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<br /> Contents<br /> Previews<br /> by Martin Herbert<br /> 27<br /> Points of View<br /> by Jonathan T. D. Neil,<br /> Oliver Basciano,<br /> Maria Lind,<br /> Mark Sladen,<br /> Mike Watson,<br /> Sam Jacob,<br /> J. J. Charlesworth,<br /> Hettie Judah,<br /> Jonathan Grossmalerman<br /> Laura McLean-Ferris<br /> 35<br /> Wilhelm Sasnal<br /> by Martin Herbert<br /> 72<br /> Berlin’s Capitalist Realists<br /> by Mark Prince<br /> 80<br /> Exhibitions<br /> 104<br /> Books<br /> 134<br /> Art Previewed 25<br /> Juan A. Gaitán<br /> Interview by Raimar Stange<br /> 52<br /> James Lingwood<br /> Interview by Tom Eccles<br /> 56<br /> Patricia Phelps de Cisneros<br /> Interview by Joshua Mack<br /> 60<br /> The Law and Its Ideas<br /> by Daniel McClean<br /><a title="ArtReview April 2014 page 1" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=1"> Contents Previews by Martin Herbert 27 </a> <a title="ArtReview April 2014 page 2" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=2"> The human race is a monotonous affair uk £5.95 </a> <a title="ArtReview April 2014 page 3" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=3"> Saint Laurent Ad.indd 214 </a> <a title="ArtReview April 2014 page 4" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=4"> Saint Laurent Ad.indd 215 </a> <a title="ArtReview April 2014 page 5" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=5"> vancleef.indd 4 </a> <a title="ArtReview April 2014 page 6" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=6"> vancleef.indd 5 </a> <a title="ArtReview April 2014 page 7" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=7"> 26 March — 10 May 2014 52 Bell Street, London </a> <a title="ArtReview April 2014 page 8" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=8"> 26 March — 10 May 2014 27 Bell Street, London </a> <a title="ArtReview April 2014 page 9" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=9"> MATTI </a> <a title="ArtReview April 2014 page 10" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=10"> David Zwirner Ad.indd 202 Michael Riedel La</a> <a title="ArtReview April 2014 page 11" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=11"> mendes.indd 10 </a> <a title="ArtReview April 2014 page 12" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=12"> </a> <a title="ArtReview April 2014 page 13" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=13"> Wilhelm Sasnal March 27 – April 26, 2014 </a> <a title="ArtReview April 2014 page 14" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=14"> BRENT WADDEN THE DECLINE ApRIL 24 — mAy 24, 201</a> <a title="ArtReview April 2014 page 15" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=15"> Berlin design, Glashütte at heart: The cla</a> <a title="ArtReview April 2014 page 16" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=16"> Art for all… or something Last month, in New Yor</a> <a title="ArtReview April 2014 page 17" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=17"> ArtReview admired the generosity and op</a> <a title="ArtReview April 2014 page 18" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=18"> ADAM PENDLETON 534West25thStreetNewYork April4–M</a> <a title="ArtReview April 2014 page 19" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=19"> </a> <a title="ArtReview April 2014 page 20" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=20"> ArtReview vol 66 no 3 April 2014 Art Previewe</a> <a title="ArtReview April 2014 page 21" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=21"> Wilhelm Sasnal by Martin Herbert 72 Berlin’s Cap</a> <a title="ArtReview April 2014 page 22" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=22"> Exhibitions 104 Magali Reus, by Morgan Qua</a> <a title="ArtReview April 2014 page 23" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=23"> </a> <a title="ArtReview April 2014 page 24" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=24"> I am 50 Juergen Teller 21 March </a> <a title="ArtReview April 2014 page 25" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=25"> Wilhelm Sasnal TAKE ME TO THE OTHER SIDE L</a> <a title="ArtReview April 2014 page 26" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=26"> Art Previewed The affairs of the </a> <a title="ArtReview April 2014 page 27" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=27"> FutureGreats 2014 Zach Blas </a> <a title="ArtReview April 2014 page 28" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=28"> Richard Jackson S.M.A.K., Gent through 1 June </a> <a title="ArtReview April 2014 page 29" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=29"> ‘I thought about crashing a Bentley – there are p</a> <a title="ArtReview April 2014 page 30" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=30"> postcards, press photos, magazines – which appare</a> <a title="ArtReview April 2014 page 31" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=31"> 7 After Venice (detail), 2013,</a> <a title="ArtReview April 2014 page 32" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=32"> Zoo(M) De large (Jail D'art). inStallation view. </a> <a title="ArtReview April 2014 page 33" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=33"> this 3D volume that is our space is in fact the s</a> <a title="ArtReview April 2014 page 34" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=34"> LUMA.indd 33 </a> <a title="ArtReview April 2014 page 35" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=35"> mac birmingham 12 April – 8 June 2014 Cannon Hill</a> <a title="ArtReview April 2014 page 36" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=36"> Jonathan T. D. Neil Who’s afraid of qua</a> <a title="ArtReview April 2014 page 37" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=37"> In the car from Dhaka’s Hazrat Shahjalal Airport </a> <a title="ArtReview April 2014 page 38" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=38"> During the 1950s, architect Constantinos Doxiadis</a> <a title="ArtReview April 2014 page 39" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=39"> ‘What is reading? How does reading turn into know</a> <a title="ArtReview April 2014 page 40" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=40"> doosan_placed.indd 225 Untitled-1 1 Untitled-</a> <a title="ArtReview April 2014 page 41" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=41"> Mike Watson Living with the Maldives If climat</a> <a title="ArtReview April 2014 page 42" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=42"> It’s the nagging sensation that pervades what we </a> <a title="ArtReview April 2014 page 43" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=43"> yarat_placed.indd 219 </a> <a title="ArtReview April 2014 page 44" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=44"> J. J. Charlesworth How not to make public art </a> <a title="ArtReview April 2014 page 45" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=45"> Hettie Judah Sauce for the sacrificial lamb As </a> <a title="ArtReview April 2014 page 46" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=46"> Jonathan Grossmalerman  I keep visualising Hauser</a> <a title="ArtReview April 2014 page 47" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=47"> Laura McLean-Ferris Off-space No 19: Castillo/Co</a> <a title="ArtReview April 2014 page 48" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=48"> baro_placed.indd 47 </a> <a title="ArtReview April 2014 page 49" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=49"> ULRICH RIEDEL 48.indd 48 </a> <a title="ArtReview April 2014 page 50" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=50"> Free Open late Fridays Until 31 August 2014 </a> <a title="ArtReview April 2014 page 51" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=51"> Multiple points in this crude landscape Jonathan</a> <a title="ArtReview April 2014 page 52" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=52"> Barbara Probst Galerie Rudolfinum </a> <a title="ArtReview April 2014 page 53" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=53"> Great Curators and Their Ideas No 1 Juan A. Ga</a> <a title="ArtReview April 2014 page 54" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=54"> ARTREVIEW I read online that your curatorial conc</a> <a title="ArtReview April 2014 page 55" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=55"> AR For example? JAG The most obvious case for us </a> <a title="ArtReview April 2014 page 56" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=56"> ANYONE COULD ACQUIRE THIS MASTERPIECE, BUT ONLY 1</a> <a title="ArtReview April 2014 page 57" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=57"> Other People and Their Ideas No 14 James Lingw</a> <a title="ArtReview April 2014 page 58" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=58"> ARTREVIEW You have now been codirector (with Mich</a> <a title="ArtReview April 2014 page 59" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=59"> When he was filming on the Isle of Man</a> <a title="ArtReview April 2014 page 60" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=60"> evi _ ay ut 3/ /1 9: </a> <a title="ArtReview April 2014 page 61" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=61"> Great Collectors and Their Ideas No 5 Patricia</a> <a title="ArtReview April 2014 page 62" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=62"> ARTREVIEW When and how did your commitment to Lat</a> <a title="ArtReview April 2014 page 63" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=63"> been accepted as a weaving apprentice that the st</a> <a title="ArtReview April 2014 page 64" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=64"> It’s really all about making connection</a> <a title="ArtReview April 2014 page 65" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=65"> The Law and Its Ideas No 5 Goi</a> <a title="ArtReview April 2014 page 66" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=66"> The TV show A recent report that the C</a> <a title="ArtReview April 2014 page 67" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=67"> ̞ MAY 2014 </a> <a title="ArtReview April 2014 page 68" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=68"> call for applications artgeneve.ch </a> <a title="ArtReview April 2014 page 69" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=69"> FNY2014-ArtReview-outlined.indd 2 froeze.indd 206</a> <a title="ArtReview April 2014 page 70" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=70"> Gallery Weekend Berlin 230 140310_GWB_2014_Anzeig</a> <a title="ArtReview April 2014 page 71" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=71"> Aïda Muluneh, The 99 Series, 2013, Series of seve</a> <a title="ArtReview April 2014 page 72" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=72"> Art Featured No one is </a> <a title="ArtReview April 2014 page 73" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=73"> Wilhelm Sasnal Meet an a</a> <a title="ArtReview April 2014 page 74" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=74"> When Wilhelm Sasnal’s face pops up on a Skype con</a> <a title="ArtReview April 2014 page 75" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=75"> Untitled, 2013. Photo: Stefan Altenburger Photogr</a> <a title="ArtReview April 2014 page 76" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=76"> above Wojtek, 2004, oil on canvas, 32 × 46 × 2 cm</a> <a title="ArtReview April 2014 page 77" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=77"> 76 </a> <a title="ArtReview April 2014 page 78" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=78"> April 2014 </a> <a title="ArtReview April 2014 page 79" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=79"> Sociopolitical and locally historical c</a> <a title="ArtReview April 2014 page 80" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=80"> Untitled, 2013. Photo: Stefan Altenburger Photogr</a> <a title="ArtReview April 2014 page 81" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=81"> Berlin’s Capitalist Realists </a> <a title="ArtReview April 2014 page 82" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=82"> Over the past decade, the growing signific</a> <a title="ArtReview April 2014 page 83" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=83"> Twentieth-century Modernism was a ground conteste</a> <a title="ArtReview April 2014 page 84" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=84"> German art of the past half-cent</a> <a title="ArtReview April 2014 page 85" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=85"> top left Christopher Wool, Untitled, 198</a> <a title="ArtReview April 2014 page 86" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=86"> top André Butzer, Untitle</a> <a title="ArtReview April 2014 page 87" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=87"> dimensions of a gallery, invokes the Polish artis</a> <a title="ArtReview April 2014 page 88" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=88"> Gunter Reski, Doktor</a> <a title="ArtReview April 2014 page 89" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=89"> Gunter Reski, Die Untermieter, 2013, </a> <a title="ArtReview April 2014 page 90" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=90"> dimensions of a gallery, invokes the Polish artis</a> <a title="ArtReview April 2014 page 91" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=91"> Resistance to Communication Is Crucial Th</a> <a title="ArtReview April 2014 page 92" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=92"> canonically, mostly without challenging the frame</a> <a title="ArtReview April 2014 page 93" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=93"> now at least) as an exhibition that cannot be oth</a> <a title="ArtReview April 2014 page 94" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=94"> It doesn’t matter whether they do this </a> <a title="ArtReview April 2014 page 95" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=95"> photography Pawel Tarasiewicz lightingandanimalha</a> <a title="ArtReview April 2014 page 96" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=96"> Dienstag Abend We a</a> <a title="ArtReview April 2014 page 97" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=97"> The old man looked at me More than twice With the</a> <a title="ArtReview April 2014 page 98" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=98"> Oeuvre #1 3d designer, admin assistant, adve</a> <a title="ArtReview April 2014 page 99" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=99"> In the woods A love song was being played By two </a> <a title="ArtReview April 2014 page 100" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=100"> A man travels to London with a box filled with sho</a> <a title="ArtReview April 2014 page 101" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=101"> Together with the vegetable realm and embrac- ing</a> <a title="ArtReview April 2014 page 102" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=102"> 101 AR-April-Dienstag Abend.indd 101 </a> <a title="ArtReview April 2014 page 103" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=103"> ArtBrussels-AD-def-dec.indd 63 ArtBrussels- 102 </a> <a title="ArtReview April 2014 page 104" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=104"> Art Reviewed </a> <a title="ArtReview April 2014 page 105" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=105"> Magali Reus In Lukes and Dregs Approach, London </a> <a title="ArtReview April 2014 page 106" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=106"> Alexandre Singh The Humans Sprüth Magers, London</a> <a title="ArtReview April 2014 page 107" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=107"> Christian Jankowski Heavy Weight History Lisson </a> <a title="ArtReview April 2014 page 108" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=108"> Two blots paired, one blot below them. Two eyes a</a> <a title="ArtReview April 2014 page 109" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=109"> Jessica Jackson Hutchins Timothy Taylor Gallery, </a> <a title="ArtReview April 2014 page 110" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=110"> Pae White Genau or Never  Greengrassi, London 24</a> <a title="ArtReview April 2014 page 111" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=111"> Dean Hughes Maria Stenfors, London 24 January – 8</a> <a title="ArtReview April 2014 page 112" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=112"> Anat Ben David MeleCh Stanley Picker Gallery, Ki</a> <a title="ArtReview April 2014 page 113" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=113"> Return Journey Mostyn, Llandudno 18 January – 6 A</a> <a title="ArtReview April 2014 page 114" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=114"> Thomas Struth Marian Goodman Gallery, New York 10</a> <a title="ArtReview April 2014 page 115" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=115"> Christopher Williams The Production Line of Happ</a> <a title="ArtReview April 2014 page 116" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=116"> Liz Glynn On the Possibility of Salvage Paula Co</a> <a title="ArtReview April 2014 page 117" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=117"> Objects & Thin Air Foxy Production, New York 10 J</a> <a title="ArtReview April 2014 page 118" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=118"> Michael Fullerton Meaning, Inc Greene Naftali, N</a> <a title="ArtReview April 2014 page 119" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=119"> Joel Kyack Old Sailors Never Die François Ghebal</a> <a title="ArtReview April 2014 page 120" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=120"> Liz Larner Regen Projects, Los Angeles 11 January</a> <a title="ArtReview April 2014 page 121" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=121"> Alex Prager Face in the Crowd Lehmann Maupin, Ne</a> <a title="ArtReview April 2014 page 122" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=122"> Sue Williams WTC, WWIII, Couch Size 303 Gallery,</a> <a title="ArtReview April 2014 page 123" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=123"> Stan Douglas Luanda-Kinshasa David Zwirner, New </a> <a title="ArtReview April 2014 page 124" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=124"> Adrián Villar Rojas Los Teatros de Saturno Kurim</a> <a title="ArtReview April 2014 page 125" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=125"> Merlin James Freestyle Kunstverein Freiburg 17 J</a> <a title="ArtReview April 2014 page 126" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=126"> Stefan Panhans Too Much Change Is Not Enough Haus</a> <a title="ArtReview April 2014 page 127" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=127"> Matt Mullican Stone Video Rubbing Wire Massimo D</a> <a title="ArtReview April 2014 page 128" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=128"> Sarkis Au Commencement le Blanc Galerie Nathalie </a> <a title="ArtReview April 2014 page 129" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=129"> Walter Swennen So Far So Good Wiels, Brussels 5 </a> <a title="ArtReview April 2014 page 130" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=130"> Deniz Gül B.I.M.A.B.K.R. Galeri Manâ, Istanbul 2</a> <a title="ArtReview April 2014 page 131" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=131"> Elevation 1049: Between Heaven and Hell Various v</a> <a title="ArtReview April 2014 page 132" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=132"> Goshka Macuga Non-Consensual Act (In Progress) In</a> <a title="ArtReview April 2014 page 133" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=133"> 140 Caracteres MAM (Museu de Arte Moderna), São P</a> <a title="ArtReview April 2014 page 134" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=134"> New Abstraction: Chapter 1 Hadrien de Montferrand</a> <a title="ArtReview April 2014 page 135" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=135"> Books </a> <a title="ArtReview April 2014 page 136" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=136"> The Ringtone Dialectic by Sumanth Gopinath MIT </a> <a title="ArtReview April 2014 page 137" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=137"> Visual Cultures as Seriousness by Gavin Butt and</a> <a title="ArtReview April 2014 page 138" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=138"> artreview.com/subscribe Also online at artreview.</a> <a title="ArtReview April 2014 page 139" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=139"> 138 AR-April-Strip.indd 138 </a> <a title="ArtReview April 2014 page 140" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=140"> AR-April-Strip.indd 139 For more on artist Knut </a> <a title="ArtReview April 2014 page 141" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=141"> Orit Gat is a writer based in New York. She writ</a> <a title="ArtReview April 2014 page 142" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=142"> ArtReview Publishing </a> <a title="ArtReview April 2014 page 143" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=143"> Off the Record April 2014 “That’s an impressiv</a> <a title="ArtReview April 2014 page 144" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=144"> </a> <a title="ArtReview April 2014 page 145" href="https://secure.viewer.zmags.com/publication/8ce0e6ab?page=145"> maxmara.com Evolve. Update. Adapt. Express. Tran</a>