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<br /> Contents<br /> Art Previewed 29<br /> Previews Massimo Minini<br /> by Martin Herbert Interview by Barbara Casavecchia<br /> 31 54<br /> Points of View The Law and Its Ideas<br /> by Jonathan T.D. Neil, by Daniel McClean<br /> Kimberly Bradley, Maria Lind, 58<br /> J.J. Charlesworth, Mike Watson,<br /> Sam Jacob, Mark Sladen, Hettie Judah &<br /> Jonathan Grossmalerman<br /> 41<br /> FutureGreats 75<br /> Aliza Nisenbaum, by Chris Sharp<br /> Radamés ‘Juni’ Figueroa, by Pablo León de la Barra<br /> Morag Keil, by Martin Herbert<br /> Yamaguchi Akira, by Makoto Aida<br /> As<a title="ArtReview March 2014 page 1" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=1"> Contents Art Previewed 29 Previews </a> <a title="ArtReview March 2014 page 2" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=2"> </a> <a title="ArtReview March 2014 page 3" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=3"> </a> <a title="ArtReview March 2014 page 4" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=4"> </a> <a title="ArtReview March 2014 page 5" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=5"> </a> <a title="ArtReview March 2014 page 6" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=6"> </a> <a title="ArtReview March 2014 page 7" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=7"> </a> <a title="ArtReview March 2014 page 8" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=8"> </a> <a title="ArtReview March 2014 page 9" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=9"> HAUSER & WIRTH ELLEN GALLAGHER NEW WORK 14 MA</a> <a title="ArtReview March 2014 page 10" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=10"> HAUSER & WIRTH RE-VIEW ONNASCH COLLECTION CUR</a> <a title="ArtReview March 2014 page 11" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=11"> 26 March — 10 May 2014 52 Bell Street, London </a> <a title="ArtReview March 2014 page 12" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=12"> 26 March — 10 May 2014 27 Bell Street, London </a> <a title="ArtReview March 2014 page 13" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=13"> </a> <a title="ArtReview March 2014 page 14" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=14"> ALEXKATZ 45 YEARS OF PORTRAITS, 1969 – 2014 MARC</a> <a title="ArtReview March 2014 page 15" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=15"> CHU TEH-CHUN CERAMICS CREATED AT LA MANUFACTURE </a> <a title="ArtReview March 2014 page 16" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=16"> Valerie Snobeck 28 March – 16 May 2014 London </a> <a title="ArtReview March 2014 page 17" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=17"> Galerie Hubert Winter HELGA PHILI</a> <a title="ArtReview March 2014 page 18" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=18"> MARK MANDERS Cose in Corso 9 March – 28 September</a> <a title="ArtReview March 2014 page 19" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=19"> chuck close: Nudes 1967–2014 534 West 25th stree</a> <a title="ArtReview March 2014 page 20" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=20"> Naming and necessity What’s in a name? Each Marc</a> <a title="ArtReview March 2014 page 21" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=21"> Still, ArtReview likes the absurd confi</a> <a title="ArtReview March 2014 page 22" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=22"> Mysteries: Tide, 2002. acrylic on canvas, 84 x 84</a> <a title="ArtReview March 2014 page 23" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=23"> </a> <a title="ArtReview March 2014 page 24" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=24"> ArtReview vol 66 no 2 March 2014 Art Preview</a> <a title="ArtReview March 2014 page 25" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=25"> FutureGreats 75 Ali</a> <a title="ArtReview March 2014 page 26" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=26"> www.dewitt.ch for the new emperors </a> <a title="ArtReview March 2014 page 27" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=27"> Art Reviewed 115 Exhibitions 116 </a> <a title="ArtReview March 2014 page 28" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=28"> ERWIN WURM Synthesa February 28 - April 19, 2014 </a> <a title="ArtReview March 2014 page 29" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=29"> MAX WIGRAM GALLERY ITALIAN ART AND DESIGN FRO</a> <a title="ArtReview March 2014 page 30" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=30"> Art Previewed </a> <a title="ArtReview March 2014 page 31" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=31"> </a> <a title="ArtReview March 2014 page 32" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=32"> Whitney Biennial New York 7 March – 2</a> <a title="ArtReview March 2014 page 33" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=33"> 1 If the last Whitney Biennial settled in the </a> <a title="ArtReview March 2014 page 34" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=34"> 4 Florian Roithmayr, Moat (2013). Courtesy MO</a> <a title="ArtReview March 2014 page 35" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=35"> real-world atmosphere, bodies, homes; and </a> <a title="ArtReview March 2014 page 36" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=36"> Zoo(m) De LarGe (JaIL D'art). InstaLLatIon vIew. </a> <a title="ArtReview March 2014 page 37" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=37"> 9 Hubert Czerepok, Let’s Change It All (video st</a> <a title="ArtReview March 2014 page 38" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=38"> </a> <a title="ArtReview March 2014 page 39" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=39"> WilliAm JoSeph KenTridge (SouTh AfricAn, born 195</a> <a title="ArtReview March 2014 page 40" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=40"> </a> <a title="ArtReview March 2014 page 41" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=41"> Andreas Slominski Works from the Collection of Bä</a> <a title="ArtReview March 2014 page 42" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=42"> Jonathan T.D. Neil What i</a> <a title="ArtReview March 2014 page 43" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=43"> Kimberly Bradley What next for the Haus that Okw</a> <a title="ArtReview March 2014 page 44" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=44"> For a while I’ve been thinking about the Enlighte</a> <a title="ArtReview March 2014 page 45" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=45"> J.J. Charlesworth How to make a racist chair </a> <a title="ArtReview March 2014 page 46" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=46"> </a> <a title="ArtReview March 2014 page 47" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=47"> Mike Watson Did art lose its social conscience i</a> <a title="ArtReview March 2014 page 48" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=48"> Sam Jacob A new kind of art is occupying the spac</a> <a title="ArtReview March 2014 page 49" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=49"> Courtesy Mickalene Thomas, Lehmann Maupin, New Yo</a> <a title="ArtReview March 2014 page 50" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=50"> Mark Sladen Slow down the Internet Do you read</a> <a title="ArtReview March 2014 page 51" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=51"> A ghost is haunting Dover</a> <a title="ArtReview March 2014 page 52" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=52"> </a> <a title="ArtReview March 2014 page 53" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=53"> Jonathan Grossmalerman Everyone else is curating </a> <a title="ArtReview March 2014 page 54" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=54"> CHANG jia CHANG jia MARCH 06 - APRIL 03, 2014 MAR</a> <a title="ArtReview March 2014 page 55" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=55"> Other People and Their Ideas No 13 Massimo Min</a> <a title="ArtReview March 2014 page 56" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=56"> ART REVIEW You’ve been showing art in Brescia fo</a> <a title="ArtReview March 2014 page 57" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=57"> Mussat Sartor and Giorgio Colombo. At that stage,</a> <a title="ArtReview March 2014 page 58" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=58"> </a> <a title="ArtReview March 2014 page 59" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=59"> The Law and Its Ideas No 4 R</a> <a title="ArtReview March 2014 page 60" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=60"> Background In The Rape of Europa: The Fate of Eur</a> <a title="ArtReview March 2014 page 61" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=61"> TATE.ORG.UK PIMLICO / WESTMINSTER TATEGALLER</a> <a title="ArtReview March 2014 page 62" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=62"> Book now 5 February – 27 April 2014</a> <a title="ArtReview March 2014 page 63" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=63"> </a> <a title="ArtReview March 2014 page 64" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=64"> CHINA FOCUS SECTION ARMORY SHOW BOOTH 537 MARCH 6</a> <a title="ArtReview March 2014 page 65" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=65"> </a> <a title="ArtReview March 2014 page 66" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=66"> </a> <a title="ArtReview March 2014 page 67" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=67"> </a> <a title="ArtReview March 2014 page 68" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=68"> </a> <a title="ArtReview March 2014 page 69" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=69"> Book now TATE.ORG.UK SOUTHWAR</a> <a title="ArtReview March 2014 page 70" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=70"> 401 CONTEMPORARY | 1301PE | A ARTE INVERNIZZI | A</a> <a title="ArtReview March 2014 page 71" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=71"> Walls With By Wounds Dale</a> <a title="ArtReview March 2014 page 72" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=72"> ATHR GALLERY ZIAD ANTAR LIMINALITY / A SOLO EXHI</a> <a title="ArtReview March 2014 page 73" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=73"> </a> <a title="ArtReview March 2014 page 74" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=74"> Exhibition Preview 14.03.14 / 5-7pm Admission Fr</a> <a title="ArtReview March 2014 page 75" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=75"> Image: The Armory Show 2014 Commissioned Artist, </a> <a title="ArtReview March 2014 page 76" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=76"> Practitioners of the craft of private banking efg</a> <a title="ArtReview March 2014 page 77" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=77"> Sponsor’s statement EFG International is pleased</a> <a title="ArtReview March 2014 page 78" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=78"> 77</a> <a title="ArtReview March 2014 page 79" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=79"> Brooklyn-based Mexican artist Aliza Nisenbaum mak</a> <a title="ArtReview March 2014 page 80" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=80"> Radamés ‘Juni’ Figueroa </a> <a title="ArtReview March 2014 page 81" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=81"> Visitors to Morag Keil’s show Potpourri at London</a> <a title="ArtReview March 2014 page 82" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=82"> The best artist in Japan is Yamaguchi Akira. Howe</a> <a title="ArtReview March 2014 page 83" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=83"> While moving from the gallery to the cinema might</a> <a title="ArtReview March 2014 page 84" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=84"> March 2014 </a> <a title="ArtReview March 2014 page 85" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=85"> Yoshinori Niwa is known for projects that work as</a> <a title="ArtReview March 2014 page 86" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=86"> The intimacy that is indicated in Flaka Haliti’s </a> <a title="ArtReview March 2014 page 87" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=87"> Want to evade face recognition by looking great? </a> <a title="ArtReview March 2014 page 88" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=88"> Andrea Romano likes difficult titles, with a spec</a> <a title="ArtReview March 2014 page 89" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=89"> Nigerian-born, Berlin-based Otobong Nkanga’s earl</a> <a title="ArtReview March 2014 page 90" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=90"> 89</a> <a title="ArtReview March 2014 page 91" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=91"> Anicka Yi 90 </a> <a title="ArtReview March 2014 page 92" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=92"> It wouldn’t be much of an insult to compare Anick</a> <a title="ArtReview March 2014 page 93" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=93"> Luiza Baldan works mostly through photog- raphy t</a> <a title="ArtReview March 2014 page 94" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=94"> The giant abstract painting, measuring some 25 by</a> <a title="ArtReview March 2014 page 95" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=95"> Much of the art of Lebanon’s influential post-Civi</a> <a title="ArtReview March 2014 page 96" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=96"> 95</a> <a title="ArtReview March 2014 page 97" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=97"> Within a context where there are many tedious cli</a> <a title="ArtReview March 2014 page 98" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=98"> Fergal Stapleton’s work occupies a mysterious and</a> <a title="ArtReview March 2014 page 99" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=99"> On entering an exhibition of recent work by Micha</a> <a title="ArtReview March 2014 page 100" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=100"> 99</a> <a title="ArtReview March 2014 page 101" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=101"> Rokni Haerizadeh </a> <a title="ArtReview March 2014 page 102" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=102"> Yu Honglei is one of the few artists of the post-</a> <a title="ArtReview March 2014 page 103" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=103"> By all accounts, David Scanavino is enjoying a su</a> <a title="ArtReview March 2014 page 104" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=104"> 103</a> <a title="ArtReview March 2014 page 105" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=105"> Math Bass 104 </a> <a title="ArtReview March 2014 page 106" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=106"> The Los Angeles-based artist Math Bass works betw</a> <a title="ArtReview March 2014 page 107" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=107"> Holger Wüst is an artist who lives and works in O</a> <a title="ArtReview March 2014 page 108" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=108"> Seung Woo Back’s work emerges from the way in whi</a> <a title="ArtReview March 2014 page 109" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=109"> A hollow mask, moulded from thin ceramic and text</a> <a title="ArtReview March 2014 page 110" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=110"> Adam Harvey’s work can be conducive to a certain </a> <a title="ArtReview March 2014 page 111" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=111"> Margrét Helga Sesseljudóttir </a> <a title="ArtReview March 2014 page 112" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=112"> I’m interested in art because it’s like doing phi</a> <a title="ArtReview March 2014 page 113" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=113"> Rebecca Birch is a good filmmaker. She knows when </a> <a title="ArtReview March 2014 page 114" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=114"> I once made the mistake of tasting cured, decompo</a> <a title="ArtReview March 2014 page 115" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=115"> The hockey players of Gstaad – the super-exclu- s</a> <a title="ArtReview March 2014 page 116" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=116"> Art Reviewed Future travellers ch</a> <a title="ArtReview March 2014 page 117" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=117"> Akram Zaatari On Photography People and Modern T</a> <a title="ArtReview March 2014 page 118" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=118"> Siobhan Davies Dance Table of Contents ICA, Londo</a> <a title="ArtReview March 2014 page 119" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=119"> David Ostrowski Yes or Let’s Say No Simon Lee Ga</a> <a title="ArtReview March 2014 page 120" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=120"> Johann Arens Internet Centre & Habesha Grocery P</a> <a title="ArtReview March 2014 page 121" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=121"> Katrina Palmer Reality Flickers MOT Internationa</a> <a title="ArtReview March 2014 page 122" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=122"> Dear Art Calvert 22, London 28 September – 8 Dece</a> <a title="ArtReview March 2014 page 123" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=123"> Filipe Branquinho Showtime Jack Bell Gallery, Lo</a> <a title="ArtReview March 2014 page 124" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=124"> Dana Schutz Hepworth Wakefield 12 October – 2 Febr</a> <a title="ArtReview March 2014 page 125" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=125"> Tabor Robak Next-Gen Open Beta Team Gallery, New</a> <a title="ArtReview March 2014 page 126" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=126"> Isa Genzken Retrospective MoMA, New York 23 Nove</a> <a title="ArtReview March 2014 page 127" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=127"> Cyprien Gaillard Today Diggers, Tomorrow Dickens</a> <a title="ArtReview March 2014 page 128" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=128"> Karin Apollonia Müller Far Out Diane Rosenstein </a> <a title="ArtReview March 2014 page 129" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=129"> Colby Bird Clyde Glenn Burns Fitzroy Gallery, Ne</a> <a title="ArtReview March 2014 page 130" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=130"> Aaron Garber-Maikovska Fast Red Lobster Greene E</a> <a title="ArtReview March 2014 page 131" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=131"> Allison Schulnik Eager ZieherSmith, New York 9 </a> <a title="ArtReview March 2014 page 132" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=132"> Where 2 Where Gallery, Brooklyn 15 December – 14 </a> <a title="ArtReview March 2014 page 133" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=133"> Michelangelo Pistoletto and Pascale Marthine Tayo</a> <a title="ArtReview March 2014 page 134" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=134"> And Materials and Money and Crisis Mumok, Vienna </a> <a title="ArtReview March 2014 page 135" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=135"> Jacob Dahlgren Painting into Space and the Meani</a> <a title="ArtReview March 2014 page 136" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=136"> In the Line of Beauty IMMA, Dublin 12 October – 2</a> <a title="ArtReview March 2014 page 137" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=137"> Morgane Tschiember Polystyrene, Shibari & Co Loe</a> <a title="ArtReview March 2014 page 138" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=138"> Amor e Ódio a Lygia Clark/Love and Hate to Lygia </a> <a title="ArtReview March 2014 page 139" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=139"> Lamberto Teotino EP Dino Morra Arte Contemporane</a> <a title="ArtReview March 2014 page 140" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=140"> Christian Waldvogel Peripheral Vision FRAC Lorra</a> <a title="ArtReview March 2014 page 141" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=141"> Stephan Doitschinoff FVTVRV Choque Cultural, São</a> <a title="ArtReview March 2014 page 142" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=142"> The Garden of Diversion Sifang Art Museum, Nanjin</a> <a title="ArtReview March 2014 page 143" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=143"> Books </a> <a title="ArtReview March 2014 page 144" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=144"> Show Time: The 50 Most Influential Exhibitions of </a> <a title="ArtReview March 2014 page 145" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=145"> Western Art and the Wider World by Paul Wood A</a> <a title="ArtReview March 2014 page 146" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=146"> Austria Galerie Meyer Kainer Elke Silvia Krystu</a> <a title="ArtReview March 2014 page 147" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=147"> Germany Johnen Galerie Katharina Fritsch, Rodne</a> <a title="ArtReview March 2014 page 148" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=148"> Emtone Print Company Boutique lit</a> <a title="ArtReview March 2014 page 149" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=149"> New Museum of Contemporary Art Jeanine Oleson: He</a> <a title="ArtReview March 2014 page 150" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=150"> from $1,800 Ana Kraš, Bonb</a> <a title="ArtReview March 2014 page 151" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=151"> </a> <a title="ArtReview March 2014 page 152" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=152"> $2,000 </a> <a title="ArtReview March 2014 page 153" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=153"> $500 Peter Doig, Fisherman, 2002/2013 mbam.qc.ca </a> <a title="ArtReview March 2014 page 154" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=154"> Read ArtReview in even the tightest of corners On</a> <a title="ArtReview March 2014 page 155" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=155"> 154 </a> <a title="ArtReview March 2014 page 156" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=156"> For more on artist András Baranyai, see overleaf </a> <a title="ArtReview March 2014 page 157" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=157"> Mark Sladen is a London-based curator and writer</a> <a title="ArtReview March 2014 page 158" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=158"> Editorial Editors Mark Rappolt David Terrien </a> <a title="ArtReview March 2014 page 159" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=159"> Off the Record March 2014 Slumped over his fou</a> <a title="ArtReview March 2014 page 160" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=160"> Aïda Muluneh, The 99 Series, 2013, Series of seve</a> <a title="ArtReview March 2014 page 161" href="https://secure.viewer.zmags.com/publication/94edc6aa?page=161"> www.dior.com – 020 7172 0172</a>