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<br /> Concert Halls • Theaters • Opera Houses • Convention Centers • Cinemas • Arenas<br /> Also inside:<br /> Shaped by sound.<br /> Voxman Music Building.<br /> Middle Eastern promise.<br /> Dubai Opera House.<br /> Scale drawings.<br /> Copenhagen’s Royal Arena.<br /> Power to the people.<br /> New venues and renovations.<br /> Annual 2018<br /> Art in Athens<br /> Stavros Niarchos Foundation Cultural Center<br /> Philharmonie de Paris - Paris, France<br /> CAPTIVATING PERFORMANCE<br /> SOUND SOLUTION FOR PERFORMING ARTS CENTERS<br /> L-Acoustics sound systems are renowned for their uniform, full-range, natural sound. Our flexible, light-weight systems project crystal<br /> clear sound to your audience, avoiding reverberant architecture. From the front row to the back balcony, your audience will be put into<br /> the heart of your program. From p<a title="Auditoria Annual 2018 page 1" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=1"> Concert Halls • Theaters • Opera Houses • Convent</a> <a title="Auditoria Annual 2018 page 2" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=2"> Philharmonie de Paris - Paris, France CAPTI</a> <a title="Auditoria Annual 2018 page 3" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=3"> CONTENTS 4 Michel Denancé contents 4 Audi</a> <a title="Auditoria Annual 2018 page 4" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=4"> ic lish e e v n ts cé enan hel D </a> <a title="Auditoria Annual 2018 page 5" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=5"> The newly opened Concert Hall of the Voxman Music</a> <a title="Auditoria Annual 2018 page 6" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=6"> UPFRONT BY MATT ROSS Michel Denancé SNFCC/Ge</a> <a title="Auditoria Annual 2018 page 7" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=7"> Michel Denancé UPFRONT Auditoria loves… SNFCC/</a> <a title="Auditoria Annual 2018 page 8" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=8"> VOXMAN MUSIC BUILDING BY RICHARD N WILLIAMS Tim </a> <a title="Auditoria Annual 2018 page 9" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=9"> shaped by VOXMAN MUSIC BUILDING sound </a> <a title="Auditoria Annual 2018 page 10" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=10"> VOXMAN MUSIC BUILDING </a> <a title="Auditoria Annual 2018 page 11" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=11"> Photos: Tim Griffith VOXMAN MUSIC BUILDING LMN A</a> <a title="Auditoria Annual 2018 page 12" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=12"> LEARN MORE ABOUT OUR ADVERTISERS NOW! FREE SER</a> <a title="Auditoria Annual 2018 page 13" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=13"> VOXMAN MUSIC BUILDING “To get all </a> <a title="Auditoria Annual 2018 page 14" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=14"> VOXMAN MUSIC BUILDING Tim Griffith Voxman, the c</a> <a title="Auditoria Annual 2018 page 15" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=15"> Regain control of your bookings with Artifax soft</a> <a title="Auditoria Annual 2018 page 16" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=16"> SIMULATION BY SIMON DUFF virtual reality Inc</a> <a title="Auditoria Annual 2018 page 17" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=17"> SIMULATION </a> <a title="Auditoria Annual 2018 page 18" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=18"> SIMULATION This page: The</a> <a title="Auditoria Annual 2018 page 19" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=19"> companies are creating virtual reality software </a> <a title="Auditoria Annual 2018 page 20" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=20"> say, the balcony and the main floor allows us to</a> <a title="Auditoria Annual 2018 page 21" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=21"> screen, and client facilities. They feature an Am</a> <a title="Auditoria Annual 2018 page 22" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=22"> DUBAI OPERA HOUSE BY ADAM GRUNDEY </a> <a title="Auditoria Annual 2018 page 23" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=23"> DUBAI OPERA HOUSE Photos: Dubai Opera unless oth</a> <a title="Auditoria Annual 2018 page 24" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=24"> DUBAI OPERA HOUSE </a> <a title="Auditoria Annual 2018 page 25" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=25"> DUBAI OPERA HOUSE </a> <a title="Auditoria Annual 2018 page 26" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=26"> DUBAI OPERA HOUSE Theatre Projects Consultants </a> <a title="Auditoria Annual 2018 page 27" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=27"> the past 20-30 years have led to techniques and a</a> <a title="Auditoria Annual 2018 page 28" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=28"> NEW VENUES & RENOVATIONS BY MATT ROSS Power to t</a> <a title="Auditoria Annual 2018 page 29" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=29"> NEW VENUES & RENOVATIONS </a> <a title="Auditoria Annual 2018 page 30" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=30"> NEW VENUES & RENOVATIONS </a> <a title="Auditoria Annual 2018 page 31" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=31"> Stephan Rumpf NEW VENUES & RENOVATIONS Andrea H</a> <a title="Auditoria Annual 2018 page 32" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=32"> NEW VENUES & RENOVATIONS Anna Kucera Scott Kelby</a> <a title="Auditoria Annual 2018 page 33" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=33"> International Society for the P</a> <a title="Auditoria Annual 2018 page 34" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=34"> ROYAL ARENA BY SCOTT LANG Rasmus Daniel Taun Th</a> <a title="Auditoria Annual 2018 page 35" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=35"> ROYAL ARENA </a> <a title="Auditoria Annual 2018 page 36" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=36"> ROYAL ARENA D </a> <a title="Auditoria Annual 2018 page 37" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=37"> also meets the neighborhood at a human scale and </a> <a title="Auditoria Annual 2018 page 38" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=38"> ROYAL ARENA FOREST OF FINS The arena’</a> <a title="Auditoria Annual 2018 page 39" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=39"> CAST LIST Location: Ørestad, Copenhagen Constr</a> <a title="Auditoria Annual 2018 page 40" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=40"> SEATING Group KOTOBUKI GROUP dynamics A wide-rang</a> <a title="Auditoria Annual 2018 page 41" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=41"> For this project, Quinette Gallay drew not </a> <a title="Auditoria Annual 2018 page 42" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=42"> SEATING Creating versatility Lo</a> <a title="Auditoria Annual 2018 page 43" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=43"> </a> <a title="Auditoria Annual 2018 page 44" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=44"> STAGE TECHNOLOGY SBS BÜHNENTECHNIK territor y A </a> <a title="Auditoria Annual 2018 page 45" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=45"> STAGE TECHNOLOGY R </a> <a title="Auditoria Annual 2018 page 46" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=46"> STAGE TECHNOLOGY </a> <a title="Auditoria Annual 2018 page 47" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=47"> ONE OF OUR REFERENCES: National Theatre Taipeh SB</a> <a title="Auditoria Annual 2018 page 48" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=48"> Sou ACOUSTICS KAHLE ACOUSTICS </a> <a title="Auditoria Annual 2018 page 49" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=49"> und ACOUSTICS l </a> <a title="Auditoria Annual 2018 page 50" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=50"> ACOUSTICS Top l</a> <a title="Auditoria Annual 2018 page 51" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=51"> ACOUSTICS and expanding cultural activities wa</a> <a title="Auditoria Annual 2018 page 52" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=52"> SEATING FIGUERAS INTERNATIONAL SEATING Style sub</a> <a title="Auditoria Annual 2018 page 53" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=53"> SEATING </a> <a title="Auditoria Annual 2018 page 54" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=54"> SEATING engineers,</a> <a title="Auditoria Annual 2018 page 55" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=55"> “It’s all about curves” The new Figu</a> <a title="Auditoria Annual 2018 page 56" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=56"> STAGE TECHNOLOGY WAAGNER-BIROesting times Factory</a> <a title="Auditoria Annual 2018 page 57" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=57"> STAGE TECHNOLOGY M </a> <a title="Auditoria Annual 2018 page 58" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=58"> STAGE TECHNOLOGY The enginee</a> <a title="Auditoria Annual 2018 page 59" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=59"> CONTROL IS MORE THAN ONE DIMENSION. </a> <a title="Auditoria Annual 2018 page 60" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=60"> ACOUSTICS L-ACOUSTICS Smart decisions A multipurp</a> <a title="Auditoria Annual 2018 page 61" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=61"> ACOUSTICS </a> <a title="Auditoria Annual 2018 page 62" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=62"> ACOUSTICS Advanced softwar</a> <a title="Auditoria Annual 2018 page 63" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=63"> ACOUSTICS </a> <a title="Auditoria Annual 2018 page 64" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=64"> ACOUSTICS D&B AUDIOTECHNIK Character study Upd</a> <a title="Auditoria Annual 2018 page 65" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=65"> More art less noise. www.dbaudio.com</a> <a title="Auditoria Annual 2018 page 66" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=66"> ACOUSTICS D&B AUDIOTECHNIK Human resources The ap</a> <a title="Auditoria Annual 2018 page 67" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=67"> ACOUSTICS Adrian Cook of our education program </a> <a title="Auditoria Annual 2018 page 68" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=68"> ACOUSTICS AMADEUS </a> <a title="Auditoria Annual 2018 page 69" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=69"> out ACOUSTICS Speaking </a> <a title="Auditoria Annual 2018 page 70" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=70"> ACOUSTICS Dinant adds, </a> <a title="Auditoria Annual 2018 page 71" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=71"> </a> <a title="Auditoria Annual 2018 page 72" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=72"> THEATER PLANNING future SCHULER SHOOK Into </a> <a title="Auditoria Annual 2018 page 73" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=73"> THEATER PLANNING B </a> <a title="Auditoria Annual 2018 page 74" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=74"> THEATER PLANNING Robinson Center was ad</a> <a title="Auditoria Annual 2018 page 75" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=75"> ROBINSON CENTER LITTLE ROCK, AR EVERYTHING O</a> <a title="Auditoria Annual 2018 page 76" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=76"> SEATING POLTRONA FRAU CONTRACT Take a seat De</a> <a title="Auditoria Annual 2018 page 77" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=77"> SEATING </a> <a title="Auditoria Annual 2018 page 78" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=78"> SEATING </a> <a title="Auditoria Annual 2018 page 79" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=79"> THE ART OF CONVERGING DESIGN AND FUNCTION EL</a> <a title="Auditoria Annual 2018 page 80" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=80"> ACOUSTICS KLING & FREITAG System upgrade An iconi</a> <a title="Auditoria Annual 2018 page 81" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=81"> ACOUSTICS An extensive upgrade and refurbishme</a> <a title="Auditoria Annual 2018 page 82" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=82"> Meeting the project's tight di erent audie</a> <a title="Auditoria Annual 2018 page 83" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=83"> system o ered the best compromise between </a> <a title="Auditoria Annual 2018 page 84" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=84"> DESIGN THEATRE CONSULTANTS COLLABORATIVE VMDO ARC</a> <a title="Auditoria Annual 2018 page 85" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=85"> The concert hall at Liberty University is a multi</a> <a title="Auditoria Annual 2018 page 86" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=86"> DESIGN Above (left and right): The </a> <a title="Auditoria Annual 2018 page 87" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=87"> DESIGN </a> <a title="Auditoria Annual 2018 page 88" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=88"> LIGHTING GDS </a> <a title="Auditoria Annual 2018 page 89" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=89"> LIGHTING New lease of light The Lyceum The</a> <a title="Auditoria Annual 2018 page 90" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=90"> LIGHTING </a> <a title="Auditoria Annual 2018 page 91" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=91"> Not every impersonator is an imposter! Tungsten e</a> <a title="Auditoria Annual 2018 page 92" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=92"> DESIGN RAFAEL VIÑOLY ARCHITECTS Collaborate an</a> <a title="Auditoria Annual 2018 page 93" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=93"> DESIGN Tom Rossiter Leading through collaborati</a> <a title="Auditoria Annual 2018 page 94" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=94"> DESIGN Tailored response The university’s Theate</a> <a title="Auditoria Annual 2018 page 95" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=95"> Kimmel Center for the Performing Arts, Philadelph</a> <a title="Auditoria Annual 2018 page 96" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=96"> CONSULTING SOUND SPACE VISION </a> <a title="Auditoria Annual 2018 page 97" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=97"> CONSULTING T heatric</a> <a title="Auditoria Annual 2018 page 98" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=98"> CONSULTING Hayes Davidson </a> <a title="Auditoria Annual 2018 page 99" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=99"> GATHER IMMERSE AMPLIFY Sound Space Design and An</a> <a title="Auditoria Annual 2018 page 100" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=100"> STAGE TECHNOLOGY GALA SYSTEMS A welcome change</a> <a title="Auditoria Annual 2018 page 101" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=101"> and most common. But even when built very careful</a> <a title="Auditoria Annual 2018 page 102" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=102"> STAGE TECHNOLOGY A novel soluti</a> <a title="Auditoria Annual 2018 page 103" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=103"> Best of both worlds Today, many performing art ce</a> <a title="Auditoria Annual 2018 page 104" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=104"> AUDIO TECHNOLOGY SHURE Heard but not seen A rang</a> <a title="Auditoria Annual 2018 page 105" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=105"> AUDIO TECHNOLOGY I t was back</a> <a title="Auditoria Annual 2018 page 106" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=106"> AUDIO TECHNOLOGY </a> <a title="Auditoria Annual 2018 page 107" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=107"> 480MHz 490MHz </a> <a title="Auditoria Annual 2018 page 108" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=108"> STAGE TECHNOLOGY SERAPID Remaking history Install</a> <a title="Auditoria Annual 2018 page 109" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=109"> Theatre’s neo-classical wooden structure has inst</a> <a title="Auditoria Annual 2018 page 110" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=110"> STAGE TECHNOLOGY Above left: A </a> <a title="Auditoria Annual 2018 page 111" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=111"> THE ART OF MOTION SOLUTIONS FOR THEATRE </a> <a title="Auditoria Annual 2018 page 112" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=112"> THEATER DESIGN SCÉNO PLUS Adapt and prosper </a> <a title="Auditoria Annual 2018 page 113" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=113"> is an award-winning, full-service international d</a> <a title="Auditoria Annual 2018 page 114" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=114"> THEATER DESIGN Al Powers/Park Theater The US$90</a> <a title="Auditoria Annual 2018 page 115" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=115"> Park Theater at Monte Carlo, Las Vegas r Park Th</a> <a title="Auditoria Annual 2018 page 116" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=116"> STAGE TECHNOLOGY SVETLOST TEATAR In control Above</a> <a title="Auditoria Annual 2018 page 117" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=117"> Auditoria with portal openings are equipped</a> <a title="Auditoria Annual 2018 page 118" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=118"> STAGE TECHNOLOGY MOVECAT Flying high Kinetic e</a> <a title="Auditoria Annual 2018 page 119" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=119"> from Movecat and eZ-Axis Automation Service and R</a> <a title="Auditoria Annual 2018 page 120" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=120"> DISPLAYS GERRIETS Title technology </a> <a title="Auditoria Annual 2018 page 121" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=121"> DISPLAYS often results in an extremely dark su</a> <a title="Auditoria Annual 2018 page 122" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=122"> ACOUSTICS STAGING CONCEPTS Sound thinking A ra</a> <a title="Auditoria Annual 2018 page 123" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=123"> ACOUSTICS musicians to hear their fellow perfo</a> <a title="Auditoria Annual 2018 page 124" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=124"> STAGE TECHNOLOGY MAYR Safety first Reliable stage</a> <a title="Auditoria Annual 2018 page 125" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=125"> STAGE TECHNOLOGY condition of the brake, is an</a> <a title="Auditoria Annual 2018 page 126" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=126"> STAGE TECHNOLOGY J&C JOEL Big impression An in</a> <a title="Auditoria Annual 2018 page 127" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=127"> Each section of the tent was created individually</a> <a title="Auditoria Annual 2018 page 128" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=128"> STAGE TECHNOLOGY VISUAL ACT Freedom of movement A</a> <a title="Auditoria Annual 2018 page 129" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=129"> STAGE TECHNOLOGY The technicians and eng</a> <a title="Auditoria Annual 2018 page 130" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=130"> ACOUSTICS MARSHALL DAY ACOUSTICS Sound effects</a> <a title="Auditoria Annual 2018 page 131" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=131"> reflections from the stage, throughout the audien</a> <a title="Auditoria Annual 2018 page 132" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=132"> DESIGN DIAMOND SCHMITT ARCHITECTS Inside out </a> <a title="Auditoria Annual 2018 page 133" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=133"> Fourth Stage, which serves as an incubator for th</a> <a title="Auditoria Annual 2018 page 134" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=134"> STAGE TECHNOLOGY TREKWERK </a> <a title="Auditoria Annual 2018 page 135" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=135"> we have one of the highest rates of theater visit</a> <a title="Auditoria Annual 2018 page 136" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=136"> ACOUSTICS VANGUARDIA Sound of music Acoustic opti</a> <a title="Auditoria Annual 2018 page 137" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=137"> ACOUSTICS refurbishment,” explains J</a> <a title="Auditoria Annual 2018 page 138" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=138"> A BACKSTAGE & MATT ROSS Internationally renowned</a> <a title="Auditoria Annual 2018 page 139" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=139"> WASHINGTON DC NEW YORK NY WWW.MJAR</a> <a title="Auditoria Annual 2018 page 140" href="https://secure.viewer.zmags.com/publication/5351e1ad?page=140"> Tough application, ingenious solution Rexroth</a>