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<br /> Contents<br /> Simon Starling<br /> Turner-Prize winner Simon Starling uses objects to generate<br /> sprawling narrative tales that often involving the fabrication,<br /> display and dissemination of other art objects. Ahead of the<br /> unveiling of Starling’s film installation ‘Phantom Ride’, his<br /> new Duveen Galleries commission for Tate, Mark Rappolt<br /> explores how the artist continues to test the limits of<br /> what one can squeeze into – and out of – a work of art.<br /> Future Greats<br /> Every year we take a big collective breath and, along with<br /> a panel of distinguished artworld colleagues and friends,<br /> unveil to the world those artists we think are going to make<br /> their mark in the coming year. This year’s 28 are both<br /> young artists showing remarkable promise and older<br /> artists who, while having worked consistently for<br /> many years, are only just gaining the recognition they<br /> deserve.<br /> City Focus: Berl<a title="ArtReview_March2013 page 1" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=1"> Contents Simon Starling Turner-Prize winner Simon</a> <a title="ArtReview_March2013 page 2" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=2"> Issue 66 MaRCh 2013 </a> <a title="ArtReview_March2013 page 3" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=3"> </a> <a title="ArtReview_March2013 page 4" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=4"> </a> <a title="ArtReview_March2013 page 5" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=5"> </a> <a title="ArtReview_March2013 page 6" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=6"> </a> <a title="ArtReview_March2013 page 7" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=7"> </a> <a title="ArtReview_March2013 page 8" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=8"> </a> <a title="ArtReview_March2013 page 9" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=9"> </a> <a title="ArtReview_March2013 page 10" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=10"> </a> <a title="ArtReview_March2013 page 11" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=11"> </a> <a title="ArtReview_March2013 page 12" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=12"> </a> <a title="ArtReview_March2013 page 13" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=13"> </a> <a title="ArtReview_March2013 page 14" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=14"> </a> <a title="ArtReview_March2013 page 15" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=15"> </a> <a title="ArtReview_March2013 page 16" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=16"> </a> <a title="ArtReview_March2013 page 17" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=17"> </a> <a title="ArtReview_March2013 page 18" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=18"> 26 62 70 </a> <a title="ArtReview_March2013 page 19" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=19"> Contents Page Title </a> <a title="ArtReview_March2013 page 20" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=20"> </a> <a title="ArtReview_March2013 page 21" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=21"> Editorial Editor Mark Rappolt Executive Editor D</a> <a title="ArtReview_March2013 page 22" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=22"> </a> <a title="ArtReview_March2013 page 23" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=23"> Contributors Robert Longo is an American artist w</a> <a title="ArtReview_March2013 page 24" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=24"> </a> <a title="ArtReview_March2013 page 25" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=25"> Dictionary Xx </a> <a title="ArtReview_March2013 page 26" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=26"> </a> <a title="ArtReview_March2013 page 27" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=27"> </a> <a title="ArtReview_March2013 page 28" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=28"> Italy, again, is the subject of Laure Prouvo</a> <a title="ArtReview_March2013 page 29" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=29"> The present author once watched </a> <a title="ArtReview_March2013 page 30" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=30"> Hiraki Sawa’s Dwelling (2002), the Lond</a> <a title="ArtReview_March2013 page 31" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=31"> </a> <a title="ArtReview_March2013 page 32" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=32"> </a> <a title="ArtReview_March2013 page 33" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=33"> </a> <a title="ArtReview_March2013 page 34" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=34"> </a> <a title="ArtReview_March2013 page 35" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=35"> </a> <a title="ArtReview_March2013 page 36" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=36"> </a> <a title="ArtReview_March2013 page 37" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=37"> Now Buy This The pick of things </a> <a title="ArtReview_March2013 page 38" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=38"> </a> <a title="ArtReview_March2013 page 39" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=39"> Worldwide With the involvement of one of the orig</a> <a title="ArtReview_March2013 page 40" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=40"> </a> <a title="ArtReview_March2013 page 41" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=41"> </a> <a title="ArtReview_March2013 page 42" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=42"> </a> <a title="ArtReview_March2013 page 43" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=43"> </a> <a title="ArtReview_March2013 page 44" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=44"> </a> <a title="ArtReview_March2013 page 45" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=45"> Now Hear This The magazine’s corr</a> <a title="ArtReview_March2013 page 46" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=46"> and showrooms for ‘top-end’ art. And the reality </a> <a title="ArtReview_March2013 page 47" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=47"> Joshua Mack, New York NYC 1993: Experimental Jet </a> <a title="ArtReview_March2013 page 48" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=48"> </a> <a title="ArtReview_March2013 page 49" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=49"> Maria Lind What makes a Jewel? There are artworks</a> <a title="ArtReview_March2013 page 50" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=50"> Mike Watson, Rome Opera for Cantalupo Paolo W. T</a> <a title="ArtReview_March2013 page 51" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=51"> Christopher Mooney, Kiev Future Generation Art Pr</a> <a title="ArtReview_March2013 page 52" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=52"> Christian Viveros-Fauné, New York Disregarding Wa</a> <a title="ArtReview_March2013 page 53" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=53"> Sam Jacob, Design Space: the final commercial fro</a> <a title="ArtReview_March2013 page 54" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=54"> Raimar Stange, Berlin Art-media city What has lo</a> <a title="ArtReview_March2013 page 55" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=55"> 56 Will Morris</a> <a title="ArtReview_March2013 page 56" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=56"> ArtReview 57</a> <a title="ArtReview_March2013 page 57" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=57"> </a> <a title="ArtReview_March2013 page 58" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=58"> </a> <a title="ArtReview_March2013 page 59" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=59"> </a> <a title="ArtReview_March2013 page 60" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=60"> </a> <a title="ArtReview_March2013 page 61" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=61"> Great Minds Great Critics and Their Ideas Lud</a> <a title="ArtReview_March2013 page 62" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=62"> in art, and it’s real, he really is personally ma</a> <a title="ArtReview_March2013 page 63" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=63"> Other People and Their Ideas Interview by Tom Ecc</a> <a title="ArtReview_March2013 page 64" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=64"> ceramics and thrift-store paintings. For under $2</a> <a title="ArtReview_March2013 page 65" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=65"> many curators still curating artists who they’ve </a> <a title="ArtReview_March2013 page 66" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=66"> </a> <a title="ArtReview_March2013 page 67" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=67"> </a> <a title="ArtReview_March2013 page 68" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=68"> Features 70 Positi</a> <a title="ArtReview_March2013 page 69" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=69"> Simon Starling The artist continues to test the </a> <a title="ArtReview_March2013 page 70" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=70"> </a> <a title="ArtReview_March2013 page 71" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=71"> this page: </a> <a title="ArtReview_March2013 page 72" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=72"> on a networked, more human and less strictly phil</a> <a title="ArtReview_March2013 page 73" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=73"> this page, clockwise from top left: Simon Starlin</a> <a title="ArtReview_March2013 page 74" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=74"> this page, from right: interior view of Starling’</a> <a title="ArtReview_March2013 page 75" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=75"> </a> <a title="ArtReview_March2013 page 76" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=76"> </a> <a title="ArtReview_March2013 page 77" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=77"> </a> <a title="ArtReview_March2013 page 78" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=78"> </a> <a title="ArtReview_March2013 page 79" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=79"> </a> <a title="ArtReview_March2013 page 80" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=80"> Mathieu Kleyebe Abonnenc Lutz Bacher</a> <a title="ArtReview_March2013 page 81" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=81"> Sponsor’s statement EFG International is pleased</a> <a title="ArtReview_March2013 page 82" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=82"> Introduction Time machines, crystal balls, Ouija</a> <a title="ArtReview_March2013 page 83" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=83"> 85 Mathieu Kleyebe Abonnenc Elena Filipovic (cura</a> <a title="ArtReview_March2013 page 84" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=84"> Mathieu Kleyebe Abonnenc ‘Inheritance is never a</a> <a title="ArtReview_March2013 page 85" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=85"> Lutz Bacher Lutz Bacher, who lives and works in </a> <a title="ArtReview_March2013 page 86" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=86"> Magnus Bärtås </a> <a title="ArtReview_March2013 page 87" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=87"> Jonathan Berger I want to convince you that what</a> <a title="ArtReview_March2013 page 88" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=88"> Hilary Berseth </a> <a title="ArtReview_March2013 page 89" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=89"> Ben Cain </a> <a title="ArtReview_March2013 page 90" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=90"> Benedict Drew I first saw Benedict Drew’s work i</a> <a title="ArtReview_March2013 page 91" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=91"> 93 Michaela Eichwald Michelle Cotton (senior cura</a> <a title="ArtReview_March2013 page 92" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=92"> Michaela Eichwald A strange collection of object</a> <a title="ArtReview_March2013 page 93" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=93"> Brock Enright </a> <a title="ArtReview_March2013 page 94" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=94"> Lauren Godfrey The first Lauren Godfrey work I s</a> <a title="ArtReview_March2013 page 95" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=95"> Samara Golden ‘Otherworldly’ is a little too gho</a> <a title="ArtReview_March2013 page 96" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=96"> Natascha Sadr Haghighian </a> <a title="ArtReview_March2013 page 97" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=97"> Gabriel Hartley Gabriel Hartley’s Trousers (2011</a> <a title="ArtReview_March2013 page 98" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=98"> Sasha Holzer </a> <a title="ArtReview_March2013 page 99" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=99"> 101 Daniel Jacoby Áron Fenyvesi (curator, Trafó, </a> <a title="ArtReview_March2013 page 100" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=100"> Daniel Jacoby </a> <a title="ArtReview_March2013 page 101" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=101"> Leopold Kessler </a> <a title="ArtReview_March2013 page 102" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=102"> George Little George Little’s paintings are figu</a> <a title="ArtReview_March2013 page 103" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=103"> Pat McCarthy Pat McCarthy is important because o</a> <a title="ArtReview_March2013 page 104" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=104"> Paulo Nazareth </a> <a title="ArtReview_March2013 page 105" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=105"> Katja Novitskova </a> <a title="ArtReview_March2013 page 106" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=106"> Katrina Palmer </a> <a title="ArtReview_March2013 page 107" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=107"> 109 JJ PEET Tom Sachs (artist, New York) 110 Heat</a> <a title="ArtReview_March2013 page 108" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=108"> JJ PEET I met JJ PEET up at Yale University, whe</a> <a title="ArtReview_March2013 page 109" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=109"> Heather Phillipson HD, ‘post-Internet’, quick-fi</a> <a title="ArtReview_March2013 page 110" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=110"> Laurie Jo Reynolds </a> <a title="ArtReview_March2013 page 111" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=111"> Analia Saban </a> <a title="ArtReview_March2013 page 112" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=112"> Pablo Sigg </a> <a title="ArtReview_March2013 page 113" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=113"> Edward Thomasson </a> <a title="ArtReview_March2013 page 114" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=114"> Carlo Gabriele Tribbioli Rome-based artist Carlo</a> <a title="ArtReview_March2013 page 115" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=115"> www.artreview.com ArtReview:</a> <a title="ArtReview_March2013 page 116" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=116"> </a> <a title="ArtReview_March2013 page 117" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=117"> city Focus: Berlin The second in a three-part ser</a> <a title="ArtReview_March2013 page 118" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=118"> Berlin: from the 1990s onward, the city’s name st</a> <a title="ArtReview_March2013 page 119" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=119"> this that Berlin continues to grow together with </a> <a title="ArtReview_March2013 page 120" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=120"> Artreview 121</a> <a title="ArtReview_March2013 page 121" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=121"> AS O f c o u r s e t h e r e a r e s t i l</a> <a title="ArtReview_March2013 page 122" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=122"> Venison from London, who showed Damien Hirst – th</a> <a title="ArtReview_March2013 page 123" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=123"> </a> <a title="ArtReview_March2013 page 124" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=124"> </a> <a title="ArtReview_March2013 page 125" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=125"> Listings Galleries USA 303 Gallery Doug </a> <a title="ArtReview_March2013 page 126" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=126"> BALTIC David Maljkovic: Souces in the Air </a> <a title="ArtReview_March2013 page 127" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=127"> Galerie Perrotin Group Show 2 Mar – 13 Apr Open 1</a> <a title="ArtReview_March2013 page 128" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=128"> Illustration: Zebedee Helm PLATFORM Creative web</a> <a title="ArtReview_March2013 page 129" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=129"> art_review_ad_anna_barham_FINAL_3.pdf 1 02/0</a> <a title="ArtReview_March2013 page 130" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=130"> Reviewed Exhibitions/UK Helen Marten, Chisenhale </a> <a title="ArtReview_March2013 page 131" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=131"> Helen Marten Plank Salad, 2012 (installation view</a> <a title="ArtReview_March2013 page 132" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=132"> Helen Marten Helen Marten: Plank Salad Chisenhal</a> <a title="ArtReview_March2013 page 133" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=133"> Pilvi Takala: Random Numbers Carlos/Ishikawa, Lon</a> <a title="ArtReview_March2013 page 134" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=134"> Pilvi takala One in a Million, 2012. Courtesy Car</a> <a title="ArtReview_March2013 page 135" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=135"> Henrik Olesen Produce (Vielzweck Etiketten), 2012</a> <a title="ArtReview_March2013 page 136" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=136"> Henrik Olesen Cabinet, London 28 November – 21 De</a> <a title="ArtReview_March2013 page 137" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=137"> Thomas Dozol: Côtes d’Azurs French Riviera, Londo</a> <a title="ArtReview_March2013 page 138" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=138"> amalia Pica Sorry for the Metaphor #5, 2010, A3 p</a> <a title="ArtReview_March2013 page 139" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=139"> alex Impey Orangutan, 2012. Photo: Ruth Clark. Co</a> <a title="ArtReview_March2013 page 140" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=140"> Alex Impey Alex Impey: Orangutan Glasgow Sculptu</a> <a title="ArtReview_March2013 page 141" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=141"> Julie Blackmon Julie Blackmon: Day Tripping Robe</a> <a title="ArtReview_March2013 page 142" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=142"> though he never articulates the implicit issue:</a> <a title="ArtReview_March2013 page 143" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=143"> Jen Denike still from The Star Card, 2012, single</a> <a title="ArtReview_March2013 page 144" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=144"> Jen DeNike Jen DeNike: The Star Card Anat Ebgi, </a> <a title="ArtReview_March2013 page 145" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=145"> Matias Faldbakken: SHALL I WRITE IT Galerie Eva P</a> <a title="ArtReview_March2013 page 146" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=146"> matias Faldbakken Shall I Write It, 2012 (install</a> <a title="ArtReview_March2013 page 147" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=147"> ante Timmermans Make a Molehill out of a Mountain</a> <a title="ArtReview_March2013 page 148" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=148"> Ante Timmermans: Ante Post Ante Kunstmuseum St Ga</a> <a title="ArtReview_March2013 page 149" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=149"> Nessuno e Niente Scompaia Unosunove, Rome 13 Dece</a> <a title="ArtReview_March2013 page 150" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=150"> Xavier mary Petrolatum, 2012 (installation view).</a> <a title="ArtReview_March2013 page 151" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=151"> Paul Kos Emboss I, II, III, 1995, photographs, 20</a> <a title="ArtReview_March2013 page 152" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=152"> Michel François: Pièces à Conviction Xavier Hufke</a> <a title="ArtReview_March2013 page 153" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=153"> Isabel Nolan: Unmade The Return, Goethe-Institut,</a> <a title="ArtReview_March2013 page 154" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=154"> Isabel Nolan Travel Rug for Philosopher and Theol</a> <a title="ArtReview_March2013 page 155" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=155"> Wang Haiyang Freud, Fish and Butterfly, 2009, sing</a> <a title="ArtReview_March2013 page 156" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=156"> Wang Haiyang: The Metamorphosis White Space, Beij</a> <a title="ArtReview_March2013 page 157" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=157"> Books interviews Extreme Metaphors: Interview</a> <a title="ArtReview_March2013 page 158" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=158"> fiction the King of a rainy country By Brigid B</a> <a title="ArtReview_March2013 page 159" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=159"> journaL La Boutique obscure By Georges Perec Me</a> <a title="ArtReview_March2013 page 160" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=160"> Gursky, Thomas Hirschhorn. There is also a final </a> <a title="ArtReview_March2013 page 161" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=161"> Tuesday, February 5, 2013 19:14 Subject: off th</a> <a title="ArtReview_March2013 page 162" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=162"> </a> <a title="ArtReview_March2013 page 163" href="https://secure.viewer.zmags.com/publication/33acc0a8?page=163"> FOR DETAILS OF AUTHORISED STOCKISTS PLEASE TELEPH</a>