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<br /> Contents<br /> Danh Vō profiled<br /> ArtReview talks to the award-winning artist whose work is<br /> a romantic mix of personal history and universal politics,<br /> ahead of his forthcoming exhibitions at the Musée d’Art<br /> Moderne de la Ville de Paris and the Venice Biennale. By<br /> Laura McLean-Ferris.<br /> FOS interviewed<br /> ‘My practice has been like this: you are alone, another per-<br /> son enters and a third thing happens – a situation.’ Danish<br /> artist FOS (Thomas Poulsen) has created sculptures, lamps<br /> and costumes, been in bands and conducted an orchestra,<br /> designed furniture for a men’s hostel in Copenhagen and<br /> made an ice-cream stand from the detritus of an art fair,<br /> all in his own distinctive style. He talks to Mark Sladen for<br /> ArtReview.<br /> Marie-Louise Ekman explored<br /> Curator and critic Maria Lind explores the unique take on<br /> theatricality in the often topsy-turvy work of Swedish artist<br /<a title="ArtReview: May 2013 page 1" href="https://secure.viewer.zmags.com/publication/65c21363?page=1"> Contents Danh Vō profiled ArtReview talks to the a</a> <a title="ArtReview: May 2013 page 2" href="https://secure.viewer.zmags.com/publication/65c21363?page=2"> Issue 68 MaY 2013 </a> <a title="ArtReview: May 2013 page 3" href="https://secure.viewer.zmags.com/publication/65c21363?page=3"> 002_AR.indd 2 UK ART REVIEW 460x300 BAGATELLE_MAI</a> <a title="ArtReview: May 2013 page 4" href="https://secure.viewer.zmags.com/publication/65c21363?page=4"> www.dior.com – 020 7172 0172 /13 08:42 L</a> <a title="ArtReview: May 2013 page 5" href="https://secure.viewer.zmags.com/publication/65c21363?page=5"> 004_AR 4 </a> <a title="ArtReview: May 2013 page 6" href="https://secure.viewer.zmags.com/publication/65c21363?page=6"> 004_AR 5 </a> <a title="ArtReview: May 2013 page 7" href="https://secure.viewer.zmags.com/publication/65c21363?page=7"> HAUSER & WIRTH SUBODH GUPTA WHAT DOES THE VESS</a> <a title="ArtReview: May 2013 page 8" href="https://secure.viewer.zmags.com/publication/65c21363?page=8"> .13 14:47 HAUSER & WIRTH TRADE ROUTES </a> <a title="ArtReview: May 2013 page 9" href="https://secure.viewer.zmags.com/publication/65c21363?page=9"> 17 May — 29 June 2013 52 — 54 Bell Street, London</a> <a title="ArtReview: May 2013 page 10" href="https://secure.viewer.zmags.com/publication/65c21363?page=10"> 009_AR 9 17 May — 29 June 2013 29 Bell Street, L</a> <a title="ArtReview: May 2013 page 11" href="https://secure.viewer.zmags.com/publication/65c21363?page=11"> MAX WIGRAM GALLERY JOSE DÁVILA SHADOW A</a> <a title="ArtReview: May 2013 page 12" href="https://secure.viewer.zmags.com/publication/65c21363?page=12"> C Y M K 102</a> <a title="ArtReview: May 2013 page 13" href="https://secure.viewer.zmags.com/publication/65c21363?page=13"> Opening exhibition April 18—August 4 Imran Qures</a> <a title="ArtReview: May 2013 page 14" href="https://secure.viewer.zmags.com/publication/65c21363?page=14"> SL. AD. AR. R. 4 4 2013 4/4/13 16:51 Page 1</a> <a title="ArtReview: May 2013 page 15" href="https://secure.viewer.zmags.com/publication/65c21363?page=15"> </a> <a title="ArtReview: May 2013 page 16" href="https://secure.viewer.zmags.com/publication/65c21363?page=16"> ISSUE 24 36 </a> <a title="ArtReview: May 2013 page 17" href="https://secure.viewer.zmags.com/publication/65c21363?page=17"> Contents Page Title </a> <a title="ArtReview: May 2013 page 18" href="https://secure.viewer.zmags.com/publication/65c21363?page=18"> Photography © Keizo Kioku 534 West 25th Street N</a> <a title="ArtReview: May 2013 page 19" href="https://secure.viewer.zmags.com/publication/65c21363?page=19"> Editorial Editors Mark Rappolt David Terrien Sen</a> <a title="ArtReview: May 2013 page 20" href="https://secure.viewer.zmags.com/publication/65c21363?page=20"> 5.05 – 3.11.2013 Farfromwords: car mirrors eat ra</a> <a title="ArtReview: May 2013 page 21" href="https://secure.viewer.zmags.com/publication/65c21363?page=21"> Contributors Maria Lind is a curator and critic b</a> <a title="ArtReview: May 2013 page 22" href="https://secure.viewer.zmags.com/publication/65c21363?page=22"> Thomson & Craighead NEVER ODD OR EVEN 24 May – </a> <a title="ArtReview: May 2013 page 23" href="https://secure.viewer.zmags.com/publication/65c21363?page=23"> Dictionary Zz Zeigarnik effect to Zwaardemaker </a> <a title="ArtReview: May 2013 page 24" href="https://secure.viewer.zmags.com/publication/65c21363?page=24"> 023_AR.indd 23 </a> <a title="ArtReview: May 2013 page 25" href="https://secure.viewer.zmags.com/publication/65c21363?page=25"> Now See This Ten exhibitions you d</a> <a title="ArtReview: May 2013 page 26" href="https://secure.viewer.zmags.com/publication/65c21363?page=26"> that said, it’s not even the biggest or most </a> <a title="ArtReview: May 2013 page 27" href="https://secure.viewer.zmags.com/publication/65c21363?page=27"> </a> <a title="ArtReview: May 2013 page 28" href="https://secure.viewer.zmags.com/publication/65c21363?page=28"> On the subject of biennials, a scrofulous hig</a> <a title="ArtReview: May 2013 page 29" href="https://secure.viewer.zmags.com/publication/65c21363?page=29"> Andrea Büttner, meanwhile, is assumedly fa</a> <a title="ArtReview: May 2013 page 30" href="https://secure.viewer.zmags.com/publication/65c21363?page=30"> XAVIeR VeILHAN Mobile n°4, 2011, carbon tubes, co</a> <a title="ArtReview: May 2013 page 31" href="https://secure.viewer.zmags.com/publication/65c21363?page=31"> Vernissage: 18-20 March 2014 RegisteR now foR ope</a> <a title="ArtReview: May 2013 page 32" href="https://secure.viewer.zmags.com/publication/65c21363?page=32"> 031_AR.indd 31 </a> <a title="ArtReview: May 2013 page 33" href="https://secure.viewer.zmags.com/publication/65c21363?page=33"> delphine lucielle THROUGH THE STONE 27 May › 31</a> <a title="ArtReview: May 2013 page 34" href="https://secure.viewer.zmags.com/publication/65c21363?page=34"> 033_AR.indd 33 Co-organised by </a> <a title="ArtReview: May 2013 page 35" href="https://secure.viewer.zmags.com/publication/65c21363?page=35"> MA in the Contemporary A unique collaboration b</a> <a title="ArtReview: May 2013 page 36" href="https://secure.viewer.zmags.com/publication/65c21363?page=36"> SANELL AGGENBACH 10 - 15 JUNE 2013 </a> <a title="ArtReview: May 2013 page 37" href="https://secure.viewer.zmags.com/publication/65c21363?page=37"> Now Buy This The pick of things </a> <a title="ArtReview: May 2013 page 38" href="https://secure.viewer.zmags.com/publication/65c21363?page=38"> S:7” </a> <a title="ArtReview: May 2013 page 39" href="https://secure.viewer.zmags.com/publication/65c21363?page=39"> Being boiled Count on me Since t</a> <a title="ArtReview: May 2013 page 40" href="https://secure.viewer.zmags.com/publication/65c21363?page=40"> C Brown AR_Advert_Right hand Page 28/03/2013 12</a> <a title="ArtReview: May 2013 page 41" href="https://secure.viewer.zmags.com/publication/65c21363?page=41"> 040_AR.indd 40 </a> <a title="ArtReview: May 2013 page 42" href="https://secure.viewer.zmags.com/publication/65c21363?page=42"> Modern & Contemporary African Art Wednesday 22 Ma</a> <a title="ArtReview: May 2013 page 43" href="https://secure.viewer.zmags.com/publication/65c21363?page=43"> Now Hear This The magazine’s corr</a> <a title="ArtReview: May 2013 page 44" href="https://secure.viewer.zmags.com/publication/65c21363?page=44"> Christian Viveros-Fauné, New York Regulation for </a> <a title="ArtReview: May 2013 page 45" href="https://secure.viewer.zmags.com/publication/65c21363?page=45"> fact that he routinely exclusively represents nei</a> <a title="ArtReview: May 2013 page 46" href="https://secure.viewer.zmags.com/publication/65c21363?page=46"> C M Y CM MY CY CMY K </a> <a title="ArtReview: May 2013 page 47" href="https://secure.viewer.zmags.com/publication/65c21363?page=47"> Jonathan Grossmalerman, New York Waiting for the </a> <a title="ArtReview: May 2013 page 48" href="https://secure.viewer.zmags.com/publication/65c21363?page=48"> Photo: Ruben Grilo. Courtesy Circa Projects, Newc</a> <a title="ArtReview: May 2013 page 49" href="https://secure.viewer.zmags.com/publication/65c21363?page=49"> This is the start of a reciprocal relationship </a> <a title="ArtReview: May 2013 page 50" href="https://secure.viewer.zmags.com/publication/65c21363?page=50"> from top: photo: David Shankbone, image licensed </a> <a title="ArtReview: May 2013 page 51" href="https://secure.viewer.zmags.com/publication/65c21363?page=51"> Maison Martin Margiela, raises the likelihood of </a> <a title="ArtReview: May 2013 page 52" href="https://secure.viewer.zmags.com/publication/65c21363?page=52"> Paul Gravett, Comics Sarah Lightman (see overleaf</a> <a title="ArtReview: May 2013 page 53" href="https://secure.viewer.zmags.com/publication/65c21363?page=53"> The artist would like to thank Vik JF 52 </a> <a title="ArtReview: May 2013 page 54" href="https://secure.viewer.zmags.com/publication/65c21363?page=54"> ArtReview 53 </a> <a title="ArtReview: May 2013 page 55" href="https://secure.viewer.zmags.com/publication/65c21363?page=55"> </a> <a title="ArtReview: May 2013 page 56" href="https://secure.viewer.zmags.com/publication/65c21363?page=56"> PHOTO. ART. EDITIONS. </a> <a title="ArtReview: May 2013 page 57" href="https://secure.viewer.zmags.com/publication/65c21363?page=57"> Portrait of a River, Nikolaj Bendix Skyum Larsen </a> <a title="ArtReview: May 2013 page 58" href="https://secure.viewer.zmags.com/publication/65c21363?page=58"> </a> <a title="ArtReview: May 2013 page 59" href="https://secure.viewer.zmags.com/publication/65c21363?page=59"> Great Minds Great Critics and Their Ideas Hil</a> <a title="ArtReview: May 2013 page 60" href="https://secure.viewer.zmags.com/publication/65c21363?page=60"> contrasts of mess and order. Peter Doig: fantasy </a> <a title="ArtReview: May 2013 page 61" href="https://secure.viewer.zmags.com/publication/65c21363?page=61"> Other People and Their Ideas Interview by Mark Ra</a> <a title="ArtReview: May 2013 page 62" href="https://secure.viewer.zmags.com/publication/65c21363?page=62"> space in the home. You want to show it publicly. </a> <a title="ArtReview: May 2013 page 63" href="https://secure.viewer.zmags.com/publication/65c21363?page=63"> the developing global art community in order to b</a> <a title="ArtReview: May 2013 page 64" href="https://secure.viewer.zmags.com/publication/65c21363?page=64"> May 16 - June 1, 2013 ZHANG JIAN 章劍 (B.1968) Sti</a> <a title="ArtReview: May 2013 page 65" href="https://secure.viewer.zmags.com/publication/65c21363?page=65"> Gerhard RichterAbstract Paintings 25 April - 31 A</a> <a title="ArtReview: May 2013 page 66" href="https://secure.viewer.zmags.com/publication/65c21363?page=66"> 065_AR.indd 65 Features 66 </a> <a title="ArtReview: May 2013 page 67" href="https://secure.viewer.zmags.com/publication/65c21363?page=67"> this and facing pages: We The People (detail), 20</a> <a title="ArtReview: May 2013 page 68" href="https://secure.viewer.zmags.com/publication/65c21363?page=68"> Danh Vō The award-winning artist makes history a</a> <a title="ArtReview: May 2013 page 69" href="https://secure.viewer.zmags.com/publication/65c21363?page=69"> Oma Totem (installation view, Kunsthaus Bregenz, </a> <a title="ArtReview: May 2013 page 70" href="https://secure.viewer.zmags.com/publication/65c21363?page=70"> Though America and Vietnam were in con</a> <a title="ArtReview: May 2013 page 71" href="https://secure.viewer.zmags.com/publication/65c21363?page=71"> this page, from top: The Hugo Boss Prize 2012: Da</a> <a title="ArtReview: May 2013 page 72" href="https://secure.viewer.zmags.com/publication/65c21363?page=72"> understanding his elderly father has of the tasks</a> <a title="ArtReview: May 2013 page 73" href="https://secure.viewer.zmags.com/publication/65c21363?page=73"> FOS The Danish artist FOS – Thomas Poulsen – make</a> <a title="ArtReview: May 2013 page 74" href="https://secure.viewer.zmags.com/publication/65c21363?page=74"> this page: One Language Traveller, 2011 (installa</a> <a title="ArtReview: May 2013 page 75" href="https://secure.viewer.zmags.com/publication/65c21363?page=75"> this page: Bakery, 2012 (three installation views</a> <a title="ArtReview: May 2013 page 76" href="https://secure.viewer.zmags.com/publication/65c21363?page=76"> something else – you have a biological structure </a> <a title="ArtReview: May 2013 page 77" href="https://secure.viewer.zmags.com/publication/65c21363?page=77"> 24-27 octobER 2013 grand palais et hors les mu</a> <a title="ArtReview: May 2013 page 78" href="https://secure.viewer.zmags.com/publication/65c21363?page=78"> from top: Fish Balls in Lobster Sauce, 1968, silk</a> <a title="ArtReview: May 2013 page 79" href="https://secure.viewer.zmags.com/publication/65c21363?page=79"> artists, she submitted 13 photographs showing all</a> <a title="ArtReview: May 2013 page 80" href="https://secure.viewer.zmags.com/publication/65c21363?page=80"> this page, from top: Home at a Lady I–VI, 1973, o</a> <a title="ArtReview: May 2013 page 81" href="https://secure.viewer.zmags.com/publication/65c21363?page=81"> </a> <a title="ArtReview: May 2013 page 82" href="https://secure.viewer.zmags.com/publication/65c21363?page=82"> HP Feldmann.indd 81 Artist Project Hans-Peter Fe</a> <a title="ArtReview: May 2013 page 83" href="https://secure.viewer.zmags.com/publication/65c21363?page=83"> 82 Hans-Peter </a> <a title="ArtReview: May 2013 page 84" href="https://secure.viewer.zmags.com/publication/65c21363?page=84"> ArtReview 83 </a> <a title="ArtReview: May 2013 page 85" href="https://secure.viewer.zmags.com/publication/65c21363?page=85"> 84 Hans-Peter </a> <a title="ArtReview: May 2013 page 86" href="https://secure.viewer.zmags.com/publication/65c21363?page=86"> ArtReview 85 </a> <a title="ArtReview: May 2013 page 87" href="https://secure.viewer.zmags.com/publication/65c21363?page=87"> 86 Hans-Peter </a> <a title="ArtReview: May 2013 page 88" href="https://secure.viewer.zmags.com/publication/65c21363?page=88"> ArtReview 87 </a> <a title="ArtReview: May 2013 page 89" href="https://secure.viewer.zmags.com/publication/65c21363?page=89"> www.artreview.com 088_AR.indd 88 CENTRE POM</a> <a title="ArtReview: May 2013 page 90" href="https://secure.viewer.zmags.com/publication/65c21363?page=90"> LUKE DOWD The announcement </a> <a title="ArtReview: May 2013 page 91" href="https://secure.viewer.zmags.com/publication/65c21363?page=91"> ••••••••••••••••••••••••••••••••••• PULSE New Yo</a> <a title="ArtReview: May 2013 page 92" href="https://secure.viewer.zmags.com/publication/65c21363?page=92"> Rossella Biscotti, The Trial, 2011 Keys taken fro</a> <a title="ArtReview: May 2013 page 93" href="https://secure.viewer.zmags.com/publication/65c21363?page=93"> City Focus: New York (Part 1) New York In t</a> <a title="ArtReview: May 2013 page 94" href="https://secure.viewer.zmags.com/publication/65c21363?page=94"> By some accounts, Google’s</a> <a title="ArtReview: May 2013 page 95" href="https://secure.viewer.zmags.com/publication/65c21363?page=95"> this page, from top: Gagosian Gallery, West 24th </a> <a title="ArtReview: May 2013 page 96" href="https://secure.viewer.zmags.com/publication/65c21363?page=96"> the space, and even to have had Richard Gluckman </a> <a title="ArtReview: May 2013 page 97" href="https://secure.viewer.zmags.com/publication/65c21363?page=97"> this page, from top: Park Avenue between 67th & 6</a> <a title="ArtReview: May 2013 page 98" href="https://secure.viewer.zmags.com/publication/65c21363?page=98"> this page, from top: intersection of the Bowery a</a> <a title="ArtReview: May 2013 page 99" href="https://secure.viewer.zmags.com/publication/65c21363?page=99"> The Outer Boroughs By David Everitt Howe It used</a> <a title="ArtReview: May 2013 page 100" href="https://secure.viewer.zmags.com/publication/65c21363?page=100"> in isolated areas; they were established casually</a> <a title="ArtReview: May 2013 page 101" href="https://secure.viewer.zmags.com/publication/65c21363?page=101"> Ai Weiwei photographed by Han Lei for the Septemb</a> <a title="ArtReview: May 2013 page 102" href="https://secure.viewer.zmags.com/publication/65c21363?page=102"> Launching at Art Basel Hong Ko</a> <a title="ArtReview: May 2013 page 103" href="https://secure.viewer.zmags.com/publication/65c21363?page=103"> Listings Galleries USA Acquavella Galler</a> <a title="ArtReview: May 2013 page 104" href="https://secure.viewer.zmags.com/publication/65c21363?page=104"> Matthew Marks Ellsworth Kelly: At Ninety 1</a> <a title="ArtReview: May 2013 page 105" href="https://secure.viewer.zmags.com/publication/65c21363?page=105"> Sheffield Institute of Arts Galvanize Fe</a> <a title="ArtReview: May 2013 page 106" href="https://secure.viewer.zmags.com/publication/65c21363?page=106"> Galleries FRANCE Galerie Almine Rech Matthias Bi</a> <a title="ArtReview: May 2013 page 107" href="https://secure.viewer.zmags.com/publication/65c21363?page=107"> Aubusson tApestry 4th cAll for contemporAry creA</a> <a title="ArtReview: May 2013 page 108" href="https://secure.viewer.zmags.com/publication/65c21363?page=108"> </a> <a title="ArtReview: May 2013 page 109" href="https://secure.viewer.zmags.com/publication/65c21363?page=109"> Carsten Nicolai Thermic, 2011, metal heating syst</a> <a title="ArtReview: May 2013 page 110" href="https://secure.viewer.zmags.com/publication/65c21363?page=110"> Carsten Nicolai: Observatory Ibid, London 28 Febr</a> <a title="ArtReview: May 2013 page 111" href="https://secure.viewer.zmags.com/publication/65c21363?page=111"> Mustafa Hulusi: The Golden Age Max Wigram Gallery</a> <a title="ArtReview: May 2013 page 112" href="https://secure.viewer.zmags.com/publication/65c21363?page=112"> Volker Eichelmann Fredericka, Baroness Rollo [Pro</a> <a title="ArtReview: May 2013 page 113" href="https://secure.viewer.zmags.com/publication/65c21363?page=113"> Michael Reisch O.T. 8/016, 2012 (left, installati</a> <a title="ArtReview: May 2013 page 114" href="https://secure.viewer.zmags.com/publication/65c21363?page=114"> Min Jungyeon: Hybrid Space Hada Contemporary, Lon</a> <a title="ArtReview: May 2013 page 115" href="https://secure.viewer.zmags.com/publication/65c21363?page=115"> Julia Pfeiffer: Figures of the Thinkable Maria St</a> <a title="ArtReview: May 2013 page 116" href="https://secure.viewer.zmags.com/publication/65c21363?page=116"> Rosa Barba Coro Spezzato: The Future Lasts One Da</a> <a title="ArtReview: May 2013 page 117" href="https://secure.viewer.zmags.com/publication/65c21363?page=117"> Jess Flood-Paddock (see The World Is Almost Six T</a> <a title="ArtReview: May 2013 page 118" href="https://secure.viewer.zmags.com/publication/65c21363?page=118"> The World Is Almost Six Thousand Years Old The Co</a> <a title="ArtReview: May 2013 page 119" href="https://secure.viewer.zmags.com/publication/65c21363?page=119"> Ragnar Kjartansson: The Visitors Luhring Augustin</a> <a title="ArtReview: May 2013 page 120" href="https://secure.viewer.zmags.com/publication/65c21363?page=120"> Charles Harlan Pipe, 2013, steel, 305 x 305 x 457</a> <a title="ArtReview: May 2013 page 121" href="https://secure.viewer.zmags.com/publication/65c21363?page=121"> David Diao Auction Record, 2011, acrylic and silk</a> <a title="ArtReview: May 2013 page 122" href="https://secure.viewer.zmags.com/publication/65c21363?page=122"> David Diao: TMI Postmasters, New York 23 March – </a> <a title="ArtReview: May 2013 page 123" href="https://secure.viewer.zmags.com/publication/65c21363?page=123"> Catherine Opie Regen Projects, Los Angeles 23 Feb</a> <a title="ArtReview: May 2013 page 124" href="https://secure.viewer.zmags.com/publication/65c21363?page=124"> Catherine Opie Jonathan, 2012, pigment print, 127</a> <a title="ArtReview: May 2013 page 125" href="https://secure.viewer.zmags.com/publication/65c21363?page=125"> , Keith Haring </a> <a title="ArtReview: May 2013 page 126" href="https://secure.viewer.zmags.com/publication/65c21363?page=126"> Love Is Colder Than Capital Kunsthaus Bregenz 2 F</a> <a title="ArtReview: May 2013 page 127" href="https://secure.viewer.zmags.com/publication/65c21363?page=127"> Mark Hagen: Black Swamp Almine Rech Gallery, Brus</a> <a title="ArtReview: May 2013 page 128" href="https://secure.viewer.zmags.com/publication/65c21363?page=128"> </a> <a title="ArtReview: May 2013 page 129" href="https://secure.viewer.zmags.com/publication/65c21363?page=129"> </a> <a title="ArtReview: May 2013 page 130" href="https://secure.viewer.zmags.com/publication/65c21363?page=130"> Ulrike Heise: Reizarmen Umgebung (Low-Stimulus En</a> <a title="ArtReview: May 2013 page 131" href="https://secure.viewer.zmags.com/publication/65c21363?page=131"> Saâdane Afif: Blue Time, Blue Time, Blue Time… In</a> <a title="ArtReview: May 2013 page 132" href="https://secure.viewer.zmags.com/publication/65c21363?page=132"> </a> <a title="ArtReview: May 2013 page 133" href="https://secure.viewer.zmags.com/publication/65c21363?page=133"> </a> <a title="ArtReview: May 2013 page 134" href="https://secure.viewer.zmags.com/publication/65c21363?page=134"> New Figuration: Chapter 1 Hadrien de Montferrand </a> <a title="ArtReview: May 2013 page 135" href="https://secure.viewer.zmags.com/publication/65c21363?page=135"> Books theoRy What Art Is By Arthur C.</a> <a title="ArtReview: May 2013 page 136" href="https://secure.viewer.zmags.com/publication/65c21363?page=136"> Fiction/ARtist Book Madame Bovary By Gustave Fl</a> <a title="ArtReview: May 2013 page 137" href="https://secure.viewer.zmags.com/publication/65c21363?page=137"> theoRy Junkspace/ Running Room By Rem Koolhaas </a> <a title="ArtReview: May 2013 page 138" href="https://secure.viewer.zmags.com/publication/65c21363?page=138"> The 1,000-Yen Note Inciden</a> <a title="ArtReview: May 2013 page 139" href="https://secure.viewer.zmags.com/publication/65c21363?page=139"> Monday, April 15, 2013 17:18 Subject: off the r</a> <a title="ArtReview: May 2013 page 140" href="https://secure.viewer.zmags.com/publication/65c21363?page=140"> Art_Review_Layout 1 4/4/13 4:56 PM Page 1 </a> <a title="ArtReview: May 2013 page 141" href="https://secure.viewer.zmags.com/publication/65c21363?page=141"> Specialists in Wealth Management </a>