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<br /> Contents<br /> Previews<br /> by Martin Herbert<br /> 29<br /> Points of View<br /> by Raimar Stange, Hettie Judah,<br /> Aimee Lin, J.J. Charlesworth,<br /> Jonathan Grossmalerman<br /> & Helen Sumpter<br /> 37<br /> Walter Benjamin on Wade Guyton<br /> Interview by Matthew Collings<br /> 50<br /> Petrit Halilaj<br /> by Barbara Casavecchia<br /> 74<br /> A Tale of Two Museums<br /> by Christian Viveros-Fauné<br /> 82<br /> Bright Ideas, Big City<br /> chaired by Chris Sharp<br /> 86<br /> Exhibitions 112<br /> Books 138<br /> Consumed 145<br /> Art Previewed<br /> Juliet McIver<br /> Interview by Jonathan T.D. Neil<br /> 54<br /> Gavin Brown<br /> Interview by Tom Eccles<br /> 58<br /> The Law and Its Ideas<br /> by Daniel McClean<br /> 62<br /> Art Featured<br /> Eduardo Terrazas<br /> by Gabriela Jauregui<br /> 90<br /> ‘20 Million Mexicans Can’t<a title="ArtReview JanFeb 2014 page 1" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=1"> Contents Previews by Martin Herbert 29 </a> <a title="ArtReview JanFeb 2014 page 2" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=2"> </a> <a title="ArtReview JanFeb 2014 page 3" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=3"> </a> <a title="ArtReview JanFeb 2014 page 4" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=4"> </a> <a title="ArtReview JanFeb 2014 page 5" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=5"> HAUSER & WIRTH ZHANG ENLI THE BOX 10 JANUARY–</a> <a title="ArtReview JanFeb 2014 page 6" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=6"> HAUSER & WIRTH GUILLERMO KUITCA L'ENCYCLOPÉDIE</a> <a title="ArtReview JanFeb 2014 page 7" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=7"> 31 January — 8 March 2014 27 Bell Street, London </a> <a title="ArtReview JanFeb 2014 page 8" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=8"> 31 January — 8 March 2014 52 Bell Street, London </a> <a title="ArtReview JanFeb 2014 page 9" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=9"> </a> <a title="ArtReview JanFeb 2014 page 10" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=10"> NEW YORK 909 MADISON AVENUE 9 JANUAry - 22 FEbrUA</a> <a title="ArtReview JanFeb 2014 page 11" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=11"> Paloma Varga Weisz </a> <a title="ArtReview JanFeb 2014 page 12" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=12"> RICHARDDEACON RETROSPECTIVE TATE</a> <a title="ArtReview JanFeb 2014 page 13" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=13"> Jose Dávila Pia Camil James Turrell IN C</a> <a title="ArtReview JanFeb 2014 page 14" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=14"> Peter Fischli David Weiss Polyurethane Object</a> <a title="ArtReview JanFeb 2014 page 15" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=15"> </a> <a title="ArtReview JanFeb 2014 page 16" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=16"> ALMINE RECH GALLERY Current & upComing shoWs</a> <a title="ArtReview JanFeb 2014 page 17" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=17"> </a> <a title="ArtReview JanFeb 2014 page 18" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=18"> All the thrills aren’t gone... ‘Wear art on your</a> <a title="ArtReview JanFeb 2014 page 19" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=19"> Culture isn’t something that simply ha</a> <a title="ArtReview JanFeb 2014 page 20" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=20"> © 2013 The LeWitt Estate / Artists Rights Society</a> <a title="ArtReview JanFeb 2014 page 21" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=21"> 23 JANUARY 2014 08 MARCH 2014</a> <a title="ArtReview JanFeb 2014 page 22" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=22"> ArtReview Previews by Martin Herbert 29 </a> <a title="ArtReview JanFeb 2014 page 23" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=23"> Petrit Halilaj by Barbara Casavecchia 7</a> <a title="ArtReview JanFeb 2014 page 24" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=24"> www.dewitt.ch for the new emperors </a> <a title="ArtReview JanFeb 2014 page 25" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=25"> Art Reviewed 111 Exhibitions 112 </a> <a title="ArtReview JanFeb 2014 page 26" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=26"> GALERIA HELGA DE ALVEAR DR. FO</a> <a title="ArtReview JanFeb 2014 page 27" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=27"> MAX WIGRAM GALLERY LA BELLA FIGURA CURATED BY </a> <a title="ArtReview JanFeb 2014 page 28" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=28"> Art Previewed H</a> <a title="ArtReview JanFeb 2014 page 29" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=29"> NOW SHOWING A GROUP EXHIBITION OF ARTISTS' FILM </a> <a title="ArtReview JanFeb 2014 page 30" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=30"> We Are Living on a Star Henie-Onstad </a> <a title="ArtReview JanFeb 2014 page 31" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=31"> 1 On 22 July 2011, when Anders Behring Breivik b</a> <a title="ArtReview JanFeb 2014 page 32" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=32"> 5 4</a> <a title="ArtReview JanFeb 2014 page 33" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=33"> 6 Ruby Rumie, Lugar Común (detail), 2008</a> <a title="ArtReview JanFeb 2014 page 34" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=34"> </a> <a title="ArtReview JanFeb 2014 page 35" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=35"> World Athletic Championships. Graduating </a> <a title="ArtReview JanFeb 2014 page 36" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=36"> </a> <a title="ArtReview JanFeb 2014 page 37" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=37"> FutureGreats 2013 Mathieu Kleyebe Abonnenc </a> <a title="ArtReview JanFeb 2014 page 38" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=38"> Raimar Stange In Berli</a> <a title="ArtReview JanFeb 2014 page 39" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=39"> Hettie Judah Sometimes, amid all the celebratory </a> <a title="ArtReview JanFeb 2014 page 40" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=40"> Jonathan T.D. Neil Is a forgery ‘worth’ less tha</a> <a title="ArtReview JanFeb 2014 page 41" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=41"> Aimee Lin In Asia, £30,000 does not cover the dow</a> <a title="ArtReview JanFeb 2014 page 42" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=42"> Installation shot of Between Worlds by Nasirun at</a> <a title="ArtReview JanFeb 2014 page 43" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=43"> J.J. Charlesworth How to make a balloon dog In</a> <a title="ArtReview JanFeb 2014 page 44" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=44"> MARCH MEETING 2014 COME TOGETHER 13.03.14 - 16.03</a> <a title="ArtReview JanFeb 2014 page 45" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=45"> 15.01 — 15.02 14 THÉATRE D'OBJETS Valérie Blass </a> <a title="ArtReview JanFeb 2014 page 46" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=46"> Jonathan Grossmalerman The limits of social netwo</a> <a title="ArtReview JanFeb 2014 page 47" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=47"> Helen Sumpter Off-space No 18: Catalyst Arts Gal</a> <a title="ArtReview JanFeb 2014 page 48" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=48"> </a> <a title="ArtReview JanFeb 2014 page 49" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=49"> Join us. Become a Member from only £50 and gain </a> <a title="ArtReview JanFeb 2014 page 50" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=50"> ARCOmadrid 40° 28’N 19 – 23 February, 2014 IFEMA</a> <a title="ArtReview JanFeb 2014 page 51" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=51"> Great Critics and Their Ideas No 28 Walter Ben</a> <a title="ArtReview JanFeb 2014 page 52" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=52"> ARTREVIEW Hang on. I’m looking at notes someone g</a> <a title="ArtReview JanFeb 2014 page 53" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=53"> Reproducibility (as it is now more correctly tran</a> <a title="ArtReview JanFeb 2014 page 54" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=54"> </a> <a title="ArtReview JanFeb 2014 page 55" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=55"> Great Collectors and Their Ideas No 4 Juliet M</a> <a title="ArtReview JanFeb 2014 page 56" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=56"> Artreview When did you come to Los Angeles? Julie</a> <a title="ArtReview JanFeb 2014 page 57" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=57"> artists are really resonating optimism and origin</a> <a title="ArtReview JanFeb 2014 page 58" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=58"> we decided that it should be a nonprofit. I have a</a> <a title="ArtReview JanFeb 2014 page 59" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=59"> Other People and Their Ideas No 12 Gavin Brown</a> <a title="ArtReview JanFeb 2014 page 60" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=60"> Artreview You were once an artist and studied at </a> <a title="ArtReview JanFeb 2014 page 61" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=61"> gallery is an amazingly productive place for me t</a> <a title="ArtReview JanFeb 2014 page 62" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=62"> IbI IbrahIm Booth C8 www.jamm-ar</a> <a title="ArtReview JanFeb 2014 page 63" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=63"> What are the implications for artists and galleri</a> <a title="ArtReview JanFeb 2014 page 64" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=64"> The Law and Its Ideas No 3 Fair use? Artist fina</a> <a title="ArtReview JanFeb 2014 page 65" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=65"> </a> <a title="ArtReview JanFeb 2014 page 66" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=66"> </a> <a title="ArtReview JanFeb 2014 page 67" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=67"> Caline Aoun The Future of Smart Technology in you</a> <a title="ArtReview JanFeb 2014 page 68" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=68"> </a> <a title="ArtReview JanFeb 2014 page 69" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=69"> Classical Modern and Contemporary Art 13 – 16 M</a> <a title="ArtReview JanFeb 2014 page 70" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=70"> miart 2014 - international modern </a> <a title="ArtReview JanFeb 2014 page 71" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=71"> </a> <a title="ArtReview JanFeb 2014 page 72" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=72"> </a> <a title="ArtReview JanFeb 2014 page 73" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=73"> CHINA GUEST OF HONOUR</a> <a title="ArtReview JanFeb 2014 page 74" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=74"> Art Featured I have</a> <a title="ArtReview JanFeb 2014 page 75" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=75"> Petrit Halilaj How one artist lets the past</a> <a title="ArtReview JanFeb 2014 page 76" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=76"> 26 Objekte n’Kumpir (detail), 2009, vitrine, wood</a> <a title="ArtReview JanFeb 2014 page 77" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=77"> Cleopatra (detail), 2011, slide projection</a> <a title="ArtReview JanFeb 2014 page 78" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=78"> Kostërrc (CH) (detail), 2011, hole in Kostërrc hi</a> <a title="ArtReview JanFeb 2014 page 79" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=79"> Pristina, by now largely lost. With an impasto of</a> <a title="ArtReview JanFeb 2014 page 80" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=80"> Poisoned by </a> <a title="ArtReview JanFeb 2014 page 81" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=81"> Image: The Armory Show 2014 Commissioned Artist, </a> <a title="ArtReview JanFeb 2014 page 82" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=82"> Art Featured Mexico It is</a> <a title="ArtReview JanFeb 2014 page 83" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=83"> A Tale of Two Museums by Christian Viveros-Fauné</a> <a title="ArtReview JanFeb 2014 page 84" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=84"> Is Museo Jumex a south-of-the-b</a> <a title="ArtReview JanFeb 2014 page 85" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=85"> It was bound to happen. Set inside a giant tent o</a> <a title="ArtReview JanFeb 2014 page 86" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=86"> Gober’s Flying Sink, 1985, Jeff Koons’s Three Bal</a> <a title="ArtReview JanFeb 2014 page 87" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=87"> Bright Ideas, Big City With Mexico</a> <a title="ArtReview JanFeb 2014 page 88" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=88"> Chris sharp I would like to begin by thanking all</a> <a title="ArtReview JanFeb 2014 page 89" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=89"> vision rather than artwork about nationality. Nee</a> <a title="ArtReview JanFeb 2014 page 90" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=90"> from where and how. If we take a few examples, we</a> <a title="ArtReview JanFeb 2014 page 91" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=91"> Eduardo Terrazas Architect, d</a> <a title="ArtReview JanFeb 2014 page 92" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=92"> facing page, top 1.1.32, 1974, felt-pen </a> <a title="ArtReview JanFeb 2014 page 93" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=93"> I last saw Eduardo Terrazas in Paris, during his </a> <a title="ArtReview JanFeb 2014 page 94" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=94"> 1.1.135, 2013, Huichol technique / yarn on wood b</a> <a title="ArtReview JanFeb 2014 page 95" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=95"> </a> <a title="ArtReview JanFeb 2014 page 96" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=96"> A Guide to Mexico City’s Project Spaces </a> <a title="ArtReview JanFeb 2014 page 97" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=97"> Cráter Invertido </a> <a title="ArtReview JanFeb 2014 page 98" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=98"> </a> <a title="ArtReview JanFeb 2014 page 99" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=99"> No Space </a> <a title="ArtReview JanFeb 2014 page 100" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=100"> At the opposite pole of such approa</a> <a title="ArtReview JanFeb 2014 page 101" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=101"> Martin Soto Climent </a> <a title="ArtReview JanFeb 2014 page 102" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=102"> How small gestures can articulate bigger </a> <a title="ArtReview JanFeb 2014 page 103" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=103"> Desirability is a powerful, society-shaping, yet </a> <a title="ArtReview JanFeb 2014 page 104" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=104"> Each case has been turned i</a> <a title="ArtReview JanFeb 2014 page 105" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=105"> a golden era of photographic experimentation, bef</a> <a title="ArtReview JanFeb 2014 page 106" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=106"> January & February 2014 </a> <a title="ArtReview JanFeb 2014 page 107" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=107"> </a> <a title="ArtReview JanFeb 2014 page 108" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=108"> </a> <a title="ArtReview JanFeb 2014 page 109" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=109"> jan 30 – feb 2, 2014 1301PE LOS ANGELES ACME. </a> <a title="ArtReview JanFeb 2014 page 110" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=110"> Featuring over 170 modern and contemporary galler</a> <a title="ArtReview JanFeb 2014 page 111" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=111"> Vernissage | Wednesday, May 14, 2014 | By invitat</a> <a title="ArtReview JanFeb 2014 page 112" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=112"> Art Reviewed A little self-knowl</a> <a title="ArtReview JanFeb 2014 page 113" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=113"> Wolfgang Tillmans Central Nervous System Maureen</a> <a title="ArtReview JanFeb 2014 page 114" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=114"> Stuart Brisley Domobaal, London </a> <a title="ArtReview JanFeb 2014 page 115" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=115"> Liz Deschenes Bracket (London) Campoli Presti, L</a> <a title="ArtReview JanFeb 2014 page 116" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=116"> Adam Chodzko Room for Laarni, Image Moderator Ma</a> <a title="ArtReview JanFeb 2014 page 117" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=117"> </a> <a title="ArtReview JanFeb 2014 page 118" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=118"> Suzanne Treister In the Name of Art and Other Re</a> <a title="ArtReview JanFeb 2014 page 119" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=119"> Aaron Angell and Jack Bilbo Woman expecting trip</a> <a title="ArtReview JanFeb 2014 page 120" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=120"> Willie Doherty Unseen City Factory Gallery, Derr</a> <a title="ArtReview JanFeb 2014 page 121" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=121"> David Hockney A Bigger Exhibition de Young Museum</a> <a title="ArtReview JanFeb 2014 page 122" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=122"> Elijah Burgher Friendship as a way of life b/w I</a> <a title="ArtReview JanFeb 2014 page 123" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=123"> Köken Ergun Protocinema, New York 7 November – 14</a> <a title="ArtReview JanFeb 2014 page 124" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=124"> David Lynch New Works and Naming (Curated by Bre</a> <a title="ArtReview JanFeb 2014 page 125" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=125"> RE_001: First Communion of Anemic Young Girls in </a> <a title="ArtReview JanFeb 2014 page 126" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=126"> Boris Mikhailov Four Decades Dominique Lévy, New</a> <a title="ArtReview JanFeb 2014 page 127" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=127"> Jim Shaw Blum & Poe, Los Angeles 1 November – 21 </a> <a title="ArtReview JanFeb 2014 page 128" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=128"> Latifa Echakhch The Scene Takes Place Galerie Ev</a> <a title="ArtReview JanFeb 2014 page 129" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=129"> Daniel Keller Lazy Ocean Drift New Galerie, Paris</a> <a title="ArtReview JanFeb 2014 page 130" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=130"> Carl Johan Högberg Christian Larsen, Stockholm 3 </a> <a title="ArtReview JanFeb 2014 page 131" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=131"> Adrian Paci Vite in Transito (Lives in Transit) </a> <a title="ArtReview JanFeb 2014 page 132" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=132"> Speculations on Anonymous Materials Fridericianum</a> <a title="ArtReview JanFeb 2014 page 133" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=133"> Michaela Meise Im Kreis, am Kreis Johann König, </a> <a title="ArtReview JanFeb 2014 page 134" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=134"> América Latina 1960–2013 Fondation Cartier pour l</a> <a title="ArtReview JanFeb 2014 page 135" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=135"> 18th International Contemporary Art Festival Sesc</a> <a title="ArtReview JanFeb 2014 page 136" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=136"> Yuka Kashihara Repeating Traces Tomio Koyama Gal</a> <a title="ArtReview JanFeb 2014 page 137" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=137"> Roppongi Crossing 2013: Out of Doubt Mori Art Mus</a> <a title="ArtReview JanFeb 2014 page 138" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=138"> Fang Lu Lost Seconds Boers-Li Gallery, Beijing 2</a> <a title="ArtReview JanFeb 2014 page 139" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=139"> Books </a> <a title="ArtReview JanFeb 2014 page 140" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=140"> The meme was a concept created by the geneticist </a> <a title="ArtReview JanFeb 2014 page 141" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=141"> Mohan Samant: Paintings / Erotic Sketchbooks by </a> <a title="ArtReview JanFeb 2014 page 142" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=142"> Austria Galerie Andreas Huber Florian Schmidt: </a> <a title="ArtReview JanFeb 2014 page 143" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=143"> Switzerland Bill Copley, Víctor</a> <a title="ArtReview JanFeb 2014 page 144" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=144"> Monument of Dental Health (2012) is an i</a> <a title="ArtReview JanFeb 2014 page 145" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=145"> USA, Chicago MCA Chicago William J. O’Brien 25 </a> <a title="ArtReview JanFeb 2014 page 146" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=146"> $350 Cráter Invertido, Cenizas Volcánicas, 2013, </a> <a title="ArtReview JanFeb 2014 page 147" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=147"> £650 Adam Chodzko, Ask the Dust (Ala</a> <a title="ArtReview JanFeb 2014 page 148" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=148"> </a> <a title="ArtReview JanFeb 2014 page 149" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=149"> Price on r</a> <a title="ArtReview JanFeb 2014 page 150" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=150"> artreview.com/subscribe</a> <a title="ArtReview JanFeb 2014 page 151" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=151"> 150</a> <a title="ArtReview JanFeb 2014 page 152" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=152"> For more on artist Sofiane Belaskri, see overleaf </a> <a title="ArtReview JanFeb 2014 page 153" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=153"> Chris Sharp is a writer and curator currently ba</a> <a title="ArtReview JanFeb 2014 page 154" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=154"> Editorial Editors Mark Rappolt David Terrien </a> <a title="ArtReview JanFeb 2014 page 155" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=155"> Off the Record The air-conditioning isn’t worki</a> <a title="ArtReview JanFeb 2014 page 156" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=156"> GEOGRAPHIES OF CONTAMINATION 31 January – 29 Mar</a> <a title="ArtReview JanFeb 2014 page 157" href="https://secure.viewer.zmags.com/publication/3ab5d26d?page=157"> London 30 Old Bond Street 020 77 58 80 60 Explor</a>