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<br /> TheMagazineOnline IntheOctoberIssue<br /> DAMIENHIRST<br /> Does Hirst's return to painting (with his own hands) mark a new<br /> seriousness or just a midcareer crisis? ArtReview meets the man<br /> who “took all the money out of the artworld”.<br /> EDRUSCHA<br /> “Maybe my heart is really back in the 1940s.” Ed Ruscha speaks<br /> to ArtReview on the eve of his retrospective at London's Hayward<br /> Gallery.<br /> EVERYTHINGPOPULARISWRONG<br /> Part 2 in our series looks at whether artists are just trying to<br /> produce artworks that will be well liked.<br /> TAKASHIMURAKAMI<br /> Having spent years “testing the limits of capitalism”, Japan's most<br /> successful artist tells ArtReview how he plans to operate in a new<br /> economic era.<br /> THECITYACCORDINGTOART:BRUSSELS<br /> Some say the best thing about Brussels is that it's easy to leave, but<br /> artists and collectors alike think it's the secret heart of European art.<br /> V<a title="October. 2009 page 1" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=1"> TheMagazineOnline IntheOctoberIs</a> <a title="October. 2009 page 2" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=2"> Issue 35 £5.00 ‘Young artists keep coming up an</a> <a title="October. 2009 page 3" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=3"> </a> <a title="October. 2009 page 4" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=4"> </a> <a title="October. 2009 page 5" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=5"> the dunhill raincoat has a bonded lining</a> <a title="October. 2009 page 6" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=6"> alfred dunhill ltd.</a> <a title="October. 2009 page 7" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=7"> AARON YOUNG — SEMPER IDEM OCTOBER 20, DECEMBER 17</a> <a title="October. 2009 page 8" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=8"> ERIC WESLEY September – October ANNE HARD</a> <a title="October. 2009 page 9" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=9"> </a> <a title="October. 2009 page 10" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=10"> </a> <a title="October. 2009 page 11" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=11"> G A L E R I A H E L G A D</a> <a title="October. 2009 page 12" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=12"> </a> <a title="October. 2009 page 13" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=13"> </a> <a title="October. 2009 page 14" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=14"> </a> <a title="October. 2009 page 15" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=15"> DO YOU WANT TO BE TOUCHED? TOUCHED In</a> <a title="October. 2009 page 16" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=16"> RICHARD KERN 5.11 - 19.12.2009 </a> <a title="October. 2009 page 17" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=17"> BLAIR THURMAN 18 SEPTEMBER - NEVER BET THE</a> <a title="October. 2009 page 18" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=18"> </a> <a title="October. 2009 page 19" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=19"> CONTENTS </a> <a title="October. 2009 page 20" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=20"> 9`^^\iKi\\jE\Xi\iNXik\i#N`ek\i)''/#f`cfeZXemXj#*-</a> <a title="October. 2009 page 21" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=21"> CONTENTS OCTOBER 2009 REARVIEW REVIEWS119</a> <a title="October. 2009 page 22" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=22"> </a> <a title="October. 2009 page 23" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=23"> EDITORIAL Editor Mark Rappolt Executive Edito</a> <a title="October. 2009 page 24" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=24"> mon ca bonv c n _tom burr_m rcea cantor_gardar e </a> <a title="October. 2009 page 25" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=25"> PUBLISHING Publisher Charlotte Robinson charlo</a> <a title="October. 2009 page 26" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=26"> </a> <a title="October. 2009 page 27" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=27"> CONTRIBUTORS OCTOBER 2009 JAAPSCHEEREN is a</a> <a title="October. 2009 page 28" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=28"> 33 PORTLAND PLACE W1B 1QE 15TH – 18TH </a> <a title="October. 2009 page 29" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=29"> Conformism is an enemy of creativity...</a> <a title="October. 2009 page 30" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=30"> DISPATCHES OCTOBER </a> <a title="October. 2009 page 31" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=31"> DISPATCHES NOWSEE THIS words MARTIN HERBERT </a> <a title="October. 2009 page 32" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=32"> Stripped Bare Dublin; Mother’s Tankstation, HQ,</a> <a title="October. 2009 page 33" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=33"> THEFREELANCE HELTER SKELTER From Hockney’s fla</a> <a title="October. 2009 page 34" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=34"> ORGANISED BY 29 INTERNATIONAL FEBRUARY 17 TO 21 </a> <a title="October. 2009 page 35" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=35"> DISPATCHES Hong Kong So, Frieze Art Fair is upo</a> <a title="October. 2009 page 36" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=36"> LISSITZK #OURTESYåOFåTHEå!RTISTåANDå'ALERIEå#R</a> <a title="October. 2009 page 37" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=37"> DISPATCHES New Delhi On a blazing Sunday night </a> <a title="October. 2009 page 38" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=38"> moment’. Apparently involving performance, th</a> <a title="October. 2009 page 39" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=39"> LONDONCALLING THEBUCK STOPS NOTHERE What would</a> <a title="October. 2009 page 40" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=40"> 18 SEPTEMBER–29 NOVEMBER THOMAS HIRSCHHOR</a> <a title="October. 2009 page 41" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=41"> TOPFIVE WHATTOSEETHISMONTHBY MARTA KUZMA Curat</a> <a title="October. 2009 page 42" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=42"> </a> <a title="October. 2009 page 43" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=43"> DESIGN FULLER FIGURES Why today’s designers ar</a> <a title="October. 2009 page 44" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=44"> JOYOUSMACHINES: MICHAEL LANDY AND JEAN TINGUELY 2</a> <a title="October. 2009 page 45" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=45"> CONSUMED The pick of this month’s offerings </a> <a title="October. 2009 page 46" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=46"> </a> <a title="October. 2009 page 47" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=47"> CONSUMED 05 £1,500 £5</a> <a title="October. 2009 page 48" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=48"> </a> <a title="October. 2009 page 49" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=49"> ANORALHISTORYOFWESTERNART In this ongoing seri</a> <a title="October. 2009 page 50" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=50"> ARTREVIEW How would you sum up what your painting</a> <a title="October. 2009 page 51" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=51"> ANORALHISTORYOFWESTERNART AR But surely the</a> <a title="October. 2009 page 52" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=52"> POS</a> <a title="October. 2009 page 53" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=53"> BACK TO THE FUTURE YoungArtistslooktoOldMasters </a> <a title="October. 2009 page 54" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=54"> The Cynthia Corbett Gallery, </a> <a title="October. 2009 page 55" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=55"> 22-25 octobre 2009 grand palais</a> <a title="October. 2009 page 56" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=56"> </a> <a title="October. 2009 page 57" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=57"> ONVIEW MEDICINEMAN Polish artist Miroslaw Balk</a> <a title="October. 2009 page 58" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=58"> </a> <a title="October. 2009 page 59" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=59"> ONVIEW “The exhibition space </a> <a title="October. 2009 page 60" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=60"> >KKGJKSBUXXXSPZBMBDBEFNZPSHVLFBSUI </a> <a title="October. 2009 page 61" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=61"> ONVIEW SCRAMBLING THECODES Los Angeles painter</a> <a title="October. 2009 page 62" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=62"> more importantly, the conundrum of his outsider/ </a> <a title="October. 2009 page 63" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=63"> ONVIEW The alleged misdeed of </a> <a title="October. 2009 page 64" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=64"> <h_[p[7hj<W_h H[][dj¼iFWha"BedZed '+·'.EYjeX[h(&&</a> <a title="October. 2009 page 65" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=65"> ONVIEW MODEL BEHAVIOUR Jordan Wolfson has mode</a> <a title="October. 2009 page 66" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=66"> </a> <a title="October. 2009 page 67" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=67"> A UNIQUE GALLERY OF THE MOST FAMOUS ART, FASHION </a> <a title="October. 2009 page 68" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=68"> MANIFESTO </a> <a title="October. 2009 page 69" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=69"> </a> <a title="October. 2009 page 70" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=70"> </a> <a title="October. 2009 page 71" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=71"> “I’m very glad about my new film”, says ve</a> <a title="October. 2009 page 72" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=72"> ART. DESIGN. EDITIONS. </a> <a title="October. 2009 page 73" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=73"> FEATURE: </a> <a title="October. 2009 page 74" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=74"> FEATURE: ABLACK1971CHEVROLETIMPALA </a> <a title="October. 2009 page 75" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=75"> FEATURE:EDRUSCHA Mike and Ed, in their shad</a> <a title="October. 2009 page 76" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=76"> “Igettheselittlescratchesinthe backofmyhead,a</a> <a title="October. 2009 page 77" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=77"> “It’sinexplicable,fromonepointto another,howId</a> <a title="October. 2009 page 78" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=78"> they’re essentially embellishments on something t</a> <a title="October. 2009 page 79" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=79"> Caroline Rothwell 11th Sept - 17th Oct </a> <a title="October. 2009 page 80" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=80"> FEATURE: </a> <a title="October. 2009 page 81" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=81"> FEATURE: With art institutions pur</a> <a title="October. 2009 page 82" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=82"> ‘Thepopular’isnotonlyanegotiation </a> <a title="October. 2009 page 83" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=83"> FEATURE: As Bri</a> <a title="October. 2009 page 84" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=84"> </a> <a title="October. 2009 page 85" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=85"> FEATURE:DAMIENHIRST In 2007 I en</a> <a title="October. 2009 page 86" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=86"> </a> <a title="October. 2009 page 87" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=87"> this page: Skull with Ashtray and Lemon, 2006–7, </a> <a title="October. 2009 page 88" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=88"> FEATURE:DAMIENHIRST </a> <a title="October. 2009 page 89" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=89"> </a> <a title="October. 2009 page 90" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=90"> Floating Skull, 2006, oil on canvas, 102 x 77 cm.</a> <a title="October. 2009 page 91" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=91"> </a> <a title="October. 2009 page 92" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=92"> </a> <a title="October. 2009 page 93" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=93"> </a> <a title="October. 2009 page 94" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=94"> </a> <a title="October. 2009 page 95" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=95"> </a> <a title="October. 2009 page 96" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=96"> </a> <a title="October. 2009 page 97" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=97"> FEATURE: No one has gone further </a> <a title="October. 2009 page 98" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=98"> In a 2007 interview in ArtReview you say that you</a> <a title="October. 2009 page 99" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=99"> “Japanisastronomicallydeepinthered.I’mtakingthisJ</a> <a title="October. 2009 page 100" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=100"> what it is about his work in particular that you </a> <a title="October. 2009 page 101" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=101"> </a> <a title="October. 2009 page 102" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=102"> Ҫᅞಪ CURATORS ᅞযൌ࡛ DURATION ᅞযֽ׈ VENUE </a> <a title="October. 2009 page 103" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=103"> ARTPILGRIMAGE: THECITYACCORDINGTOART BRUSS</a> <a title="October. 2009 page 104" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=104"> </a> <a title="October. 2009 page 105" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=105"> ARTPILGRIMAGE:BRUSSELS But then Brussels is</a> <a title="October. 2009 page 106" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=106"> </a> <a title="October. 2009 page 107" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=107"> </a> <a title="October. 2009 page 108" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=108"> of Europe, a trait which he sees contributing to </a> <a title="October. 2009 page 109" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=109"> </a> <a title="October. 2009 page 110" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=110"> above: Brussels streetscape facing page, clo</a> <a title="October. 2009 page 111" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=111"> VERED LAHAV sleepless </a> <a title="October. 2009 page 112" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=112"> </a> <a title="October. 2009 page 113" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=113"> Site-specific projects along the River Trent in No</a> <a title="October. 2009 page 114" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=114"> i sendyou this art f</a> <a title="October. 2009 page 115" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=115"> </a> <a title="October. 2009 page 116" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=116"> </a> <a title="October. 2009 page 117" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=117"> LISTINGS:MUSEUMSANDGALLERIES UNITED STATES,</a> <a title="October. 2009 page 118" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=118"> GALERIE RODOLPHE JANSSEN 35, rue de Livourne 1050</a> <a title="October. 2009 page 119" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=119"> SUBSCRIBENOW ANDSAVE35% NEVERMISSANISSUE: Profiles</a> <a title="October. 2009 page 120" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=120"> Rear View Reviews October </a> <a title="October. 2009 page 121" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=121"> REVIEWS:UK UK nAarmenEloyan </a> <a title="October. 2009 page 122" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=122"> REVIEWS:UK </a> <a title="October. 2009 page 123" href="https://secure.viewer.zmags.com/publication/4649a2a8?page=123"> REVIEWS:UK name </a> <a title="October. 2009 page 124" 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