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<br /> In this issue<br /> Features<br /> Alexandre Singh<br /> ‘The larger thrust of Singh’s gaming<br /> with time and space is an absolute,<br /> though not negative, refutation of<br /> the idea of human progress’, writes<br /> Martin Herbert in ArtReview’s<br /> December cover story. From The<br /> Marque of the Third Stripe, Singh’s<br /> breakthrough work from 2008, to an<br /> alternative creation myth the artist is<br /> currently writing as a play featuring<br /> the Nesquik chocolate bunny and a<br /> character named Charles Ray,<br /> ArtReview looks at a difficult-to-<br /> categorise body of work.<br /> Hidden Intentions<br /> J.J. Charlesworth examines the<br /> lengths to which artists have been<br /> assimilating art with reality in recent<br /> years – community centres,<br /> corporate hospitality suites, real<br /> estate developments, chat shows –<br /> and muses on where this<br /> postmedium, postgallery,<br /> postartworld (postart!?) <a title="ArtReview:December2011 page 1" href="https://secure.viewer.zmags.com/publication/14f83be2?page=1"> In this issue Features Alexandre Singh ‘The larg</a> <a title="ArtReview:December2011 page 2" href="https://secure.viewer.zmags.com/publication/14f83be2?page=2"> Issue 55 December 2011 £5.0</a> <a title="ArtReview:December2011 page 3" href="https://secure.viewer.zmags.com/publication/14f83be2?page=3"> Hermès, contemporary artisan since 1837.</a> <a title="ArtReview:December2011 page 4" href="https://secure.viewer.zmags.com/publication/14f83be2?page=4"> For all enquiries contact Hermès on 020 749</a> <a title="ArtReview:December2011 page 5" href="https://secure.viewer.zmags.com/publication/14f83be2?page=5"> </a> <a title="ArtReview:December2011 page 6" href="https://secure.viewer.zmags.com/publication/14f83be2?page=6"> HAUSER & WIRTH PAUL McCARTHY THE DWARVES, THE</a> <a title="ArtReview:December2011 page 7" href="https://secure.viewer.zmags.com/publication/14f83be2?page=7"> </a> <a title="ArtReview:December2011 page 8" href="https://secure.viewer.zmags.com/publication/14f83be2?page=8"> </a> <a title="ArtReview:December2011 page 9" href="https://secure.viewer.zmags.com/publication/14f83be2?page=9"> </a> <a title="ArtReview:December2011 page 10" href="https://secure.viewer.zmags.com/publication/14f83be2?page=10"> GALERIA HELGA DE ALVEAR D</a> <a title="ArtReview:December2011 page 11" href="https://secure.viewer.zmags.com/publication/14f83be2?page=11"> November/January 2011 Flavio Favelli MANATTHAN CL</a> <a title="ArtReview:December2011 page 12" href="https://secure.viewer.zmags.com/publication/14f83be2?page=12"> Hilary Lloyd 16 November to 21 December 2011 T</a> <a title="ArtReview:December2011 page 13" href="https://secure.viewer.zmags.com/publication/14f83be2?page=13"> ENJOY RESPONSIBLY</a> <a title="ArtReview:December2011 page 14" href="https://secure.viewer.zmags.com/publication/14f83be2?page=14"> </a> <a title="ArtReview:December2011 page 15" href="https://secure.viewer.zmags.com/publication/14f83be2?page=15"> December 10 - February 4, 2012 Decembe</a> <a title="ArtReview:December2011 page 16" href="https://secure.viewer.zmags.com/publication/14f83be2?page=16"> </a> <a title="ArtReview:December2011 page 17" href="https://secure.viewer.zmags.com/publication/14f83be2?page=17"> </a> <a title="ArtReview:December2011 page 18" href="https://secure.viewer.zmags.com/publication/14f83be2?page=18"> </a> <a title="ArtReview:December2011 page 19" href="https://secure.viewer.zmags.com/publication/14f83be2?page=19"> Editorial Editor Mark Rappolt Executive Editor D</a> <a title="ArtReview:December2011 page 20" href="https://secure.viewer.zmags.com/publication/14f83be2?page=20"> Matta,Boissy-sans-Avoir,1957.PhotographbyDeniseCo</a> <a title="ArtReview:December2011 page 21" href="https://secure.viewer.zmags.com/publication/14f83be2?page=21"> Contents 1 50 44 36 55 </a> <a title="ArtReview:December2011 page 22" href="https://secure.viewer.zmags.com/publication/14f83be2?page=22"> JULES AUDEMARS DUAL TIME LE BRASSUS (VALLÉE</a> <a title="ArtReview:December2011 page 23" href="https://secure.viewer.zmags.com/publication/14f83be2?page=23"> Contents 2 Page Title </a> <a title="ArtReview:December2011 page 24" href="https://secure.viewer.zmags.com/publication/14f83be2?page=24"> in collaboration with </a> <a title="ArtReview:December2011 page 25" href="https://secure.viewer.zmags.com/publication/14f83be2?page=25"> Contributors Kimberly Bradley is a California-bor</a> <a title="ArtReview:December2011 page 26" href="https://secure.viewer.zmags.com/publication/14f83be2?page=26"> </a> <a title="ArtReview:December2011 page 27" href="https://secure.viewer.zmags.com/publication/14f83be2?page=27"> Dictionary Mm </a> <a title="ArtReview:December2011 page 28" href="https://secure.viewer.zmags.com/publication/14f83be2?page=28"> Angel Otero, He Prefers Himself to Everyone Else </a> <a title="ArtReview:December2011 page 29" href="https://secure.viewer.zmags.com/publication/14f83be2?page=29"> RE-LAUNCHING 5 NOVEMBER 2011 IN A BRAND NEW GALLE</a> <a title="ArtReview:December2011 page 30" href="https://secure.viewer.zmags.com/publication/14f83be2?page=30"> </a> <a title="ArtReview:December2011 page 31" href="https://secure.viewer.zmags.com/publication/14f83be2?page=31"> </a> <a title="ArtReview:December2011 page 32" href="https://secure.viewer.zmags.com/publication/14f83be2?page=32"> </a> <a title="ArtReview:December2011 page 33" href="https://secure.viewer.zmags.com/publication/14f83be2?page=33"> Martin Herbert Erik van Lieshout, Baw</a> <a title="ArtReview:December2011 page 34" href="https://secure.viewer.zmags.com/publication/14f83be2?page=34"> ai Weiwei Forever, 2003, 42 bicycles, 275 x 450 c</a> <a title="ArtReview:December2011 page 35" href="https://secure.viewer.zmags.com/publication/14f83be2?page=35"> SIGURDUR GUDMUNDSSON, Event, 1975 i8 Gallery </a> <a title="ArtReview:December2011 page 36" href="https://secure.viewer.zmags.com/publication/14f83be2?page=36"> Analia Saban Pitcher with Spill, 2011, acrylic pa</a> <a title="ArtReview:December2011 page 37" href="https://secure.viewer.zmags.com/publication/14f83be2?page=37"> PARIS I first came across Pierrick Sorin about ten</a> <a title="ArtReview:December2011 page 38" href="https://secure.viewer.zmags.com/publication/14f83be2?page=38"> Bridget Smith We Must Live!, 2011, film still. Cou</a> <a title="ArtReview:December2011 page 39" href="https://secure.viewer.zmags.com/publication/14f83be2?page=39"> 38 Requiem Ark</a> <a title="ArtReview:December2011 page 40" href="https://secure.viewer.zmags.com/publication/14f83be2?page=40"> photography by Jonathan Crawford ArtReview </a> <a title="ArtReview:December2011 page 41" href="https://secure.viewer.zmags.com/publication/14f83be2?page=41"> ❶❷ room 601, unit 3, yong he garden, yard 3, d</a> <a title="ArtReview:December2011 page 42" href="https://secure.viewer.zmags.com/publication/14f83be2?page=42"> ALEXANDRE SINGHThePledge 10 SEP - 12 NOV Art:Con</a> <a title="ArtReview:December2011 page 43" href="https://secure.viewer.zmags.com/publication/14f83be2?page=43"> Now BUY This The pick of things you didn’t know y</a> <a title="ArtReview:December2011 page 44" href="https://secure.viewer.zmags.com/publication/14f83be2?page=44"> Daniel arsham</a> <a title="ArtReview:December2011 page 45" href="https://secure.viewer.zmags.com/publication/14f83be2?page=45"> – Pet sounds? – Not just a purveyor of experim</a> <a title="ArtReview:December2011 page 46" href="https://secure.viewer.zmags.com/publication/14f83be2?page=46"> </a> <a title="ArtReview:December2011 page 47" href="https://secure.viewer.zmags.com/publication/14f83be2?page=47"> Off-Space Travels Oliver BascianO No 2: Auto ItAl</a> <a title="ArtReview:December2011 page 48" href="https://secure.viewer.zmags.com/publication/14f83be2?page=48"> Ryan Mosely Kansan Ouija, 2010, and Paul Housley,</a> <a title="ArtReview:December2011 page 49" href="https://secure.viewer.zmags.com/publication/14f83be2?page=49"> EvaCaridi 12-22 january 2012 </a> <a title="ArtReview:December2011 page 50" href="https://secure.viewer.zmags.com/publication/14f83be2?page=50"> </a> <a title="ArtReview:December2011 page 51" href="https://secure.viewer.zmags.com/publication/14f83be2?page=51"> Great Critics and Their Ideas inteRview By MAttHe</a> <a title="ArtReview:December2011 page 52" href="https://secure.viewer.zmags.com/publication/14f83be2?page=52"> And lastly, in a descending order of significance</a> <a title="ArtReview:December2011 page 53" href="https://secure.viewer.zmags.com/publication/14f83be2?page=53"> </a> <a title="ArtReview:December2011 page 54" href="https://secure.viewer.zmags.com/publication/14f83be2?page=54"> </a> <a title="ArtReview:December2011 page 55" href="https://secure.viewer.zmags.com/publication/14f83be2?page=55"> JOhn Quin What’s up in Buenos Aires Christian ViV</a> <a title="ArtReview:December2011 page 56" href="https://secure.viewer.zmags.com/publication/14f83be2?page=56"> buenos aires is a city scenesters </a> <a title="ArtReview:December2011 page 57" href="https://secure.viewer.zmags.com/publication/14f83be2?page=57"> Christian Viveros-Fauné A critic An</a> <a title="ArtReview:December2011 page 58" href="https://secure.viewer.zmags.com/publication/14f83be2?page=58"> </a> <a title="ArtReview:December2011 page 59" href="https://secure.viewer.zmags.com/publication/14f83be2?page=59"> J.J. Charlesworth Is art takIng on a more po</a> <a title="ArtReview:December2011 page 60" href="https://secure.viewer.zmags.com/publication/14f83be2?page=60"> </a> <a title="ArtReview:December2011 page 61" href="https://secure.viewer.zmags.com/publication/14f83be2?page=61"> </a> <a title="ArtReview:December2011 page 62" href="https://secure.viewer.zmags.com/publication/14f83be2?page=62"> Hettie Judah Courtesy Delta Marine Consultants, </a> <a title="ArtReview:December2011 page 63" href="https://secure.viewer.zmags.com/publication/14f83be2?page=63"> Jonathan Grossmalerman </a> <a title="ArtReview:December2011 page 64" href="https://secure.viewer.zmags.com/publication/14f83be2?page=64"> </a> <a title="ArtReview:December2011 page 65" href="https://secure.viewer.zmags.com/publication/14f83be2?page=65"> </a> <a title="ArtReview:December2011 page 66" href="https://secure.viewer.zmags.com/publication/14f83be2?page=66"> </a> <a title="ArtReview:December2011 page 67" href="https://secure.viewer.zmags.com/publication/14f83be2?page=67"> </a> <a title="ArtReview:December2011 page 68" href="https://secure.viewer.zmags.com/publication/14f83be2?page=68"> </a> <a title="ArtReview:December2011 page 69" href="https://secure.viewer.zmags.com/publication/14f83be2?page=69"> NEXTARTCHICAGO2012 April 27 – 29 Opening Preview:</a> <a title="ArtReview:December2011 page 70" href="https://secure.viewer.zmags.com/publication/14f83be2?page=70"> Maria Lind Petra Bauer, Sisters!, 2011, film stil</a> <a title="ArtReview:December2011 page 71" href="https://secure.viewer.zmags.com/publication/14f83be2?page=71"> Sam Jacob What the </a> <a title="ArtReview:December2011 page 72" href="https://secure.viewer.zmags.com/publication/14f83be2?page=72"> </a> <a title="ArtReview:December2011 page 73" href="https://secure.viewer.zmags.com/publication/14f83be2?page=73"> Mike Watson when it c</a> <a title="ArtReview:December2011 page 74" href="https://secure.viewer.zmags.com/publication/14f83be2?page=74"> </a> <a title="ArtReview:December2011 page 75" href="https://secure.viewer.zmags.com/publication/14f83be2?page=75"> Galerie Alšovo nábřeží 12, Prague 1 </a> <a title="ArtReview:December2011 page 76" href="https://secure.viewer.zmags.com/publication/14f83be2?page=76"> </a> <a title="ArtReview:December2011 page 77" href="https://secure.viewer.zmags.com/publication/14f83be2?page=77"> </a> <a title="ArtReview:December2011 page 78" href="https://secure.viewer.zmags.com/publication/14f83be2?page=78"> </a> <a title="ArtReview:December2011 page 79" href="https://secure.viewer.zmags.com/publication/14f83be2?page=79"> gaming with time and space, a feminist toaster, a</a> <a title="ArtReview:December2011 page 80" href="https://secure.viewer.zmags.com/publication/14f83be2?page=80"> </a> <a title="ArtReview:December2011 page 81" href="https://secure.viewer.zmags.com/publication/14f83be2?page=81"> a lexandre Singh is telling</a> <a title="ArtReview:December2011 page 82" href="https://secure.viewer.zmags.com/publication/14f83be2?page=82"> ‘since culture is so important,couldn’t our relat</a> <a title="ArtReview:December2011 page 83" href="https://secure.viewer.zmags.com/publication/14f83be2?page=83"> </a> <a title="ArtReview:December2011 page 84" href="https://secure.viewer.zmags.com/publication/14f83be2?page=84"> Art|Basel|Miami Beach thanks you for a great ten </a> <a title="ArtReview:December2011 page 85" href="https://secure.viewer.zmags.com/publication/14f83be2?page=85"> 84 spelled out in crisp block capitals, map the </a> <a title="ArtReview:December2011 page 86" href="https://secure.viewer.zmags.com/publication/14f83be2?page=86"> </a> <a title="ArtReview:December2011 page 87" href="https://secure.viewer.zmags.com/publication/14f83be2?page=87"> this page, from top: Project for the Wind – Drawi</a> <a title="ArtReview:December2011 page 88" href="https://secure.viewer.zmags.com/publication/14f83be2?page=88"> primarily constructed around his frequent appeara</a> <a title="ArtReview:December2011 page 89" href="https://secure.viewer.zmags.com/publication/14f83be2?page=89"> own art that I couldn’t see it: I hated it,” he e</a> <a title="ArtReview:December2011 page 90" href="https://secure.viewer.zmags.com/publication/14f83be2?page=90"> soft collection by molo </a> <a title="ArtReview:December2011 page 91" href="https://secure.viewer.zmags.com/publication/14f83be2?page=91"> unsettling creepiness, punk persona, faltering hi</a> <a title="ArtReview:December2011 page 92" href="https://secure.viewer.zmags.com/publication/14f83be2?page=92"> c </a> <a title="ArtReview:December2011 page 93" href="https://secure.viewer.zmags.com/publication/14f83be2?page=93"> 92 Charles Bur</a> <a title="ArtReview:December2011 page 94" href="https://secure.viewer.zmags.com/publication/14f83be2?page=94"> How much have you used Burroughs’s literary techn</a> <a title="ArtReview:December2011 page 95" href="https://secure.viewer.zmags.com/publication/14f83be2?page=95"> salon international d'art April 25th – 29th 2012</a> <a title="ArtReview:December2011 page 96" href="https://secure.viewer.zmags.com/publication/14f83be2?page=96"> </a> <a title="ArtReview:December2011 page 97" href="https://secure.viewer.zmags.com/publication/14f83be2?page=97"> Photographer Heidi Specker’s project Ultimatum al</a> <a title="ArtReview:December2011 page 98" href="https://secure.viewer.zmags.com/publication/14f83be2?page=98"> Artists Le Quy Tong Bui Huu Hung Pha</a> <a title="ArtReview:December2011 page 99" href="https://secure.viewer.zmags.com/publication/14f83be2?page=99"> post-Duchamp thinking, Christoph Büchel, flickerin</a> <a title="ArtReview:December2011 page 100" href="https://secure.viewer.zmags.com/publication/14f83be2?page=100"> a co</a> <a title="ArtReview:December2011 page 101" href="https://secure.viewer.zmags.com/publication/14f83be2?page=101"> British artist Matthew Darbyshire’s interrogation</a> <a title="ArtReview:December2011 page 102" href="https://secure.viewer.zmags.com/publication/14f83be2?page=102"> of artists as the starting point for a situation </a> <a title="ArtReview:December2011 page 103" href="https://secure.viewer.zmags.com/publication/14f83be2?page=103"> In which she talks about curating a show of his w</a> <a title="ArtReview:December2011 page 104" href="https://secure.viewer.zmags.com/publication/14f83be2?page=104"> t here’s an a</a> <a title="ArtReview:December2011 page 105" href="https://secure.viewer.zmags.com/publication/14f83be2?page=105"> t here’s an atmosphere of sh</a> <a title="ArtReview:December2011 page 106" href="https://secure.viewer.zmags.com/publication/14f83be2?page=106"> when I was doing Virgin Suicides [1999] and alway</a> <a title="ArtReview:December2011 page 107" href="https://secure.viewer.zmags.com/publication/14f83be2?page=107"> Listings USA, Asia, Middle East & Europe United </a> <a title="ArtReview:December2011 page 108" href="https://secure.viewer.zmags.com/publication/14f83be2?page=108"> GALLERIES A selection of international contempora</a> <a title="ArtReview:December2011 page 109" href="https://secure.viewer.zmags.com/publication/14f83be2?page=109"> Listings Europe Thaddaeus Ropac Mirabellplatz 2,</a> <a title="ArtReview:December2011 page 110" href="https://secure.viewer.zmags.com/publication/14f83be2?page=110"> Design: ahoystudios.com PULSE Miami Contemporary</a> <a title="ArtReview:December2011 page 111" href="https://secure.viewer.zmags.com/publication/14f83be2?page=111"> Listings Europe ICeLANd i8 Gallery Tryggvagata 16</a> <a title="ArtReview:December2011 page 112" href="https://secure.viewer.zmags.com/publication/14f83be2?page=112"> 18–22 January 2012 Modern British & Contemporary </a> <a title="ArtReview:December2011 page 113" href="https://secure.viewer.zmags.com/publication/14f83be2?page=113"> Listings Europe SWEDEN Magasin 3 Frihamnen, SE –</a> <a title="ArtReview:December2011 page 114" href="https://secure.viewer.zmags.com/publication/14f83be2?page=114"> Europe & South Africa Listings New Art Centre Roc</a> <a title="ArtReview:December2011 page 115" href="https://secure.viewer.zmags.com/publication/14f83be2?page=115"> Subscribe Subscribe NOW and get a FREE limited-e</a> <a title="ArtReview:December2011 page 116" href="https://secure.viewer.zmags.com/publication/14f83be2?page=116"> Reviewed Exhibitions/Uk Phyllida Barlow: Hauser &</a> <a title="ArtReview:December2011 page 117" href="https://secure.viewer.zmags.com/publication/14f83be2?page=117"> Phyllida Barlow RIG: untitled; pompoms, 2011 (ins</a> <a title="ArtReview:December2011 page 118" href="https://secure.viewer.zmags.com/publication/14f83be2?page=118"> Phyllida Barlow: RIG Hauser & Wirth (Piccadilly),</a> <a title="ArtReview:December2011 page 119" href="https://secure.viewer.zmags.com/publication/14f83be2?page=119"> Barry Reigate: Equation Paradise Row, London 9 Se</a> <a title="ArtReview:December2011 page 120" href="https://secure.viewer.zmags.com/publication/14f83be2?page=120"> 1980s-pastel-toned paintings. The photographs </a> <a title="ArtReview:December2011 page 121" href="https://secure.viewer.zmags.com/publication/14f83be2?page=121"> Manufacture 2 John Hansard Gallery, Southampton 2</a> <a title="ArtReview:December2011 page 122" href="https://secure.viewer.zmags.com/publication/14f83be2?page=122"> charles mason (see Manufacture 2) Happy or Sad, 2</a> <a title="ArtReview:December2011 page 123" href="https://secure.viewer.zmags.com/publication/14f83be2?page=123"> antonio manuel Repressão Outra Vez – Eis a Conseq</a> <a title="ArtReview:December2011 page 124" href="https://secure.viewer.zmags.com/publication/14f83be2?page=124"> Antonio Manuel: I Want to Act, Not Represent Amer</a> <a title="ArtReview:December2011 page 125" href="https://secure.viewer.zmags.com/publication/14f83be2?page=125"> Anicka Yi: Sous-Vide 47 Canal, New York 21 Septem</a> <a title="ArtReview:December2011 page 126" href="https://secure.viewer.zmags.com/publication/14f83be2?page=126"> heavy swathes of black house paint in To Swallow </a> <a title="ArtReview:December2011 page 127" href="https://secure.viewer.zmags.com/publication/14f83be2?page=127"> Bobbi woods COMA (You Look Like You’ve Seen a Gho</a> <a title="ArtReview:December2011 page 128" href="https://secure.viewer.zmags.com/publication/14f83be2?page=128"> BoBBi woodS Bobbi Woods: COMA (So Fine) Annie Wh</a> <a title="ArtReview:December2011 page 129" href="https://secure.viewer.zmags.com/publication/14f83be2?page=129"> 4th Moscow Biennale of Contemporary Art Various v</a> <a title="ArtReview:December2011 page 130" href="https://secure.viewer.zmags.com/publication/14f83be2?page=130"> Giulio Paolini’s Letters from Turin (2008), meanw</a> <a title="ArtReview:December2011 page 131" href="https://secure.viewer.zmags.com/publication/14f83be2?page=131"> letizia Battaglia (see Istanbul Biennial) After t</a> <a title="ArtReview:December2011 page 132" href="https://secure.viewer.zmags.com/publication/14f83be2?page=132"> Ahmet Ogüt & Cevdet Erek Ahmet Cevdet Bey Present</a> <a title="ArtReview:December2011 page 133" href="https://secure.viewer.zmags.com/publication/14f83be2?page=133"> Untitled (12th Istanbul Biennial) Antrepo 3 & 5, </a> <a title="ArtReview:December2011 page 134" href="https://secure.viewer.zmags.com/publication/14f83be2?page=134"> OGut & ErEk Ahmet Oğüt & Cevdet Erek: Ahmet Cevd</a> <a title="ArtReview:December2011 page 135" href="https://secure.viewer.zmags.com/publication/14f83be2?page=135"> danica phelps The Cost of Love (detail), 2011, aq</a> <a title="ArtReview:December2011 page 136" href="https://secure.viewer.zmags.com/publication/14f83be2?page=136"> dAniCA phELpS Danica Phelps Galerie Hubert Winte</a> <a title="ArtReview:December2011 page 137" href="https://secure.viewer.zmags.com/publication/14f83be2?page=137"> Mario Pfeifer KOW Berlin 10 September – 28 Octobe</a> <a title="ArtReview:December2011 page 138" href="https://secure.viewer.zmags.com/publication/14f83be2?page=138"> shards of glass and blasted with white particles</a> <a title="ArtReview:December2011 page 139" href="https://secure.viewer.zmags.com/publication/14f83be2?page=139"> On the Town ArtReview Power 100 in partnership wi</a> <a title="ArtReview:December2011 page 140" href="https://secure.viewer.zmags.com/publication/14f83be2?page=140"> ARTREVIEW'S OKTOBERFEST, OCTOBER photography H</a> <a title="ArtReview:December2011 page 141" href="https://secure.viewer.zmags.com/publication/14f83be2?page=141"> Books Art History Defining Contemporary Ar</a> <a title="ArtReview:December2011 page 142" href="https://secure.viewer.zmags.com/publication/14f83be2?page=142"> Fiction I’m with the Bears: Short Stories from a</a> <a title="ArtReview:December2011 page 143" href="https://secure.viewer.zmags.com/publication/14f83be2?page=143"> collected Writings Great Works – 50 Paintings Ex</a> <a title="ArtReview:December2011 page 144" href="https://secure.viewer.zmags.com/publication/14f83be2?page=144"> Music Mother, Brother, Lover: Selected Lyrics B</a> <a title="ArtReview:December2011 page 145" href="https://secure.viewer.zmags.com/publication/14f83be2?page=145"> Biography Hockney: The Biography – The Rake’s Pr</a> <a title="ArtReview:December2011 page 146" href="https://secure.viewer.zmags.com/publication/14f83be2?page=146"> Architecture The Collected Writings of Jon Thomp</a> <a title="ArtReview:December2011 page 147" href="https://secure.viewer.zmags.com/publication/14f83be2?page=147"> Monday, November 14, 2011 13:14 Subject: off th</a> <a title="ArtReview:December2011 page 148" href="https://secure.viewer.zmags.com/publication/14f83be2?page=148"> No uniform patterns It’s the differences that mak</a> <a title="ArtReview:December2011 page 149" href="https://secure.viewer.zmags.com/publication/14f83be2?page=149"> Tambour Voyagez Automatic chronograph with tach</a>