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<br /> Contents<br /> Despite his appearance, he was really a very complicated young man<br /> Art Previewed<br /> Previews<br /> by Martin Herbert<br /> 35<br /> Points of View<br /> by Hettie Judah, Maria Lind,<br /> Mark Sladen, Jonathan T. D. Neil,<br /> Sam Jacob, Mike Watson<br /> & Jonathan Grossmalerman<br /> 51<br /> Virginia Woolf<br /> on Georg Baselitz<br /> Interview by Matthew Collings<br /> 64<br /> The Law and Its Ideas<br /> by Daniel McClean<br /> 68<br /> Art Reviewed<br /> Exhibitions<br /> 143<br /> Books<br /> 174<br /> The Strip<br /> 178<br /> Off the Record<br /> 182<br /> Art Featured<br /> Mark Leckey<br /> by J. J. Charlesworth<br /> 86<br /> Bosco Sodi<br /> by Christian Viveros-Fauné<br /> 92<br /> Hito Steyerl<br /> by Paul Pieroni<br /> 98<br /> Ryan Trecartin<br /> by Gesine Borcherdt<br /> 104<br /><a title="ArtReview Summer 2014 page 1" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=1"> Contents Despite his appearance, he was really a</a> <a title="ArtReview Summer 2014 page 2" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=2"> Expecting to me a special You You You, let’s expl</a> <a title="ArtReview Summer 2014 page 3" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=3"> Chanel_ArtRev.indd 2 </a> <a title="ArtReview Summer 2014 page 4" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=4"> “CAMÉLIA” RING WHITE GOLD AND DIAMONDS </a> <a title="ArtReview Summer 2014 page 5" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=5"> Saint Laurent DPS.indd 4 </a> <a title="ArtReview Summer 2014 page 6" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=6"> Saint Laurent DPS.indd 5 </a> <a title="ArtReview Summer 2014 page 7" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=7"> MargaretHowell_.indd 6 </a> <a title="ArtReview Summer 2014 page 8" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=8"> MargaretHowell_.indd 7 </a> <a title="ArtReview Summer 2014 page 9" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=9"> Hauser and Wirth .indd 8 </a> <a title="ArtReview Summer 2014 page 10" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=10"> Hauser and Wirth .indd 9 </a> <a title="ArtReview Summer 2014 page 11" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=11"> 03.06 - 26.07.2014 Opening on Tuesday June 3rd</a> <a title="ArtReview Summer 2014 page 12" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=12"> HAUSER & WIRTH HAUSER & WIRTH SOMERSET OPENING 1</a> <a title="ArtReview Summer 2014 page 13" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=13"> Ai Weiwei 23 May — 12 July 2014 27 Bell S</a> <a title="ArtReview Summer 2014 page 14" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=14"> 012_AR.indd 13 Richard Long </a> <a title="ArtReview Summer 2014 page 15" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=15"> Bridget Riley The Stripe Paintings 1961-2014 13 </a> <a title="ArtReview Summer 2014 page 16" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=16"> 014_AR.indd 15 </a> <a title="ArtReview Summer 2014 page 17" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=17"> hubert_placed.indd 16 </a> <a title="ArtReview Summer 2014 page 18" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=18"> </a> <a title="ArtReview Summer 2014 page 19" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=19"> TOMIO KOYAMA .indd 18 Sulaiman-ArtReview-May2014_</a> <a title="ArtReview Summer 2014 page 20" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=20"> Galerie Thaddaeus Ropac FP_Right.indd 19 </a> <a title="ArtReview Summer 2014 page 21" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=21"> mendes_placed.indd 20 </a> <a title="ArtReview Summer 2014 page 22" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=22"> In 1992. January Paul Schimmel curates Helter</a> <a title="ArtReview Summer 2014 page 23" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=23"> </a> <a title="ArtReview Summer 2014 page 24" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=24"> The Swarm ‘The overgrown males now all sally for</a> <a title="ArtReview Summer 2014 page 25" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=25"> But back to that quotation. It’s extracted from M</a> <a title="ArtReview Summer 2014 page 26" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=26"> PACE FP.indd 25 </a> <a title="ArtReview Summer 2014 page 27" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=27"> SUSANNE VIELMETTER_placed.indd 26 </a> <a title="ArtReview Summer 2014 page 28" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=28"> ArtReview vol 66 no 5 Summer 2014 Art Preview</a> <a title="ArtReview Summer 2014 page 29" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=29"> Art Featured 85 Mark Leckey by J. J. Char</a> <a title="ArtReview Summer 2014 page 30" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=30"> </a> <a title="ArtReview Summer 2014 page 31" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=31"> Art Reviewed 143 Exhibitions 144 </a> <a title="ArtReview Summer 2014 page 32" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=32"> shades of black on white may 9—june 21 2014 darr</a> <a title="ArtReview Summer 2014 page 33" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=33"> FutureGreats 2014 Rachel Rose </a> <a title="ArtReview Summer 2014 page 34" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=34"> Art Previewed Loving the world, l</a> <a title="ArtReview Summer 2014 page 35" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=35"> </a> <a title="ArtReview Summer 2014 page 36" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=36"> Yokohama Triennale 1 August – 3 November </a> <a title="ArtReview Summer 2014 page 37" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=37"> Kudos to Morimura Yasumasa: invited to steer the </a> <a title="ArtReview Summer 2014 page 38" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=38"> 4 Ross Sinclair, Twenty Years of Real Life, 2014</a> <a title="ArtReview Summer 2014 page 39" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=39"> 8 Dorothy Iannone, The Statue of Liberty, 1977, </a> <a title="ArtReview Summer 2014 page 40" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=40"> Brea Souders June 12th – August 1st, 2014 B r </a> <a title="ArtReview Summer 2014 page 41" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=41"> patterning; but they’ve also been increasingly cr</a> <a title="ArtReview Summer 2014 page 42" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=42"> FOLLOW US DOWNLOAD THE FREE MAXXI APP </a> <a title="ArtReview Summer 2014 page 43" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=43"> </a> <a title="ArtReview Summer 2014 page 44" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=44"> Nahem Fine Art ArtReview Ad Final rev_1 5/14/14 </a> <a title="ArtReview Summer 2014 page 45" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=45"> 044_AR.indd 44 </a> <a title="ArtReview Summer 2014 page 46" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=46"> </a> <a title="ArtReview Summer 2014 page 47" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=47"> The Distant Sound Susan Philipsz SSB 4.25 KHz S</a> <a title="ArtReview Summer 2014 page 48" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=48"> Marlborough FP NEW.indd 47 </a> <a title="ArtReview Summer 2014 page 49" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=49"> C M Y CM MY CY CMY K YFA_Pinaree_ArtReview.pdf </a> <a title="ArtReview Summer 2014 page 50" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=50"> </a> <a title="ArtReview Summer 2014 page 51" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=51"> LEE UFAN KKG Artreview_re_left page.indd 50 </a> <a title="ArtReview Summer 2014 page 52" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=52"> Hettie Judah Come, hapless stooges! M</a> <a title="ArtReview Summer 2014 page 53" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=53"> It all began when a friend read me a section of L</a> <a title="ArtReview Summer 2014 page 54" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=54"> Mark Sladen The nuance of ‘normcore’ It isn’t </a> <a title="ArtReview Summer 2014 page 55" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=55"> Jonathan T. D. Neil Do we moan about the dominanc</a> <a title="ArtReview Summer 2014 page 56" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=56"> BP FP.indd 55 </a> <a title="ArtReview Summer 2014 page 57" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=57"> Sam Jacob A quacking success I </a> <a title="ArtReview Summer 2014 page 58" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=58"> Mathaf FP.indd 57 </a> <a title="ArtReview Summer 2014 page 59" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=59"> The critic Clement Greenberg’s emphasis on abstra</a> <a title="ArtReview Summer 2014 page 60" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=60"> WALTERCIO CALDAS Art bAsel / bAsel </a> <a title="ArtReview Summer 2014 page 61" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=61"> Jonathan Grossmalerman Well I…never! I just no</a> <a title="ArtReview Summer 2014 page 62" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=62"> DISCOVER THE ART OF TOMORROW, TODAY. Hand signed,</a> <a title="ArtReview Summer 2014 page 63" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=63"> Karen Archey Off-space No 21: The Suburban, Oak </a> <a title="ArtReview Summer 2014 page 64" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=64"> Doosan FP.indd 63 </a> <a title="ArtReview Summer 2014 page 65" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=65"> Great Critics and Their Ideas No 30 Virginia W</a> <a title="ArtReview Summer 2014 page 66" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=66"> Artreview What did you think of Georg Baselitz’s </a> <a title="ArtReview Summer 2014 page 67" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=67"> VW I don’t know what you mean by better. It remin</a> <a title="ArtReview Summer 2014 page 68" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=68"> NAC Summer 2014, ArtReview ad_NAC Summer 2014, </a> <a title="ArtReview Summer 2014 page 69" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=69"> The Law and Its Ideas No 7 </a> <a title="ArtReview Summer 2014 page 70" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=70"> Background An unlikely trial began in early March</a> <a title="ArtReview Summer 2014 page 71" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=71"> I 070_AR.indd 70 </a> <a title="ArtReview Summer 2014 page 72" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=72"> </a> <a title="ArtReview Summer 2014 page 73" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=73"> Sothebys .indd 72 C 1 N 9 S I 6 9 · · </a> <a title="ArtReview Summer 2014 page 74" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=74"> Sothebys .indd 73 </a> <a title="ArtReview Summer 2014 page 75" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=75"> 140516_artreview_advert_100.indd 1 Charlie Smith </a> <a title="ArtReview Summer 2014 page 76" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=76"> ORO AFRICA BUILDING (1st Floor) 170 Buitengracht </a> <a title="ArtReview Summer 2014 page 77" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=77"> pifo_placed.indd 76 </a> <a title="ArtReview Summer 2014 page 78" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=78"> </a> <a title="ArtReview Summer 2014 page 79" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=79"> C M Y CM MY CY CMY K plataf_comun_a</a> <a title="ArtReview Summer 2014 page 80" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=80"> </a> <a title="ArtReview Summer 2014 page 81" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=81"> Discover The New. The 2014 Summer Exhibition 9 Ju</a> <a title="ArtReview Summer 2014 page 82" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=82"> Giulio Paolini Whitechapel Gallery 9 Ju</a> <a title="ArtReview Summer 2014 page 83" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=83"> CALDER FOUNDATION CELEBRATES 25 YEARS OF THE AT</a> <a title="ArtReview Summer 2014 page 84" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=84"> ARTIST ROOMS ROBERT THERRIEN No Title (Table and </a> <a title="ArtReview Summer 2014 page 85" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=85"> </a> <a title="ArtReview Summer 2014 page 86" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=86"> Art Featured I’m in Tokyo now. I </a> <a title="ArtReview Summer 2014 page 87" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=87"> Mark Leckey What does it mean t</a> <a title="ArtReview Summer 2014 page 88" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=88"> Mark Leckey is busy printing objects, or perhaps </a> <a title="ArtReview Summer 2014 page 89" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=89"> 88 </a> <a title="ArtReview Summer 2014 page 90" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=90"> Summer 2014 </a> <a title="ArtReview Summer 2014 page 91" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=91"> polished head. It is intoxicating to watch, an un</a> <a title="ArtReview Summer 2014 page 92" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=92"> performances (2003–11), in which Leckey’s giant s</a> <a title="ArtReview Summer 2014 page 93" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=93"> </a> <a title="ArtReview Summer 2014 page 94" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=94"> Today, save for the odd airmiles pilgrimage, we t</a> <a title="ArtReview Summer 2014 page 95" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=95"> 94 </a> <a title="ArtReview Summer 2014 page 96" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=96"> Summer 2014 </a> <a title="ArtReview Summer 2014 page 97" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=97"> above Untitled, 2012, ceramic glaze over volcanic</a> <a title="ArtReview Summer 2014 page 98" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=98"> visitors while simultaneously mobilising hungry c</a> <a title="ArtReview Summer 2014 page 99" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=99"> Hito Steyerl Through her analysis a</a> <a title="ArtReview Summer 2014 page 100" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=100"> The work of Hito Steyerl is attuned to the mutabi</a> <a title="ArtReview Summer 2014 page 101" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=101"> By way of this allegory, Steyerl in</a> <a title="ArtReview Summer 2014 page 102" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=102"> ‘The Biography of the Object’ is a 19</a> <a title="ArtReview Summer 2014 page 103" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=103"> the Museum a Battlefield? in as many of them as po</a> <a title="ArtReview Summer 2014 page 104" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=104"> In Free Fall, 2010 (still), HD, 32 min. </a> <a title="ArtReview Summer 2014 page 105" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=105"> Ryan Trecartin The speedy, narcissistic, smart</a> <a title="ArtReview Summer 2014 page 106" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=106"> Item Falls, 2013 Summer 2014 </a> <a title="ArtReview Summer 2014 page 107" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=107"> Center Jenny, 2013 106 </a> <a title="ArtReview Summer 2014 page 108" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=108"> Center Jenny, 2013 Summer 2014 </a> <a title="ArtReview Summer 2014 page 109" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=109"> </a> <a title="ArtReview Summer 2014 page 110" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=110"> about skin colour, national origin and sexuality </a> <a title="ArtReview Summer 2014 page 111" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=111"> The ArtReview Files: Bridget Riley by Louise Da</a> <a title="ArtReview Summer 2014 page 112" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=112"> Michael Shepherd, `Bridget Riley', Arts Review, v</a> <a title="ArtReview Summer 2014 page 113" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=113"> Bettina Wadia, `Bridget Riley', Arts Review, vol </a> <a title="ArtReview Summer 2014 page 114" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=114"> Peter Fuller, `Bridget Riley', Arts Review, vol 2</a> <a title="ArtReview Summer 2014 page 115" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=115"> Pierre Rouve, `Bridget Riley Drawings', Arts Revi</a> <a title="ArtReview Summer 2014 page 116" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=116"> Michael Newman, `Bridget Riley: Works 1959–78', A</a> <a title="ArtReview Summer 2014 page 117" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=117"> * </a> <a title="ArtReview Summer 2014 page 118" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=118"> Larry Berryman, `Bridget Riley', Arts Review, vol</a> <a title="ArtReview Summer 2014 page 119" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=119"> 118 </a> <a title="ArtReview Summer 2014 page 120" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=120"> Summer 2014 </a> <a title="ArtReview Summer 2014 page 121" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=121"> 120 </a> <a title="ArtReview Summer 2014 page 122" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=122"> Richard Cork, `Moving with the Times', ArtReview,</a> <a title="ArtReview Summer 2014 page 123" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=123"> </a> <a title="ArtReview Summer 2014 page 124" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=124"> Art_Review_Layout 1 5/15/14 2:09 PM Page 3 </a> <a title="ArtReview Summer 2014 page 125" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=125"> </a> <a title="ArtReview Summer 2014 page 126" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=126"> applications are open ar</a> <a title="ArtReview Summer 2014 page 127" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=127"> </a> <a title="ArtReview Summer 2014 page 128" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=128"> 23-26 octobER 2014 grand palais et hors les mu</a> <a title="ArtReview Summer 2014 page 129" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=129"> Disobey! When protest objects are exhibit</a> <a title="ArtReview Summer 2014 page 130" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=130"> Carrie Reichardt and the Treatment Rooms C</a> <a title="ArtReview Summer 2014 page 131" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=131"> top Inflatable cobblestone, a</a> <a title="ArtReview Summer 2014 page 132" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=132"> Two years ago, Catherine Flood, the V&A’</a> <a title="ArtReview Summer 2014 page 133" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=133"> Brazil Being local, becoming global Interview b</a> <a title="ArtReview Summer 2014 page 134" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=134"> Brazil’s art history stretches back a long way, a</a> <a title="ArtReview Summer 2014 page 135" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=135"> LUCIANA BRITO I opened my gallery with only four </a> <a title="ArtReview Summer 2014 page 136" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=136"> OB Is there a downside to the economic boom? PLdL</a> <a title="ArtReview Summer 2014 page 137" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=137"> 136_AR.indd 136 </a> <a title="ArtReview Summer 2014 page 138" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=138"> Art_Taipei_.indd 137 </a> <a title="ArtReview Summer 2014 page 139" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=139"> Comar RACHEL MACLEAN: THE WEEPERS AUG 7 — SEPT</a> <a title="ArtReview Summer 2014 page 140" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=140"> NASH RAVI LIOUS BEATON PASMORE UNTIL 10 AUGUST 20</a> <a title="ArtReview Summer 2014 page 141" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=141"> Admission Free Open: Tues – Sun Oct-Mar 10a</a> <a title="ArtReview Summer 2014 page 142" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=142"> ZABLUDOWICZ RACHEL COLLECT</a> <a title="ArtReview Summer 2014 page 143" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=143"> A SINGULAR FORM curated by Pablo Lafuente 26.6.–2</a> <a title="ArtReview Summer 2014 page 144" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=144"> Art Reviewed Life is short, Enjoy</a> <a title="ArtReview Summer 2014 page 145" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=145"> Alms for the Birds Cabinet Gallery, London 21 Mar</a> <a title="ArtReview Summer 2014 page 146" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=146"> How to Work Together: Ella Kruglyanskaya Studio V</a> <a title="ArtReview Summer 2014 page 147" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=147"> Valie eXPORT & Friedl Kubelka Richard Saltoun, Lo</a> <a title="ArtReview Summer 2014 page 148" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=148"> Peter Doig Early Works Michael Werner, London 20</a> <a title="ArtReview Summer 2014 page 149" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=149"> Daphne Wright A Small Thing to Ask Frith Street </a> <a title="ArtReview Summer 2014 page 150" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=150"> av Festival 14: Extraction  Various venues, Middl</a> <a title="ArtReview Summer 2014 page 151" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=151"> With its abundance of derelict tunnels and vast, </a> <a title="ArtReview Summer 2014 page 152" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=152"> In his introduction to a 20th-anniversary edition</a> <a title="ArtReview Summer 2014 page 153" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=153"> Sharon Hayes Fingernails on a Blackboard Andrea </a> <a title="ArtReview Summer 2014 page 154" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=154"> Leigh Ledare Mitchell-Innes & Nash, New York 21 M</a> <a title="ArtReview Summer 2014 page 155" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=155"> Jumana Manna Menace of Origins SculptureCenter, </a> <a title="ArtReview Summer 2014 page 156" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=156"> Urs Fischer Mermaid, Pig, Bro w/ Hat Gagosian, 10</a> <a title="ArtReview Summer 2014 page 157" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=157"> Math Bass Lies Inside Overduin & Co, Los Angeles </a> <a title="ArtReview Summer 2014 page 158" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=158"> Allen Ruppersberg Drawing and Writing: 1972–1989</a> <a title="ArtReview Summer 2014 page 159" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=159"> John Tweddle Kayne Griffin Corcoran, Los Angeles </a> <a title="ArtReview Summer 2014 page 160" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=160"> Elliott Hundley Regen Projects, Los Angeles 12 Ap</a> <a title="ArtReview Summer 2014 page 161" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=161"> Thomas Bayrle All-in-One Institut d’Art Contempo</a> <a title="ArtReview Summer 2014 page 162" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=162"> Mark Manders Cose in Corso Collezione Maramotti,</a> <a title="ArtReview Summer 2014 page 163" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=163"> Playtime Lenbachhaus, Munich 15 March – 29 June </a> <a title="ArtReview Summer 2014 page 164" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=164"> Lina Selander Silphium Kunsthall Trondheim 6 Mar</a> <a title="ArtReview Summer 2014 page 165" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=165"> Richard Wright Nine Chains to the Moon (Chapter </a> <a title="ArtReview Summer 2014 page 166" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=166"> Viktor Rosdahl Quorum Sensing Johan Berggren Gal</a> <a title="ArtReview Summer 2014 page 167" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=167"> Benjamin Sabatier Storage Jousse Entreprise, Par</a> <a title="ArtReview Summer 2014 page 168" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=168"> Matthew Benedict The Lost Island Mai 36 Galerie,</a> <a title="ArtReview Summer 2014 page 169" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=169"> Krystian Jarnuszkiewicz Hard Asleep Under an Oak </a> <a title="ArtReview Summer 2014 page 170" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=170"> Despite the myriad forms that photographic manipu</a> <a title="ArtReview Summer 2014 page 171" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=171"> Mounira Al Solh All Mother Tongues Are Di cult S</a> <a title="ArtReview Summer 2014 page 172" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=172"> Theo Michael Reptile Dialectics Galería omr, Mexi</a> <a title="ArtReview Summer 2014 page 173" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=173"> A floor-to-ceiling riot of red, white and black de</a> <a title="ArtReview Summer 2014 page 174" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=174"> He An It’s Forever Not Magician Space, Beijing 2</a> <a title="ArtReview Summer 2014 page 175" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=175"> Books </a> <a title="ArtReview Summer 2014 page 176" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=176"> Ghosts of My Life: Writings on Depression, Haunto</a> <a title="ArtReview Summer 2014 page 177" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=177"> Selected Writings, 2000–2014 by Paul Chan Scha</a> <a title="ArtReview Summer 2014 page 178" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=178"> Pig out on ArtReview this summer artreview.com/s</a> <a title="ArtReview Summer 2014 page 179" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=179"> 178 AR-Summer-The Strip.indd 178 </a> <a title="ArtReview Summer 2014 page 180" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=180"> AR-Summer-The Strip.indd 179 For more on Anne Op</a> <a title="ArtReview Summer 2014 page 181" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=181"> Christian Viveros-Fauné is a New York-based writ</a> <a title="ArtReview Summer 2014 page 182" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=182"> Editorial Editors Mark Rappolt David Terrien </a> <a title="ArtReview Summer 2014 page 183" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=183"> Off the Record The following takes place betwee</a> <a title="ArtReview Summer 2014 page 184" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=184"> AUGUST 29TH - AUGUST 31ST 2014 </a> <a title="ArtReview Summer 2014 page 185" href="https://secure.viewer.zmags.com/publication/32c8b1e8?page=185"> </a>