wiles Har</a> <a title="ArtReview: March 2012 page 143" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=143"> Thematic Survey Concrete Comedy: An Alternative </a> <a title="ArtReview: March 2012 page 144" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=144"> Monograph Agnes Martin Edited by Lynne Cooke, K</a> <a title="ArtReview: March 2012 page 145" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=145"> Collected Writings Distrust That Particular Flav</a> <a title="ArtReview: March 2012 page 146" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=146"> introducing the oppressed to the element cadmium </a> <a title="ArtReview: March 2012 page 147" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=147"> Thursday, February 9, 2012 14:29 Subject: off t</a> <a title="ArtReview: March 2012 page 148" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=148"> No uniform patterns It's the differences that mak</a> <a title="ArtReview: March 2012 page 149" href="https://secure.viewer.zmags.com/publication/9cf8bb7c?page=149"> A single journey can change the course of a life.</a>